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£60.00General Series Band Journal August 2013 Numbers 2123-2126
No. 2123 Carol Setting - Joy to the world! (Lieut. Colonel Norman Bearcroft)'Joy to the world' is a melody often attributed to Handel, but it is a bringing together of a couple of brief snippets of themes from his oratorio, 'Messiah'. These were put together by Lowell Mason to form the tune, 'Antioch', which we use for this carol. The carol has been arranged in majestic style by Lieut-Colonel Norman Bearcroft.No. 2124 Night of Joy (Andrew Wainwright)'Night of Joy' is based on a traditional Spanish Christmas song entitled 'Cantemos a Maria' ('Let's sing to Mary').No. 2125 Dedication (Dr Kenneth Downie)A setting of Colonel Brindley Boon's beautiful song of dedication, 'I dedicate myself to thee' (Musical Salvationist, November 1950).No. 2126 Cornet Duet - Synergy (Captain Martin Cordner)This piece celebrates the Biblical principle of believers working together in the Body of Christ and incorporates the song with words by Catherine Baird 'We're in Gods Army and we fight together with the composers own melody to Philip Paul Bliss's words 'Whosoever heareth! shout, shout the sound.
Estimated dispatch 7-14 working days
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£29.95Hinemoa (Score Only)
Hinemoa, the beautiful daughter of Amukaria, a great Maori chief, had seen Tutanekai, a chief and brave warrior from the island of Mokoia, only once, during a tribal gathering; yet she knew she loved him dearly. Amukaria counselled his daughter to forget this man, whose flute-playing Hinemoa heard as it came, soft but clear, across the lake which separated them.At night she went to the shore and listened. The sound of the flute spoke to Hinemoa, giving her courage. When Tutanekai managed to get a message to Hinemoa, her mind was made up.On the next moonless night she entered the dark, cold waters of the lake, using empty gourds as floats. She was determined to swim the long distance to her lover. Tutanekai's flute-playing kept her going, until at last she reached the shores of Mokoia.Great was the joy when the lovers at last met, the rocks echoing Tutanekai's cry - 'HINEMOA'.
Estimated dispatch 7-14 working days
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£74.99Willow Pattern - Philip Harper
Composed in 2009 for Nicholas Childs and the Black Dyke BandThis piece tells the Willow Pattern legend through music. Several leitmotifs are used both for the different characters and also for some of the important emotions in the tale. Additionally, Knoon-se's part is mainly played by the flugel horn, Changby the euphonium, the Mandarin by the Eb Bass and the Duke Ta-jin by the trombone. The Willow Pattern LegendOnce, in ancient China, there lived a wealthy and powerful Mandarin who had a beautiful daughter, Knoon-se. She had fallen in love with Chang, a humble accountant, which angered her father who imprisoned her in the Pavilion by the river with only theexotic birds for company. She learnt that the Mandarin planned to marry her to the pompous Duke Ta-jin and that the wedding would take place on the day the blossom fell from the willow tree, so she sent Chang a message: "Gather thy blossom, ere it bestolen". The Duke arrived by sea amid great fanfare when the tree was heavy with bud, and nights of magnificent banquets followed. After one such occasion when the Mandarin slept, Chang crept over the crooked fence and tiptoed into the Pavilion to rescueKnoon-se, but as they escaped the alarm was raised. They fled over the bridge with the Mandarin close on their heels brandishing his whip.They managed to escape by boat to a secluded island where they lived happily for a time. Meanwhile, the Mandarin learned of their refuge and, intent on revenge, he ordered his soldiers to kill them. As Knoon-se and Chang slept at night, the men setfire to the pagoda in which they lived and the lovers perished in the flames. However, the Gods, moved by the lovers' plight, transformed their souls into two turtle-doves which rose from the charred remains, soaring above the Earth, symbolising eternal happiness. Willow Pattern is dedicated to the memory of Jean Harper who passed away as I was completing the piece and who was a great collector of porcelain and china-ware. NOTES ON PERFORMANCEMute Requirements:Metal mutes soprano cornet, repiano cornet, 2nd cornets, 3rd cornets (6 in total) Cup mutes all cornets and trombones (10 + 3) Harmon mutes soprano cornet, solo cornets, repiano cornet (6) Percussion Requirements:There are two parts for percussion on the score. The minimum requirements are as follows: 2 players - Timpani, 2 Large tom toms, 2 Wood Blocks, Triangle, Sleigh Bells, Whip, Clash Cymbals, Suspended Cymbal, Hi-hat, Glockenspiel, Xylophone, Tam tam (or susp. cym.) For performances with extra resources, and to achieve closer authenticity, the full requirements are as follows: 3 players - Timpani, 3 Taiko Drums played with thick wooden sticks (or Large tom toms), 2 Wood Blocks, Triangle, Chinese Bells (or Sleigh Bells), Whip, Clash Cymbals, Chinese Cymbals (small clash cymbals approx 12"), Suspended Cymbal, Glockenspiel,Xylophone, Tam tam
Estimated dispatch 5-14 working days
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£34.95
SLOW RIDE IN A STATIC MACHINE, A (Brass Band) - Lawrence, Phil
A Slow Ride in a Static Machine was inspired some time ago when my (late) Father came to visit me "down in London" as he put it. It was based not on one of his circular mishaps, but on several! He was always directed carefully, but refused to carry a map in the car! At one time when I lived in North London I would meet him outside the capital, and he would then follow be back to my place, but after I moved to East London I made him bite the navigational bullet and transverse the 'M25 Orbital'. His main problem seemed to be getting off this mesmerising circular cark park. He would often phone (in a weary tone) from the Dartford Tunnel (which is 5 junctions past the one he needed to get off at), asking me to, "bring him in" so to speak. I would always refuse. And then, he would do the opposite (especially when travelling at night), he would phone me up from near Cambridge (he'd gone the wrong way up the M11 away from London by 45 miles), and would ask where he was!The title is obviously a play on John Adams' composition, A Short Ride In A Fast Machine. This quirky tone poem starts as a wind-up by using those unwanted intervals of augmented 4th's and minor 9th's & 7th's in the main tune, before hearing the road works, the juggernauts multi horns, fender-benders, ambulance and police sirens! This then all works to a back beat on kit. The wind-up start gets to an almost Go-Go 1960's Disco middle section (the nostalgic hay-days of the open road), where our wind-up tune falls into place and we all relax as we can now drive at 42.1 mph! We DC, and then get into a right car mess in the Coda!Phil Lawrence.Duration:4:00
Estimated dispatch 7-14 working days
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£30.00strange geometry
Descriptionstrange geometrywas commissioned by Morgan Griffiths and the Hammonds Saltaire Band for their performance at the Brass in Concert Championships of 2015.As a bit of a space/sci-fi geek, as well as a musician, two events during the summer of 2015 had a particular effect on me. The first was the tragic early death in a plane crash of the famous film composer James Horner. Horner's music, particularly in films like 'Star Trek II: The Wrath of Khan', 'Avatar', 'Apollo 13' and even his debut in Roger Corman's 1980 budget film 'Battle Beyond the Stars', defined for a generation the sound of sci-fi at the cinema. Along with John Williams he created the vocabulary for those who wish to express other-worldly wonder in music and his inventive talent will be much missed in an industry where originality has become something of a dirty word in recent years.The second event was the epic flyby of Pluto by the NASA New Horizons spacecraft. There are many reasons to find this mission inspiring - for example, the scientists and engineers behind it created a craft that has travelled at 37,000 mph for nine years and three billion miles to arrive within seventy-two seconds of the predicted time for the flyby. That they achieved this with such accuracy is an outstanding tribute to humanity's ingenuity and insatiable curiosity. However, the most exciting aspect of the mission was the clear, high resolution pictures of this unthinkably remote and inhospitable world beamed back to mission control. The best previous image of Pluto was an indistinct fuzzy blob - suddenly we could see mountains made of ice, glaciers of methane and carbon monoxide and nitrogen fog - features previously unimagined on a world thought to be a slightly dull ball of cold rock. The BBC's venerable astronomy programme 'The Sky at Night' waxed lyrical about these newly discovered features, referring to "the surprising discoveries of mountains and strange geometry on the surface of this cold distant world".I like to think that Horner would have been as inspired as I have been by this real-life science story, and this piece uses some of the vocabulary of the sci-fi movie soundtrack in a tribute to the memory of a great musician and to the inspirational geeks at NASA who have boldly taken us where no-one has gone before.Note: This work comes with a B4 portrait score. Listen to a preview and follow the music below!
Estimated dispatch 7-14 working days
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£15.95Finale from Symphony No.3 (Organ Symphony) (Brass Band) Additional Parts
Saint-Saens' magnificent Finale from Symphony No.3 (widely known as the 'Organ Symphony') has here been arranged for brass band with optional organ by Kevin Norbury. It was recorded by The International Staff Band on its CD Manuscripts, although this version has been revised in places. Saint-Saens decided to add the organ and piano to his 3rd symphony as a pragmatic orchestration innovation. The composition of this symphony was probably started in 1885 and a first draft was completed in Prague in 1886. Saint-Saens later recalled its eventful genesis: 'The Symphony in C was three-quarters sketched out when I found it impossible to write the finale. I did not know how to resolve this situation, until one night I suddenly woke up and, in a sort of hallucination, I heard the whole finale, which I hastily wrote down in outline, knowing that if I went back to sleep without having put anything on paper, I would have forgotten it all the next day.' The symphony was first performed under the composer's direction at Saint James's Hall in London on May 19, 1886. This arrangement by Kevin Norbury can both function as a stand-alone brass band piece, and be performed with an organ by omitting the notes found in square brackets in the parts and score. To view a rolling score video please visit www.youtube.com/watch?v=OlUd_FppBY8 PDF download includes additional parts as listed below. Full set including score available here. Sheet music available from: UK - www.brassband.co.uk USA - www.cimarronmusic.com Difficulty Level: 1st Section + Length: 8.30 mins. Alternative Parts included in this download: Solo Horn F 1st Horn F 2nd Horn F 1st Baritone B.C. 2nd Baritone B.C. 1st Trombone B.C. 2nd Trombone B.C. Euphonium B.C. Tuba 1 B.C. (Bass Eb equivalent) Tuba 2 B.C. (Bass Bb equivalent)
In Stock: Estimated dispatch 1-3 working days
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£69.99Willow Pattern (Brass Band - Score and Parts) - Harper, Philip
Composed in 2009 for Nicholas Childs and the Black Dyke BandThis piece tells the Willow Pattern legend through music. Several leitmotifs are used both for the different characters and also for some of the important emotions in the tale. Additionally, Knoon-se's part is mainly played by the flugel horn, Chang by the euphonium, the Mandarin by the Eb Bass and the Duke Ta-jin by the trombone.The Willow Pattern Legend:Once, in ancient China, there lived a wealthy and powerful Mandarin who had a beautiful daughter, Knoon-se. She had fallen in love with Chang, a humble accountant, which angered her father who imprisoned her in the Pavilion by the river with only the exotic birds for company. She learnt that the Mandarin planned to marry her to the pompous Duke Ta-jin and that the wedding would take place on the day the blossom fell from the willow tree, so she sent Chang a message: "Gather thy blossom, ere it be stolen". The Duke arrived by sea amid great fanfare when the tree was heavy with bud, and nights of magnificent banquets followed. After one such occasion when the Mandarin slept, Chang crept over the crooked fence and tiptoed into the Pavilion to rescue Knoon-se, but as they escaped the alarm was raised. They fled over the bridge with the Mandarin close on their heels brandishing his whip. They managed to escape by boat to a secluded island where they lived happily for a time. Meanwhile, the Mandarin learned of their refuge and, intent on revenge, he ordered his soldiers to kill them. As Knoon-se and Chang slept at night, the men set fire to the pagoda in which they lived and the lovers perished in the flames. However, the Gods, moved by the lovers' plight, transformed their souls into two turtle-doves which rose from the charred remains, soaring above the Earth, symbolising eternal happiness.Willow Pattern is dedicated to the memory of Jean Harper who passed away as I was completing the piece and who was a great collector of porcelain and china-ware.Duration: 12:00
Estimated dispatch 7-14 working days
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£55.00Triumph Series Brass Band Journal, Numbers 1351 - 1354, July 2023
1351: The anointed King (Marcus Venables)This piece was originally written as a massed band item for the Ontario Central-East Divisional Music Day in 2019. The updated version includes two songs, King of kings, majesty (S.A.S.B. 376) and O worship the King (S.A.S.B. 52) to a rhythmic setting of the tune Laudate Dominum (T.B. 481). Both songs present the contrasting characteristics of God; the powerful King and gentle, loving Saviour.1352: A suite of English Christmas carols (Kenneth Downie)This suite is the result of a request for a piece of music featuring exclusively English Christmas carols.The first movement features The holly and the ivy (C.C. 87). In sharp contrast, the second movement calls for a broad, sensitive, song-like approach. Using The cherry tree carol (C.C. 85), a much slower tempo than is normally applied to encourage the listener to see this beautiful tune in a new light. The rumbustious arrival of the finale is based on I saw three ships come sailing in (C.C. 44) with the festive mood prevailing until the end.1353: Nothing but thy blood (Norman Bearcroft)This two-verse setting of Richard Slater's much-loved hymn Nothing but thy blood (S.A.S.B. 769) appears straight-forward in nature, but requires a careful sense of the musical line across all parts.1354: Meditation - Reflections on Advent (Andrew Blyth)Two well-known carols, Away in a manger (C.C. 12) and Silent Night! (C.C. 77) are featured alongside original material. The piece attempts to convey a sense of reflection and meditation on the wonderful and awe-inspiring Advent story.
Estimated dispatch 7-14 working days
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£20.00Christmas Concerto
DescriptionThis arrangement of Corelli's famous "Christmas Concerto" features soprano cornet, two solo cornets and solo euphonium. Arcangelo Corelli was one of the first masters of the baroque period, a skilled violinist much admired by fellow composers like Bach and Handel. He was born in Fusignano, near Ferrara in Northern Italy in 1653. He studied in nearby Bologna where he became an extremely competent violinist. By the 1670s he was working in Rome and building a reputation as a composer at the important and powerful Papal court. By the late 1600s he was widely famous all over Europe, regularly invited to important courts and palaces. Although he had a huge influence on the virtuoso writing of later composers, his writing for string instruments was designed to be playable by average, often amateur players.His set of Concerti Grossi known as Opus 6 was not published in his lifetime. We think they were written around 1690, and they were first published in Amsterdam in 1714, a year after Corelli's death. A 'Concerto Grosso' is a concerto for a group of soloists (the "concertino" group) accompanied by an ensemble (the "ripieno" group) and was an important form in the Baroque era. Handel's very successful examples were modelled on Corelli's example. Number 8 from the Opus 6 set was commissioned by the Venetian Cardinal Pietro Ottoboni and bears the inscriptionFatto per la notte di Natale('made for the night of Christmas'). It was used as part of the soundtrack for the 2003 film 'Master and Commander: The Far Side of the World".Performance Notes.In this arrangement the 'Concertino' group are the soprano cornet, solo cornets 1 & 2 and the solo euphonium. If logistics allow they should stand either at the front of or some distance away from the band. There is no percussion in this arrangement. All tutti cornets will require cup mutes.Duration approximately 3'15".You can listen to a preview while following the score below:
Estimated dispatch 7-14 working days
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£25.00Ascend the Brightest Heaven...
DescriptionThe band's uniform badges feature a significant local landmark, a transmission tower officially known as The Arqiva Tower but known more colloquially to locals as 'Emley Moor mast'. The current elegantly tapered concrete sculpture, the tallest freestanding structure in the UK at 1084 feet, is the third mast on this site and was built between 1969 and 1971 after the catastrophic collapse of the previous structure.On 19 March 1969 a combination of extreme icing and strong winds caused the tubular mast to collapse across Jagger Lane and the chapel opposite - fortunately, despite the fact that the organist was in the chapel practising, nobody was injured. Several million people lost their BBC2 and ITV signals, until the Independent Television Authority managed to set up a temporary transmitter nearby!Just over two years later the new mast was operational, and despite initial opposition from some locals who feared another, potentially worse, collapse, Emley Moor Mast is now a popular local landmark and a grade II listed building. In 2015 the mast was illuminated with coloured lights at night to mark the 'Grand Depart' of the Tour de France coming to Yorkshire.You can listen and follow the score in the video below:
Estimated dispatch 7-14 working days