Results
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£106.99Saint-Saens Variations - Philip Sparke
In 2006, a long-time dream of Philip Sparke finally became reality: to compose a set of variations on the famous chorale from Saint-Saens' renowned Organ Symphony. In 2009 the composer reworked the piece for brass band. The resulting Saint-Saens Variations has been simplified, shortened and in many places completely recomposed, to distill the essence of the symphony even further and allow younger bands to enjoy the power of Saint-Saens' masterpiece in an approachable, yet completely faithful, work.
Estimated dispatch 5-14 working days
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£72.99A Medieval Christmas - Philip Sparke
Christmas is full of customs and traditions, both old and new. This is especially evident in Christmas songs, some of which have been part of Christian worship for centuries. A Medieval Christmas combines three ancient melodies that are still popular around the world today. Philip Sparke chose Gaudete, a song of praise from the middle ages, Coventry Carol, an English song from the 14th century, and In dulci jubilo, which can also be traced back to the 14th century, to form this joyous suite.
Estimated dispatch 5-14 working days
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£106.99Vivid Brass - Philip Sparke
Vivid Brass was commissioned by Vivid Brass Tokyo, a brass band that is made up of professional players who meet up for concerts and recording projects. Philip Sparke has been a frequent guest conductor with the band. The result is Vivid Brass, a work in which all sections come to the fore as the energy of the band shines through!
Estimated dispatch 5-14 working days
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£87.99With Clouds Descending - Philip Sparke
With Clouds Descending is a fantasy on the powerful Advent hymn Helmsley which is long associated with another Advent hymn - Wesley's Lo! He Comes with Clouds Descending. The hymn tune is divided into an introduction and three complete verses of Helmsley, which surround a slower central section, whose melody is derived from the last line of the hymn tune. Philip Sparke's grade 4 arrangement of this majestic piece for Brass Band is equally suitable as a concert opener or a main concert piece.
Estimated dispatch 5-14 working days
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£57.50The Bandwagon - Philip Sparke
Band director and radio presenter Yutaka Nishida hails from Tokyo and is the Frank Renton of the Japanese Brass Band world. He presents a weekly two-hour music programme on the Japanese national radio station, Digital Radio Musicbird. The programme is called The Bandwagon and the station commissioned Philip Sparke to compose a march, which could be used as the theme tune. The result is this bright and breezy march in simple ABA form. A great lively item for any concert.
Estimated dispatch 5-14 working days
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£168.50A Tale as Yet Untold - Philip Sparke
A Tale as Yet Untold was commissioned by the Cory Band for the European Brass Band Championships in Linz, Austria, 2010, and their winning performance gave them a hattrick of victories at the competition. The theme of this impressive work, which is set in three movements, is one that recurs again and again throughout the music of Philip Sparke, the power of the human spirit to overcome adversity and how the beauty of music can help in this respect.
Estimated dispatch 5-14 working days
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£134.99Tuba Concerto - Philip Sparke
When writing his tuba concerto, Philip Sparke wanted to create a work which explored the many aspects of the instrument's technical and vocal qualities but without resorting to caricature. The result is a concerto in two joined movements, which can both be programmed individually, that contains both many lyrical lines together with stunning virtuosic passages. An outstanding concerto that tuba players and brass band audiences alike will enjoy and applaud.
Estimated dispatch 5-14 working days
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£76.99Scaramouche - Philip Sparke
Score and parts for Philip Sparke's Scaramouche, composed for Baritone/Euphonium Concert band.
Estimated dispatch 5-14 working days
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£104.99The Divine Right - Philip Harper
At the time of composing this piece, the Arab Spring was sweeping through the Middle East. It seemed that almost every week a new countrys people had risen up against the regimes and dictatorships which had prevailed for generations, leaving manynations at a defining crossroads in their history. There were so many possible ways ahead: so many hopes, yet so many uncertainties.My music is a depiction of these revolutionary times, and several musical themes are in turn presented, discussed, considered, fought over, altered, rejected or accepted. Most nations have had, or probably will have, their own Arab Spring, including my own, the United Kingdom. Events of 17th Century Britain provide the context for this piece, particularly those following the execution of the tyrant King Charles I on30 January 1649. The regicide was in part due to Charless steadfast belief in the Divine Right of Kings, and led to a tumultuous interregnum, where England stood at its own defining crossroads.The music begins turbulently, before King Charles appears and is led to the gallows outside Banqueting House in central London where he is brutally decapitated. From the assembled crowd rose, according to one observer, a moan as I never heard before and desire I may never hear again.The music descends to emptiness. The musical argument which follows is not strictly programmatic, but a number of musical themes are all thrown into the melting pot, representing ideas such as: religion; military force; reasoned Parliamentary debate; and the chattering,irrepressible voice of the people. Additionally, there are some quotations from the music of royalist composer Thomas Tomkins (1572-1656), who was often in tune with the feeling of the times. This defining episode in Englands history was brought to a close with the Restoration of the monarchy in 1660, and as the exiled King Charles II rode back into London the diarist John Evelyn wrote: Never was so joyful a day seen in this nation. I stood in the Strand and beheld it, and blessed God.At the end of the piece the bells ring out, and the musical appearance of the King has transformed from turbulent to triumphant. Philip Harper, 2013
Estimated dispatch 5-14 working days
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£40.00Three Christmas Portraits - Philip Doe
A delightful suite of three Christmas carols expertly adapted by Philip Doe. This suite of three pieces open with Christmas Day, a dainty and light opening that shows the more delicate aspects of brass playing. The centre piece is a new version of The Coventry Carol, which open with a first verse rendition for quartet before developing a more baroque-style treatment that sits over an ostinato bass line. The movement reaches its climax with flourishes from the cornets leading to a rendition of the carol at fortissimo an d treated with slightly altered harmonies before coming to rest with the opening quartet delivering the tierce de Picardie. The final movement is I Saw Three Ships, with handy interjections of several other carols make for a rousing climax to a enjoyable set of three Christmas portraits.Duration: 6'20"Diffiulty: Suitable for all grades
Estimated dispatch 5-7 working days
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