Results
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£30.00Twelve Scripture-based Songs Volume X
Twelve scripture-Based Songs arranged for Brass Band (Volume X) are packaged and marketed in complete sets which include a full score and a set of master parts. It is intended that these parts be used as 'masters', for the purpose of photocopying a quantity of parts to accommodate the precise instrumentation needs of the band for which this has been purchased.Includes:As the deerBefriendedBlessing and honour (Ancient of days)Church on fire!From the highest of heights (Indescribable)I'm in his handsO sacred KingSuch LoveThis is my desire (I give you my heart)When I was lost (There is a new song)Will you come and follow me? (The Summons)Your mercy taught us (Dancing Generation)
Estimated dispatch 7-14 working days
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£30.00Twelve Scripture-based Songs Volume IV
Twelve scripture-Based Songs arranged for Brass Band (Volume IV) are packaged and marketed in complete sets which include a full score and a set of master parts. It is intended that these parts be used as 'masters', for the purpose of photocopying a quantity of parts to accommodate the precise instrumentation needs of the band for which this has been purchased.Includes:Cwm RhonddaDays of Elijah (These are the days)Great is the darkness (Come, Lord Jesus)I dare to be differentI love you, LordLord, I lift your name on highOnly by gracePower of your love (Lord, I come to you)Shout to the Lord (My Jesus, my Saviour)The battle belongs to the LordTo be in your presence (My Desire)Wake up, O Sleeper
Estimated dispatch 7-14 working days
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£109.99
Fantasy for Brassband and Organ Brass Band (Score & Parts)
When I was approached to compose a work for brassband and church organ I already envisioned the concept I would use. It would indeed literally become a work for brassband and organ. Without the traditional solos, the organ would form an addition to the brassband orchestration as would the brassband provide an extra register for the organ. In short a homogeneous entity. The most important reason for doing this is quite simple. Since this work can only be performed in a church and because of the specific acoustics of the church, the brassband would sound in al its tone colour like an organ. By using certain registers of the organ and combining these with the brassband a wonderful sound palette can be created. The use of complementary or contrasting tone quality is also possible. The primary theme of this composition is based on these three methods of "colouring". As far as structure is concerned this work consists of two parts. slow - fast. It is built on a number of motifs in which some behave like a consecutive canon. In the fast movement the primary motif develops into a fugue-like section. The canon and fugato are techniques frequently used in classical and contemporary organ literature. The liberal use of structure and motif has lead to the title. "Fantasy for Brassband and Organ". 11:00
Estimated dispatch 7-14 working days
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£89.95TRUMPETS OF THE ANGELS - 2016 Edition (Gregson) (Brass Band - Score and Parts) - Gregson, Edward
The Trumpets of the Angels is a large-scale work, scored for seven solo trumpets (or cornets), brass band and percussion (deploying 'dark' instruments such as three tam-tams, bass drum and two sets of timpani). The genesis of the work is a quotation from the Book of Revelation ... and I saw the seven angels which stood before God; and to them were given seven trumpets.Thus the idea behind the work is highly dramatic and I have tried to achieve this by the spatial deployment of seven solo trumpets around the band. Trumpet 7 remains separate from the band throughout and, indeed, has the most dramatic and extended cadenza, representing the words of the seventh angel ... and time shall be no more.The work opens with a four-note motif announced by off-stage horns and baritones and answered by fanfare figures on four solo trumpets. In turn, each then play cadenzas before joining together, independently playing their own music. This leads to a sung Kyrie Eleison with accompanying solos for Flugel Horn and Baritone, after which we hear the entry of solo trumpets 5 and 6 with music that is more urgent and rhythmic, describing the Horsemen of the Apocalypse.The music reaches another climax, more intense this time, with the horns and baritones (now on-stage) again sounding the transformed motif, before subsiding into what might be described as a lament of humanity - slow, yearning music, which builds from low to high, from soft to loud, with a melody that is both simple and poignant. At its climax, Trumpet 7 makes a dramatic entry, playing the opening four-note motif, but expanded to almost three octaves. This cadenza (to the partial accompaniment of 3 tam-tams, representing the Holy Trinity) introduces new material and foreshadows the ensuing Scherzo, introduced by antiphonal timpani before the band enters with music that is fast and foreboding. Despite the somewhat desolate and 'unstable' mood of this music, it slowly moves towards an optimistic conclusion, transforming the 'humanity' music into an affirmative and triumphant statement.The original version of The Trumpets of the Angels was commissioned by the Fodens Band for their centenary concert at The Bridgewater Hall, Manchester, in 2000, and contained an important part for organ. In 2015 I was asked by Nicholas Childs to create a New Performing Edition for the Black Dyke Band; without organ, and including newly composed material. This New Performing Edition was given its first performance at the European Brass Band Festival in Lille in April 2016. The work is dedicated In tribute to Olivier Messiaen.- Edward Gregson
Estimated dispatch 7-14 working days
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£44.95
TRUMPETS OF THE ANGELS - 2016 Edition (Gregson) (Brass Band - Score only) - Gregson, Edward
The Trumpets of the Angels is a large-scale work, scored for seven solo trumpets (or cornets), brass band and percussion (deploying 'dark' instruments such as three tam-tams, bass drum and two sets of timpani). The genesis of the work is a quotation from the Book of Revelation ... and I saw the seven angels which stood before God; and to them were given seven trumpets.Thus the idea behind the work is highly dramatic and I have tried to achieve this by the spatial deployment of seven solo trumpets around the band. Trumpet 7 remains separate from the band throughout and, indeed, has the most dramatic and extended cadenza, representing the words of the seventh angel ... and time shall be no more.The work opens with a four-note motif announced by off-stage horns and baritones and answered by fanfare figures on four solo trumpets. In turn, each then play cadenzas before joining together, independently playing their own music. This leads to a sung Kyrie Eleison with accompanying solos for Flugel Horn and Baritone, after which we hear the entry of solo trumpets 5 and 6 with music that is more urgent and rhythmic, describing the Horsemen of the Apocalypse.The music reaches another climax, more intense this time, with the horns and baritones (now on-stage) again sounding the transformed motif, before subsiding into what might be described as a lament of humanity - slow, yearning music, which builds from low to high, from soft to loud, with a melody that is both simple and poignant. At its climax, Trumpet 7 makes a dramatic entry, playing the opening four-note motif, but expanded to almost three octaves. This cadenza (to the partial accompaniment of 3 tam-tams, representing the Holy Trinity) introduces new material and foreshadows the ensuing Scherzo, introduced by antiphonal timpani before the band enters with music that is fast and foreboding. Despite the somewhat desolate and 'unstable' mood of this music, it slowly moves towards an optimistic conclusion, transforming the 'humanity' music into an affirmative and triumphant statement.The original version of The Trumpets of the Angels was commissioned by the Fodens Band for their centenary concert at The Bridgewater Hall, Manchester, in 2000, and contained an important part for organ. In 2015 I was asked by Nicholas Childs to create a New Performing Edition for the Black Dyke Band; without organ, and including newly composed material. This New Performing Edition was given its first performance at the European Brass Band Festival in Lille in April 2016. The work is dedicated In tribute to Olivier Messiaen.- Edward Gregson
Estimated dispatch 7-14 working days
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£30.00Flanfayre - Stephen Deazley
I was asked by Music for Youth to write a flexibly scored fanfare for the school proms at the Royal Albert Hall and at their National Festival in Birmingham in 2013. At its first performance at the National Festival, over 200 young brass players performed Flanfayre in Birmingham Town Hall, directed by Roger Argente, members of Superbrass and myself. The score is a progressive romp through some increasingly dance-like grooves, borrowing some of its swing from South America, from marches and big band, moving from a really quite straight opening to a "let-go" moment at the end. It is more like a flan full of different flavours, than a fanfare, hence the title. I set myself a challenge to write 100 bars but ended up with 102, which, after the introduction, can be broken down into 10 easily discernible sections each with their own mini-musical narrative. If you have time feel free to teach the audience the clapping groove. I also modelled the slow moving melody of the final section on the following words; "nothing beats a nice big cheesy, nothing beats a nice big cheesy, nothing beats a nice big cheesy, nothing beats a cheesy flan". Feel free to incorporate these too, and perform only under the strict instruction that you have fun ! - Programme Note copyright of Stephen Deazley
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£30.00Man from a Clan - Jock McKenzie
I wrote this piece as I watched the Scottish football side in the recent World Cup of 2021. At the time, all sorts of patriotic music was being played. As I listened it occurred to me that with just a handful of subtle musical nuances, music that was undeniably Scottish could be created from all manner of disparate sources.
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£32.99A Christmas Meditation By Joseph Knight
This is a Christmas piece with a difference. In this piece I have taken the Rocking Carol and used it as my theme. I then put it into sonata form using a minor key for the second subject. In the recapitulation I have layered The Love Came Down At Christmas over the second subject. This is a wonderful reflective piece that complements any Christmas program.
Estimated dispatch 5-9 working days
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£30.00Highly Exalted - Tim Paton
I was commissioned to write a piece for a festival. I set a religious text, Philippians chapter 2 verses 9 to 11, for soprano voice and chamber orchestra. I later modified and adapted this piece for soprano cornet and brass band. This music is very descriptive of what is contained in the Biblical text, speaking of things both terrestrial and heavenly.
In Stock: Estimated dispatch 3-5 working days
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£25.00Meditation - John Stainer
Based on "God So Loved The World" from John Stainer's "Crucifixion".In the 19th century, the English composer John Stainer wrote an oratorio named "The Crucifixion". It contains a beautiful a capella setting of the Biblical text from John chapter 3 verses 16 & 17. Although I have added a few obligati and counter subjects, and a short fugal link, for the most part, I have not tried to add too much to a beautiful piece of traditional harmony. What I have done, is to try to emphasise the subtle changes of tone colour in the unique sound of the brass band. "Meditation" is on the latest CD from Weston Brass. Order from [email protected] price �6.95."..a beautiful concert item that reflects the title of the work perfectly." Robert Childs
In Stock: Estimated dispatch 3-5 working days
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