Results
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£27.50
In Thee Is Joy (Chorale Prelude) - Bach, J.S.
Estimated dispatch 5-7 working days
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£94.99Chorale Variations (Brass Band - Score and Parts) - De Haan, Jan
On a Theme in Ancient StyleChorale Variations comprises six variations on an original theme in Renaissance style. Written as a test piece for the renowned contest 'Gouden Spiker Festival' in Friesland (The Netherlands), it is a challenging concert or contest piece, presenting attractive and demanding parts for all sections.
Estimated dispatch 7-14 working days
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£59.99Chorale and Canzone (Brass Band - Score and Parts) - De Haan, Jan
The words and lyrics of the Christmas Carol From Highest Heaven I Come To Tell were written by the great Martin Luther (1483-1546) and can be found in The Hymns of Martin Luther. Martin Luther expressed radical views which began the reformation movement. His followers protested at the treatment given to Martin Luther, the event from which the term 'Protestant' was derived. It was first published in Joseph Klug's Gesangsbuch in around 1535. Add a majestic Baroque feel to any concert with this simple yet effective arrangement.Duration: 2:45
Estimated dispatch 7-14 working days
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£59.99Canterbury Chorale (Brass Band - Score and Parts) - Van der Roost, Jan
This quiet piece with its broad tones was originally written for brass band on request of Robert Leveugle, chairman of the composer's own band: Brass Band Midden Brabant (Belgium). The direct cause was a visit to the beautiful cathedral of the English city Canterbury, in which so many fine compositions sounded throughout the centuries. Later on, Jan Van der Roost rescored this piece for symphonic wind band, exploring the full richness of colours of this formation. Besides solo phrases for several instruments, there are some massive tutti passages making the wind orchestra sound like a majestic organ. By the way: an "ad libitum" organ part adds an extra richness, colour and power to this piece, making it sound even more broad and grand.Duration: 6:30
Estimated dispatch 7-14 working days
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£6.50Seven Chorale Arrangements (Percussion/Timpani)
Includes:Ein Feste Burg (Luther & Hassler arr. Jan de Haan)An Irish Hymn Tune (arr. Herman Oldenstijl)Richmond (arr. Jan de Haan)See, the Conquering Hero Comes (Handel arr. Jan de Haan)Great is Thy Faithfulness (arr. Herman Oldenstijl)Ach wie Fluchtig, Ach wie Nichtig (arr. Jacob de Haan)Picardy Hymne (arr. Jan de Haan)
Estimated dispatch 7-14 working days
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£14.99
Seven Chorale Arrangements (Score)
Includes:Ein Feste Burg (Luther & Hassler arr. Jan de Haan)An Irish Hymn Tune (arr. Herman Oldenstijl)Richmond (arr. Jan de Haan)See, the Conquering Hero Comes (Handel arr. Jan de Haan)Great is Thy Faithfulness (arr. Herman Oldenstijl)Ach wie Fluchtig, Ach wie Nichtig (arr. Jacob de Haan)Picardy Hymne (arr. Jan de Haan)
Estimated dispatch 7-14 working days
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£53.50Chorale Varie (Brass Band - Score and Parts) - De Haan, Jan
Duration: 3.00
Estimated dispatch 7-14 working days
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£25.00 -
£19.50
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£179.50Fanfare and Chorale - Egil Hovland
This arrangement (or edition) for brass band will give the possibility for more performances of this fine work by Hovland. The composer, before his death, examined my work and made no suggestions for changes, and his approving comments were complimentary and encouraging. The work was originally written for Concert Band in 1966 as Op. 54a to St. Olaf College Band in the US. It was transcribed in 1967 for symphony orchestra as Op. 54b by the composer himself. The challenges in arranging the piece for brass band were mostly concerned with satisfactorily covering the upper register used by piccolo, flutes and clarinets, and while there are wonderful brass players around who have amazing high registers, I have aimed this edition at a level achievable by reasonably good brass band players who are willing to give time and effort into the proper preparation and delivery of the music. Having worked on this new edition with a top-class brass band, I think it sounds wonderful and interestingly different to the original. Besides the obvious differences of tone-colour and absent high notes, I have used in my scoring, the option for using a vibraphone in place of a celeste. Vaughan Williams, in his Variations for brass band writes for celeste, but because the instrument is quite rare, performances have been mostly given using a glockenspiel- but this, of course sounds two octaves higher than it was intended. I think that vibraphone and brass is an excellent combination and recommend it without hesitation in this piece. Every detail of articulation and dynamic has been considered, so in order to keep the integrity of the music, please do not change anything in the name of "interpretation". As Ravel says- "What is there to interpret?" Ray Farr
Estimated dispatch 5-14 working days
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