Results
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£30.00Janacek's 'Taras Bulba' - Janacek
Comments from Tim Paton, the arranger of Janacek's 'Taras Bulba': "I will never forget the day in 1967 when I was introduced to the music of Leos Janacek, a Czech composer born in 1854, who died in 1928. Janacek was little known in Britain until the 1960's, when the conductor Charles Macherras introduced his unique music. I heard a recording of Macherras conducting the Pro Arte Orchestra in a performance of Janacek's "Sinfonietta".It was in 1969 that I first heard Janacek's Symphonic Rhapsody, "Taras Bulba".Janacek's music is exciting, powerful, emotive, impassioned and unpredictable.I have taken the first and third movements of this piece, and adapted them for Brass Band, which was at times extremely difficult, but rewarding. It sometimes took up to an hour to be satisfied that a mere several bars had been reproduced to convey the composer's intentions.The Death of AndriThe Cossaks, under the leadership of Taras Bulba, are fighting against the Poles in the 17th century. Taras's son Andri seeks to rescue his love, a Polish princess, from a city which is being besieged by the Cossaks. Having found her, he throws in his lot with the Poles, but is finally captured by his father, who executes him as a traitor before riding off again to battle.Prophesy and Death of Taras BulbaTaras himself is finally captured and condemned to be nailed to a tree and burned alive. As the flames creep around him, Taras has the satisfaction of seeing histroops escape, and as he dies, sees a vision of his country freed at last.This is incredibly descriptive music. The mood is constantly changing, creating feelings of love and anger, celebration and melancholy, despair and triumph.This Brass Band EditionThe duration of the original symphonic rhapsody, three movements, is approximately 23 minutes. I chose the first and third movements, so the Brass Band edition is approximately 14 minutes. The main reason is twofold: Being realistic about the demands this music would place on the stamina of the brass player; Keeping the piece less than 15 minutes, so that, if desired, it could be used on the contest platform.Two unique qualities of Janacek's music had to be taken into account when preparing this brass band version. His compositional technique was individual, at times not sticking to traditional expectations, in both form and orchestration. I imagined what the genius himself would have said looking at my work, and how to tackle a particular section to emulate his original intentions. This was particularly the case when dealing with high woodwind and violin parts, the use of tremolo in string parts, and the orchestral harp.Percussion: Janacek included timpani, side drum, cymbals, triangle and tubular bells. For reasons stated previously, I have also included xylophone and glockenspiel. I have also added the gong in a couple of places to enhance the dramatic effect of the music.
In Stock: Estimated dispatch 3-5 working days
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£55.00Second Suite in F - Gustav Holst arr. Phillip Littlemore
Gustav Holst's Second Suite in F was composed in 1911, two years after the first suite, yet like his first suite it didn't receive its premiere until many years later, on 30th June 1922, at Royal Albert Hall in London and performed by band of The Military School of Music.The Suite uses English folk songs and folk dance tunes throughout. The opening march movement uses three tunes: a lively Morris Dance called Glorishears, the folk song Swansea Town and finally Cloudy Banks. The first two tunes are repeated to conclude the first movement. The second movement is a setting of I'll Love My Love, a sad story of a young maiden driven into Bedlam by grief over her lover being sent to sea by his parents to prevent their marriage. The Song of the Blacksmith follows with a lively hammer rhythms and the score actually asks for a blacksmith's anvil. The final movement is a fantasia based on the 16th Century English country-dance, The Dargason, with the Elizabethan love-song Greensleeves intertwined. This is a new brass band arrangement that has a lighter texture to that made by Sydney Herbert, restoring it to the original key of F and including sectioned omitted from the 1923 arrangement.Duration: c. 12 minutesDifficulty: 2nd Section and above
Estimated dispatch 5-7 working days
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£14.95Instrumental Album No.30 - Trombone Solos
Includes: Concertino; The Eternal Quest; O love that wilt not let me go; Walk with me; O sinner man; His love remains the same; The passing yearsInstrumentation: Trombone with Piano Accompaniment
Estimated dispatch 7-14 working days
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£22.50Edward Gregson: Concertante for Piano and Brass Band
DescriptionProgramme NoteThe Concertante for Piano and Brass Band was written in 1966, when the composer was an undergraduate student at the Royal Academy of Music in London. It received its first public concert performance in 1967 at the Royal Festival Hall, London, when the composer was the soloist with the International Band of the Salvation Army, conducted by Bernard Adams. It was one of the first major works to be written for this particular combination.The Concertante is unashamedly romantic in idiom and is in three movements: Prelude, Nocturne and Rondo. The Prelude is cast in sonata form and opens with a short cadenza-like flourish from the soloist, followed by two main ideas - the first sweepingly dramatic, the second highly lyrical. The interplay between these two themes forms the main focus of the movement, and after a return to the opening theme, an exuberant codetta brings the music to a close, albeit a quiet one. https://morthanveld.com/wp-content/uploads/2017/09/Gregson-Concertante-1st-movt-clip.mp3The tender Nocturne opens with an introduction from the band that contains precursors of the two main ideas to follow. The solo piano announces the main theme, which has a slightly 'bluesy' character with its flattened third and seventh notes of the scale, and is a love song dedicated to the composer's wife-to-be. The band enters with phrases of a chorale already hinted at in the introduction - Ray Steadman-Allen's hymn tune 'Esher' - but never quite presented in its complete state. Both ideas are developed alongside each other, with eventually the first theme returning, this time with piano and band together, and building to a majestic climax, before subsiding to a peaceful coda - a return to the very opening of the movement. https://morthanveld.com/wp-content/uploads/2017/09/Gregson-Concertante-movt-2-clip.mp3The final Rondo is full of energetic rhythms and changing time patterns. The main theme is playful in character, with much interplay between soloist and band, whilst the middle section presents a new theme, and one that has more than a hint of the hymn tune 'Onward Christian Soldiers', in what amounts to a good humoured parody. The opening Rondo theme returns, this time leading to a powerful and dissonant climax from the band. This is followed by an extended piano cadenza, underlying the virtuoso aspect of the work, and leading to an energetic and life-affirming coda, which brings the work to a triumphant conclusion. https://morthanveld.com/wp-content/uploads/2017/09/Gregson-Concertante-movt-3-clip.mp3Duration: 18 minutesInstrumentation:Please note that there is no 1st/Repiano Cornet part in this work. The 1st/Repiano Cornet player should join the Solo Cornet bench. As such an extra Solo Cornet part is provided in the set of parts.Version for two pianosA version of the Concertante for two pianos is available for rehearsal purposes. Piano 1 is the solo part and Piano 2 the band reduction. However, for those pianists not needing to rehearse the work in this way, a solo piano part is also provided with the main set of band parts.To view a preview of the solo part for the first movement click here.The youthful Gregson (his work was written as a third year undergraduate) was seemingly a bit of a musical magpie - but one heck of a skilful one at that.These were shiny baubles of poise, panache and pastiche, with affectionate, remarkably mature nods of appreciation towards Gershwin, Rachmaninov, Ireland and even Elmer as well as Leonard Bernstein.The rich colour palette and flowing lines (with the tenderest of central Nocturnes) were a joy - as were the little buds of motifs that dotted the score like seeds ready to be planted on a future fertile brass band compositional field. - Iwan Fox, 4Barsrest.com, June 2019For more information on Edward Gregson's music please visit the composer's website: www.edwardgregson.com
Estimated dispatch 7-14 working days
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£30.00National Express
I first heard of the song National Express, which was in the British Top Ten in 1998, when my son Jon mentioned it last year. It was written and sung by Neil Hannon, with his group "The Divine Comedy". Jon said that it would sound good played by a brass band. Tim Benson, solo trombone with Stannington Brass Band, also mentioned it on the internet forum, themouthpiece.com I spoke with Tim, and agreed to do a brass band arrangement with a special feature for solo trombone. In this arrangement, the solo trombone adds extra colour to a band arrangement which is a mixture of big band and country style. The trombone part is well within the capabilities of a good player. There is a comic element to this song, and the cornets and flugel contain an eight bar spoken part, which, if included, would enhance it's entertainment value.Tim Benson took the music to rehearsal at Stannington Brass Band and it instantly became a hit with the band who left whistling the melody. The piece not only retains the fun of the original, but it cleverly uses the band, and a bit of additional vocals from the cornet section. "Tim Benson and the Stannington Brass Band would like to thank Tim Paton for the arrangement." (Tim Benson)."National Express" is on Stannington Brass Band's latest CD, "AND ALL THAT BRASS", available from [email protected]."Pontins was brilliant... one of the highlights of my weekend was playing/performing National Express... absolutely belting arrangement Tim... I love it!" Message from Fiona, who performed with themouthpiece.com scratch band at the Pontins Brass Band Championships in Prestatyn.
In Stock: Estimated dispatch 3-5 working days
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£69.99Tribute to Whitney Houston - Christopher Bond
It has been ten years since the American pop singer Whitney Houston passed away, but the world has not forgotten her beautiful voice. Her timeless hits - from ballads to wonderful dance tracks - are still heard on the radio. This attractive medley includes some of her greatest successes: 'How Will I Know', 'Saving All My Love for You', 'I Wanna Dance with Somebody', and 'I Will Always Love You'.
Estimated dispatch 5-10 working days
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£29.95Ghost of Christmas Past, The - Jonathan Bates
DURATION: 2'30". DIFFICULTY: 2nd+. Composed for Strata Brass in 2020 as part of their COVID-19 induced, virtually recorded 'A Christmas Carol' (a new suite for brass bandlasting around 30 minutes in total), 'The Ghost of Christmas Past' is a lively and virtuosic cornet solo portraying the visions Scrooge is shown of his childhood. Beginning in a jovial mood, the ghost then shows Scrooge his early love life, before showing how Scrooge's unsympathetic and callous ways lead to his loss of love and friendship throughout the years as the music gets gradually darker and darker with each passing section. .
In Stock: Estimated dispatch 1-3 working days
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£24.95Bugeilio'r Gwenith Gwyn (Watching the Wheat) - Welsh Traditional - Gareth Wood
Bugeilio'r Gwenith Gwyn is an 18th century Welsh love song known to many by its English title of 'Watching the Wheat'. Although the song describes a tragic love affair, the music remains extremely popular with musicians throughout Wales. This skilful...
Estimated dispatch 5-7 working days
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£44.95
MUSIC FOR A JOYFUL OCCASION (Revisited) (Brass Band Set) - Kenneth Downie
This music was originally written to mark the 24th anniversary of The Salvation Army's Canadian Staff Band and was performed by the band, under the direction of the composer, in January 1993. The inspiration was the theme chorus of the International Corps Cadet rally held in London in 1956; 'Jesus, I love you, I love you with tender care'. The mood of the music is often high-spirited and humorous and frequently calls for a sense of bravura although there are some tender moments too. This new edition was produced for The International Staff Band, omitting the singing and trombone quartet but containing new material in the same high-spirited style of the original.
Estimated dispatch 7-14 working days
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£72.99Tribute To Whitney Houston
It has been ten years since the American pop singer Whitney Houston passed away, but the world has not forgotten her beautiful voice. Her timeless hits - from ballads to wonderful dance tracks - are still heard on the radio. This attractive medley includes some of her greatest successes: 'How Will I Know', 'Saving All My Love for You', 'I Wanna Dance with Somebody', and 'I Will Always Love You'.
Estimated dispatch 5-14 working days
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