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  • £37.95

    BILL BAILEY, WON'T YOU PLEASE (Brass Band) - Richards, Goff

    Duration: 4:38 Recorded on Polyphonic QPRL222D And the Band Played On

    Estimated dispatch 7-14 working days
  • £24.95

    BLACK BULL, The (Brass Band Marchcard) - Barry, Darrol

    Marchcard size. Duration 4:15. Recorded on Polyphonic QPRL221D Sunburst

    Estimated dispatch 7-14 working days
  • £95.00
  • £42.60

    Brass with Class! (Flexible Ensemble - Score and Parts) - Fernie, Alan

    4 Part Flexible Ensemble and PercussionIncludes:Save the WorldAfternoon TeaAll the Planets Have A NorthMarch: Brass With Class

    Estimated dispatch 7-14 working days

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  • £74.99

    Bread and Games Brass Band (Score & Parts)

    Panem et Circenses', Bread and Games were essential for keeping the citizens of ancient Rome in check. While the bread was meant for the poorest among the Romans, the Games were Popular Pastime Number One for everybody.There were different kinds of games, such as chariot races (especially popular with female spectators), or wild-beast fights, where lions, tigers, bulls or bears were set on one another or even on human beings. Most popular, however, were the Gladiator fights. In 'Bread and Games' William Vean depicts one of the many fights in the antique Colosseum. 1. Entrance of the Gladiators: By powerful bugle-calls the attention of the people was asked for, after which the Gladiators entered the Arena at the sound of heroic marching-music.2.Swordfight: We can hear that the fights were not mere child's play in this part.On the contrary, they were a matter of life and death and were fought accordingly.3.Mercy of the Emperor: Sometimes a wounded gladiator could be fortunate, depending on the mercy of the audience. Waving one's handkerchief meant mercy, a turned-down thumb meant no pardon. The Emperor had the right to take the final decision, but he usually complied with the wish of the majority of the public. 4.Lap of Honour: Gladiators were mainly selected among slaves, convicted criminals, or prisoners of war. Consequently, winning was very important, as it would mean fame, honour and sometimes even wealth. A lap of honour, therefore, was the winner's due reward. 06:00

    Estimated dispatch 7-14 working days

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  • £25.00

    BRITISH ISLES SUITE FOR BRASS BAND AND PERCUSSION, A (Brass Band Extra Score) - Bates, Jonathan

    2012 National Championships Finals - Fourth Section. The four movement work quotes hallowed poets and prose writers. The first movement uses Robert Burns's 'When Chill November's surly blast made field and forest bare' - a musical depiction of a Scottish highland landscape in crisp mid-winter. Movement 2 takes Dylan Thomas's 'Though lovers be lost, love shall not' and showcases soloists performing their individual love stories, finishing with an adaptation of the Welsh national anthem, whilst the third movement quotes the Irish poer, Yeats. The music links the Isle of Man and Ireland, opening with the Manx national anthem and traditional Manz dancing, before leading to a Dublin dance scene. Movement 4 quotes Shakespeare's 'Be not afraid of greatness', opening with a fanfare by percussion, then moving into Holst's In the Bleak Mid Winter and to the seventh variation of Elgar's Enigma Variations, Nimrod.

    Estimated dispatch 7-14 working days
  • £64.95

    BRITISH ISLES SUITE FOR BRASS BAND AND PERCUSSION, A (Brass Band Set - Score and Parts) - Bates, Jonathan

    2012 National Championships Finals - Fourth Section. The four movement work quotes hallowed poets and prose writers. The first movement uses Robert Burns's 'When Chill November's surly blast made field and forest bare' - a musical depiction of a Scottish highland landscape in crisp mid-winter. Movement 2 takes Dylan Thomas's 'Though lovers be lost, love shall not' and showcases soloists performing their individual love stories, finishing with an adaptation of the Welsh national anthem, whilst the third movement quotes the Irish poer, Yeats. The music links the Isle of Man and Ireland, opening with the Manx national anthem and traditional Manz dancing, before leading to a Dublin dance scene. Movement 4 quotes Shakespeare's 'Be not afraid of greatness', opening with a fanfare by percussion, then moving into Holst's In the Bleak Mid Winter and to the seventh variation of Elgar's Enigma Variations, Nimrod.

    Estimated dispatch 7-14 working days
  • £42.95

    BUFFALO BILL BONANZA, A (Brass Band) - Richards, Goff

    Duration: 4:31 Recorded on Polyphonic QPRL222D And the Band Played On

    Estimated dispatch 7-14 working days
  • £38.80

    Bye Bye President (Brass Band - Score and Parts) - Walter, Christoph - Smith, Sandy

    Marchcard sizeDuration: 4.00

    Estimated dispatch 7-14 working days

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  • £37.95

    CANTABILE (Euphonium/Brass Band) - Paganini, Niccolo - Richards, Goff

    Duration 4:51 Recorded on Polyphonic QPRL222D And the Band Played On

    Estimated dispatch 7-14 working days