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  • £30.00

    Jerusalem - C. Hubert H. Parry arr. Phillip Littlemore

    Sir Hubert Parry wrote the music to the hymn Jerusalem in 1916, during the gloom of World War I. It uses William Blake's poem And Did Those Feet In Ancient Times which itself was written around 1804, and first published in 1808.Parry's hymn was originally written for the 'Fight for Right' movement, formed to sustain the resolve of Britain during the Great War. The hymn received its premiere on the 28th March 1916 in the Queen's Hall, London at a 'Fight for Right' meeting. In 1917, Parry conducted it for the ladies of the Albert Hall choir as part of a call in favour of National Service for Women. This signalled a closer relationship with the women's suffrage movement which Parry and his wife, Maude, supported. A year later, Jerusalem was sung at a suffrage demonstration concert and was adopted by the Women's' Institute as their anthem in 1924.There are regular calls for the hymn to be adopted as the official National Anthem of England, but this is not new. The first such call can be traced back to the centenary of Blake's death in 1927 and the call continues undimmed to this present day. This brass band arrangement is based on Parry's original orchestration from 1916.Duration: 2'20"Difficulty: Suitable for all grades

    Estimated dispatch 5-7 working days
  • £40.00

    Mars, The Bringer of War - Gustav Holst arr. Phillip Littlemore

    Holst first became interested in astrology around 1912/13 and so began the gestation for a series of pieces that would ultimately become the suite The Planets.The suite itself was written between 1914 and 1916 and with the exception of Mercury, which was written last, Holst wrote the music in the sequence we now know them, and thus did not present the inner planets of Mercury, Venus and Mars in their planetary order. So, in 1914, came the insistent rhythmic tread of Mars, The Bringer of War. It is widely known that the sketches were completed prior to the outbreak of the First World War, so the music is less a reaction the the declaration of war itself, but more an impending sense of inevitability of a war to unfold. Even though Holst would not have known whether war would be declared as he wrote the music, it is almost certain that the news at the time would have had some influence on the music itself. Its insistent 5/4 rhythm, coupled with the winding melody line, the juxtaposition of keys such as D flat and C major all point to a sense of foreboding.Duration: 7'20"Difficulty: 2nd Section and above

    Estimated dispatch 5-7 working days
  • £30.00

    Nimrod - Edward Elgar arr. Phillip Littlemore

    Elgar wrote his Enigma Variations between 1898 and 1899. It is without a doubt Elgar's best-known large scale composition, and is dedicated to 'my friends within', as each variation is an affectionate portrayal of one of his circle of close acquaintances. The ninth variation, Nimrod, is dedicated to Augustus J. Jaeger, Elgar's publisher at Novello & Co. and also his editor and close friend.The name of the variation refers to 'the mighty hunter before the Lord' and can be found in the Book of Genesis. The name Jager is German for hunter. Often used for solemn occasions, it is the most poignant and beautiful pieces of British music.A video of this arrangement can be found here: NimrodDuration: c.3'00"Dofficulty: Suitable for all grades

    Estimated dispatch 5-7 working days
  • £30.00

    Os Justi - Anton Bruckner arr. Phillip Littlemore

    Bruckner's four-part setting Os Justi was completed in 1879, the same year that he began work on the sixth symphony. He created an extraordinary motet in the Lydian mode, which achieves striking harmonic effects without using either a sharp or a flat. It concludes with a plainchant Alleluia.Duration: c.3'40"Difficulty: Suitable for all grades

    Estimated dispatch 5-7 working days
  • £30.00

    Pavane - Gabriel FaurA(c) arr. Phillip Littlemore

    It is believed that Gabriel Faure wrote his Pavane as a piano piece in 1887, describing it as 'elegant, but not otherwise important'. He began work on the orchestral version a few months later, and scored it for modest forces, with the intention of performing it at a series of light Summer concerts that same year. At the behest of his benefactor, Elisabeth Greffulhe, he added a four-part choir, but it is rarely heard with the chorus these days. From the outset, the Pavane enjoyed great popularity. The music flows delicately and gracefully. A pulse beats gently and constantly beneath the arching melody lines, with elegant harmonic shifts and turns before the briefest of dramatic episodes. Calm is restored and the work draws to a tranquil conclusion.Duration: 5'30"Difficulty: Suitable for all grades

    Estimated dispatch 5-7 working days
  • £35.00

    Pomp & CIrcumstance March No.1 - Edward Elgar arr. Phillip Littlemore

    Elgar's Pomp & Circumstance March No. 1 was completed in July 1901 although the 'big tune' actually dates from earlier in that same year. It was premiered in Liverpool by its dedicatees, the Liverpool Orchestral Society, on the 19th October. It was repeated in London a few days later by Henry Wood at the Promenade concerts and the result was sensational, the audience roared its applause, and refused to allow the concert to continue. In order to restore order, Wood conducted the march three times - the only time in the history of the Promenade concerts that an orchestral item was accorded a double encore in Wood's lifetime.Now a staple of the 'Last Night of the Proms', where it always manages a partial encore, and a fitting item for any such themed concerts. This new arrangement recreates the colour from the original orchestral version.A video of this arrangement can be found here: Pomp & Circumstance March No.1Duration: c.6''00"Diffculty: 3rd Section and above

    Estimated dispatch 5-7 working days
  • £35.00

    William Tell Overture - Finale

    The overture to Rossini's opera William Tell is a fairly large scale work in four sections and lasting some twelve minutes. However, it is the Finale of the overture which is one of the most iconic pieces of music. This March of the Swiss Soldiers is a dynamic cavalry charge and galop often used in popular media to denote galloping horses, a race, or a hero riding to the rescue. Its most famous use in that respect is as the theme music for the radio and TV show The Lone Ranger! It was also used to great comic effect by Spike Jones and his City Slickers and it also finds it's way into the first movement of Shostakovich's 15th Symphony.Duration: c.3'20"Difficulty: 2md Section and above

    Estimated dispatch 5-7 working days
  • £40.00

    Finale from Symphony No. 5 - Pyotr Tchaikovsky arr. Phillip Littlemore

    Tchaikovsky composed his Fifth Symphony in the summer of 1888. He suggested that the opening-and recurrent-theme of the symphony represented "a complete resignation before Fate." The finale begins with a slow introduction of the 'fate' theme which segues into an Allegro Vivace of drive and energy, during which a majestic version of the fate theme periodically emerges. Finally, after a notorious "false" ending, the music courses ahead to a dramatic climax.Duration: c.7'30"Diffculty: 3rd Section and above

    Estimated dispatch 5-7 working days
  • £55.00

    Ancient Airs and Dances - Ottorino Respighi arr. Phillip Littlemore

    Ancient Airs and Dances is a set of three orchestral suites written in 1917, 1924 and 1932 respectively. In each, Respighi borrows melodic material from the 16th and 17th centuries, and then applies his own distinct voice to create something at once new and old. This arrangement takes four separate movements from two of the three sets. Balletto detto "Il Conte Orlando" by Simone Molinaro, was a popular piece from the beginning of the 17th century. Its noble rhythmic gestures in the opening and closing sections are answered by a more reflective mood in the middle. Gagliarda, by Vincenzo Galilei (father of the famous astronomer) was originally called Polymnia, after one of the muses of song. Arie di Corte (Courtly Airs), is based on a set of songs by Jean-Baptiste Besard, where sprightlier dances are enveloped by a stately dance. The finale is a clever alternation of two anonymous dances of the late 16th century. There are several variations on a passa-mezzo with interjections of a mascherada. The suite arrives at a brilliant finish with the mascherada's fanfare theme.A recording of this work can be found here: Ancient Airs and Dances.Duration: c. 9'30"Grade: 4th Section and above

    Estimated dispatch 5-7 working days
  • £40.00

    Carmen Suite - Georges Bizet arr. Phillip Littlemore

    Incredible as it seems today, Bizet's opera Carmen was met with a lukewarm reception at its premiere at the Paris Opera-Comique in 1875; critics condemned its subject matter as lurid and its music overly Wagnerian, and it ran for a mere 37 performances. Bizet died with a few days of it opening at the tragically early age of just thirty-six. Now hailed as the composer's supreme achievement, this colourful, passionate work continues to delight listeners around the world with its emotional, atmospheric music and the originality of its conception. Two orchestral suites were created in the latter part of the 19th Century each containing six pieces.This brass band arrangement brings together three of these pieces, the Aragonaise , the Habanera and Les Toreadors .Duration: c.7'00"Difficulty: 3rd Section and above

    Estimated dispatch 5-7 working days