Results
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£30.00Fairy Garden, The - Maurice Ravel arr. Phillip Littlemore
Ravel wrote his five short piano pieces entitled Ma Mere l'Oye (Mother Goose) for two young children, Mimie and Jean Godeski in 1910. The suite invites us to the enchanted world of childhood through these five atmospheric tales. The final part of Ravel's suite is a grand finale, although where Ravel got his inspiration for the fairy garden is unknown. Whatever its origin, it certainly is a delightful piece of music - slow in tempo, quiet to start, with rich harmonies and delicate solos, all leading to a tumultuous climax.Duration: 3'00"Difficulty: Suitable for all grades
Estimated dispatch 5-7 working days
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£25.00Fanfare from La PA(c)ri - Paul Dukas arr. Phillip Littlemore
La Peri is a 1912 ballet in one act by French composer Paul Dukas, about a man's search for immortality and an encounter with a mythological Peri (a winged, fairy-like creature). The original music to La Peri was written in 1911 as a Poeme Danse En Un Tableau (Dance Poem in One Scene), and was his last published work.The ballet itself is preceded by this brilliant Fanfare which is often performed separately. This arrangement is for full brass band, and would make a good opener for any concert or event. It can also be performed with or without percussion.Duration: 1'40"Difficulty: Suitable for all grades
Estimated dispatch 5-7 working days
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£40.00FAtes - Claude Debussy arr. Phillip Littlemore
Debussy's Nocturnes are a set of three orchestral pieces inspired by three paintings by the American James McNeill Whistler from the 1870s. These three paintings, also entitled Nocturnes, were studies in light and shade offering an impression of landscapes and objects. The second movement, Fetes (Festivals) offers a dancing, vibrating rhythm with sudden flashes of ight. There is also a procession, described by Debussy as a dazzling fantastic vision, which passes through the festive scene and becomes merged in it (letter J in the score). However the background remains the same driving dance-like work.Debussy wrote the Nocturnes between 1897 and 1899 and the first two movements, the first being Clouds, received their premiere in Paris in 1900. The first performance met with a cool critical reception and Debussy made many revisions thereafter to all three movements.Duration: 6'00"Difficulty: 2nd section and above
Estimated dispatch 5-7 working days
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£40.00Fugal Overture - Gustav Holst arr. Phillip Littlemore
Holst began composing his Fugal Overture in the late summer of 1922 after a holiday in Derbyshire and the full score was completed on 4th January 1923. The first performance was at the Royal Opera House the following May, where it preceded the first performance of Holst's opera, The Perfect Fool. The first concert performance on 11th October that same year at the Queen's Hall with Holst conducting.Despite its name, the overture is not strictly fugal. The fugal subject is full of spiky cross-rhythms first introduced in the basses, with the upper parts persisting with a pentatonic chord. The headlong pace slackens for a central interlude, introduced by the solo horn solo. However the festivities soon return driving headlong towards its conclusion.
Estimated dispatch 5-7 working days
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£25.00GymnopA(c)die No.1 - Erik Satie arr. Phillip Littlemore
Erik Satie's Gymnopedies is a series of three short piano pieces that were first published in 1888. These atmospheric pieces, all written in 3/4 time and sharing a common theme and structure, are recognised the world over and are his most famous compositions.Gymnopedie No.1 is divided into two almost identical parts, with a steady accompanying rhythm of crotchet-minim, crotchet-minim (short-long, short-long) that remains constant throughout - with the exception of the last two bars of each part! This gently lilting background supports an expressive melodic line which creates the occasional dissonance, yet seems impressively tension free.Duration: 3'10" Difficulty: Suitable for all grades
Estimated dispatch 5-7 working days
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£30.00Humming Chorus - Giacomo Puccini arr. Phillip Littlemore
In Puccini's opera, Madam Butterfly, the Coro a bocca chiusa (Humming Chorus) is performed by an off-stage chorus which hums a wordless, melancholy tune, whilst Butterfly, her maid Suzuki, and her child begin the long wait for husband Pinkerton to return after many years away. As night falls, Suzuki and the child are soon asleep, but Butterfly keeps her vigil. This arrangement features four flugel horns, each of which plays into the bell of a bass whilst the bass player moves the valves - creating a unique humming sound.Puccini actually wrote five versions of the opera, Madam Butterfly. After a disastrous premiere in early 1904, Puccini withdrew the opera and substantially rewrote it creating a very successful second version. However, he continued to tinker with the orchestration, not being satisfied until the fifth, and now standard, version dating from 1907.Duration: c.2'40"Difficulty: suitable for all grades
Estimated dispatch 5-7 working days
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£30.00I Vow To The, My Country - Gustav Holst/Geoff Knorr arr. Phillip Littlemore
Gustav Holst wrote his suite The Planets during the early years of the first world war. The expansive movement, Jupiter, contained a tune that Holst later used to set the poem by Cecil Spring-Rice, I Vow To Thee, My Country. Originally set for unison voices with orchestra, Holst adapted it as a hymn tune and called it Thaxted, named after the village where he lived for many years.The American composer, Geoff Knorr, incorporated Holst's music into his score for the strategy-based video game Civilisation V, where it is used to depict the England of Elizabeth I. It is from this music that this transcription is made.Although originally written in 1908 and entitled Urbs Dei, Spring-Rice revisited the text of his poem in January 1918 and significantly altered both the first and second verses to reflect his feelings about the war, and those that gave the ultimate sacrifice. He also renamed the poem with the title we know today. Because of its sentiment, it has now become a staple of Remembrance services.A video of this arrangement can be found here: I Vow To Thee, My CountryDuration: 5'40"Difficulty: Suitable for all
Estimated dispatch 5-7 working days
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£30.00Jerusalem - C. Hubert H. Parry arr. Phillip Littlemore
Sir Hubert Parry wrote the music to the hymn Jerusalem in 1916, during the gloom of World War I. It uses William Blake's poem And Did Those Feet In Ancient Times which itself was written around 1804, and first published in 1808.Parry's hymn was originally written for the 'Fight for Right' movement, formed to sustain the resolve of Britain during the Great War. The hymn received its premiere on the 28th March 1916 in the Queen's Hall, London at a 'Fight for Right' meeting. In 1917, Parry conducted it for the ladies of the Albert Hall choir as part of a call in favour of National Service for Women. This signalled a closer relationship with the women's suffrage movement which Parry and his wife, Maude, supported. A year later, Jerusalem was sung at a suffrage demonstration concert and was adopted by the Women's' Institute as their anthem in 1924.There are regular calls for the hymn to be adopted as the official National Anthem of England, but this is not new. The first such call can be traced back to the centenary of Blake's death in 1927 and the call continues undimmed to this present day. This brass band arrangement is based on Parry's original orchestration from 1916.Duration: 2'20"Difficulty: Suitable for all grades
Estimated dispatch 5-7 working days
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£45.00Jupiter, The Bringer of Jollity - Gustav Holst arr. Phillip Littlemore
Holst first became interested in astrology around 1912/13 and so began the gestation for a series of pieces that would ultimately become the suite The Planets.The suite itself was written between 1914 and 1916 and with the exception of Mercury, which was written last, Holst wrote the music in the sequence we now know them, and thus did not present the inner planets of Mercury, Venus and Mars in their planetary order. Holst portrays Jupiter's characteristic "abundance of life and vitality" with music that is both buoyant and exuberant in equal measure. Driven by big tunes throughout, not least the solemn hymn-like (and later a patriotic song) I Vow to Thee, My Country. this piece is a magical tour de force.Duration: 8'20"Difficulty: 2nd Section and above
Estimated dispatch 5-7 working days
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£40.00Light Cavalry Overture - Franz von SuppAª arr. Phillip Littlemore
Francesco Cavalieri di Suppe-Demelli was born in Split, then in the Austrian empire, and began composing as a boy. On moving to Vienna he changed his name to the more Germanic and less ostentatious Franz von Suppe and began conducting opera as well as writing over three hundred works of his own. Most are unperformed today though the overtures, such as Poet and Peasant and Pique Dame, are still very popular. The operetta Light Cavalry was written in 1866 with a plot concerning a love intrigue which is resolved by the Hungarian Hussars (Light Cavalry).The Light Cavalry Overture consists of a fanfare, a faster section, and an Hungarian-styled slow section which are interspersed with the famous galop with its short, short long rhythm representing the beat of the horses' hooves. This music has been much copied, parodied and often used for cartoons.Duration: 6'00"Difficulty: Suitable for all grades
Estimated dispatch 5-7 working days