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  • £100.00

    Cantabile (Brass Band - Score and Parts) - Harper, Philip

    As long as we live there is never enough singing. - Martin Luther. Philip Harper composed this piece in response to his personal concern about the direction of new music for brass band. His goal with this 5 movement Cantabile, was to compose a piece which fully complied with all that is asked of a top-level test piece in the 21st Century, but also to reconnect with more traditional values such as lyricism in melody and richness of blended brass sound. Each of the 5 parts seek to capture this idea. Duration: 16.00

    Estimated dispatch 7-14 working days

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  • £90.00

    Journey in the Dark (from Symphony No.1: The Lord of the Rings) (Brass Band - Score and Parts) - De Meij, Johan

    Johan de Meij's first symphony The Lord of the Rings is based on the trilogy of that name by J.R.R. Tolkien. This book has fascinated many millions of readers since its publication in 1955. The symphony consists of five separate movements, each illustrating a personage or an important episode from the book. This transcription for brass band has been arranged by the composer. The symphony was written in the period between March 1984 and December 1987, and had its premiere in Brussels on 15th March 1988, performed by the The Royal Band ofthe Belgian Guides under the baton of Norbert Nozy. In 1989, the symphony The Lord of the Rings was awarded a first prize in the Sudler International Wind Band Composition Competition in Chicago, and a year later, the symphony was awarded a grant by the Dutch Composers Fund. In 2001, the orchestral version was premiered by the Rotterdam Philharmonic Orchestra and recorded by the London Symphony Orchestra. Duration: 9.00

    Estimated dispatch 7-14 working days

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  • £64.95

    Dance Spirit (Brass Band - Score and Parts) - Wiffin, Rob

    Dance Spirit is a three movement suite of dances comprising Stomping Dance, Waltz Interlude and Duende linked by solo dancer cadenzas. It started life as the wind band piece Spirit of the Dance. In it I attempted to capture some of the elements of this most fundamental of human activities, the urge to move our bodies to the rhythm of the music. In re-working it for brass band I extended the duration of the Waltz Interlude and increased the technical level in some areas with the intention of making it a suitable test piece.Stomping Dance - The suite starts with perhaps the most basic dance feeling, the desire to stomp our feet to the music, unrefined, no knowledge of steps needed. The heavy stomp is not always present in the music here, and sometimes you can sense the dancers trying something a little more refined, but it is always lurking in the background, ready to draw us back to the elemental rhythm of the beat.Waltz Interlude - Of course, dance does not always have to have heat, it can be elegant and restrained, emphasising fluidity of line and movement. In the waltz it is occasionally suspended by the held poses before the motion starts again. Unlike the outer movements, the Waltz Interlude is cool, danced in moonlight rather than under the sun. The two dancers sometimes move as one and at other times the man provides a frame for the more intricate arabesques of his partner.Duende - During my time living in Spain I went to watch some flamenco dancing. I was expecting the normal tourist cliches but the dancers were serious students of Flamenco Nuevo y Viejo (new and old). They performed with passion to some pounding asymmetric rhythms and their performance was the inspiration for Duende. Duende as a term is hard to define. It is a spirit of performance - that moment when you are right in the middle of the creative spirit of the music. It is about soul and a heightened state of emotion. Federico Garcia Lorca wrote: I have heard an old maestro of the guitar say, The duende is not in the throat; the duende climbs up inside you, from the soles of the feet. Meaning this: it is not a question of ability, but of true, living style, of blood, of the most ancient culture, of spontaneous creation.- Rob WiffinDuration: 13.45

    Estimated dispatch 7-14 working days

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  • £83.00

    Gandalf (from Symphony No.1: The Lord of the Rings) (Brass Band - Score and Parts) - De Meij, Johan

    Johan de Meij's first symphony The Lord of the Rings is based on the trilogy of that name by J.R.R. Tolkien. This book has fascinated many millions of readers since its publication in 1955. The symphony consists of five separate movements, each illustrating a personage or an important episode from the book. This transcription for brass band has been arranged by the composer. The symphony was written in the period between March 1984 and December 1987, and had its premiere in Brussels on 15th March 1988, performed by the The Royal Band ofthe Belgian Guides under the baton of Norbert Nozy. In 1989, the symphony The Lord of the Rings was awarded a first prize in the Sudler International Wind Band Composition Competition in Chicago, and a year later, the symphony was awarded a grant by the Dutch Composers Fund. In 2001, the orchestral version was premiered by the Rotterdam Philharmonic Orchestra and recorded by the London Symphony Orchestra. Duration: 6.30

    Estimated dispatch 7-14 working days

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  • £104.99

    The Baltic Way (Brass Band - Score and Parts) - De Haan, Jan

    In 1989, the demonstration named the Baltic Way also known as the Baltic Chain-- was held in the Baltic states of Estonia, Latvia and Lithuania by its citizens in a call for independence from the Soviet Union. On 23rd August 1989, some two million participants formed a human chain, hand-in-hand all the way from the Estonian capital of Tallinn its Latvian counterpart, Riga, through to the Lithuanian capital of Vilnius - six hundred kilometres long. It became the longest human chain ever created and turned out to be the final push needed for much sought-after independence. This historic event became the source of inspiration for this composition. The introduction of thefirst movement, 'Struggle for Independence', is based on a nocturne for piano by the renowned Lithuanian composer and painter Mikalojus Konstantinas iurlionis (1875-1911), thematic material from which has been incorporated throughout the whole composition. The melancholic beginning is followed by a powerful theme which reflects the resolve of the Baltic people. The sudden aggressive, dissonant chords and a dominant and--in rhythmic terms--contrary bass drum announce that the resistance is not going smoothly. Just for a moment, we hear the anthem of the Soviet Union in the lower brass, but this is relentlessly pushed to the background by the rest of the band playing the Lithuanian national anthem, 'Tautika giesm ' (Lithuania, our homeland). The second movement, 'Decades of Suffering', echoes life under the Soviet Union's thumb. In the pursuit of independence, a peaceful protest is planned in which a human chain is formed across the Baltic states of Estonia, Latvia and Lithuania. This 'Chain of Freedom' is depicted in the final movement of the work. Duration: 10.30

    Estimated dispatch 7-14 working days

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  • £35.00

    A-Wassailing (Brass Band - Score and Parts) - McKenzie, Jock

    The English custom of 'Wassailing' is the seasonal act of singing carols door-to-door and wishing good health. The singers and dancers (often very poor) would do this in the hope of being offered a drink from the 'wassail bowl' - a warm broth of hot ale, fruit and spices; good sustenance for those who were cold and often homeless. It is thought that this carol (composer unknown) was composed c.1850. Duration: 2.30

    Estimated dispatch 7-14 working days

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  • £35.00

    Tis the Season (Brass Band - Score and Parts) - McKenzie, Jock

    Based on Deck the Halls. This carol has its origins in 16th Wales. The melody, which dates from the 16th century, comes from the winter carol of that time "Nos Galan" (New Years' Eve). The lyrics were written by the Scottish composer Thomas Oliphant in 1862. This truly celtic carol is sung throughout the Christmas, Yuletide and New Year season. This arrangement steps away from any celtic 'feel' and instead presents the material in a full-on swing style. Duration: 2.30

    Estimated dispatch 7-14 working days

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  • £35.00

    The Holly and the Ivy (Brass Band - Score and Parts) - McKenzie, Jock

    This traditional folk carol was collected by Cecil Sharp and was published in his collection 'English Folk-Carols' in 1911. Sharp states that he heard the tune sung by Mrs Mary Clayton at Chipping Campden in the Cotswolds, Gloucestershire. Variants of the carol's lyrics appeared in various publications around the English Midlands, most notably in Birmingham in the early 19th century. This arrangement focuses' on the line from the carol's refrain "and the running of the deer" - influencing both choice pace and the 'hurdles' to be jumped over. Duration: 2.00

    Estimated dispatch 7-14 working days

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  • £35.00

    Good King Wenceslas (Brass Band - Score and Parts) - McKenzie, Jock

    This popular Christmas carol tells the story of a Bohemian King who braved harsh winter weather to give alms to a poor peasant. This takes place on the Feast of Stephen, the first day of Christmas (December 26th). This legend is based on the life of the historical Saint Wenceslas 1, Duke of Bohemia (907 - 935). In 1853 the English hymn writer John Mason Neale wrote his own version of this tale, setting his words to the melody of a 13th century spring carol "Tempus adest floridum" which had first been published in Piae Cantiones (1582). It is this version that has endured to become the popular carol of today. Duration: 4.30

    Estimated dispatch 7-14 working days

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  • £35.00

    I Saw Three Ships (Brass Band - Score and Parts) - McKenzie, Jock

    This is a traditional English carol rumoured to have originated in Derbyshire. The earliest printed version is from the 17th century and the familiar version was later published in William Sandys' collection of 'Christmas Carols Ancient and Modern' in 1833. There are numerous theories as to the meaning of the carol's words; after all, Bethlehem, the place of Jesus' birth is not a coastal location. It has been suggested that the ships are actually camels (ships of the desert) used by the Magi for their visit to the baby Jesus. My arrangement takes advantage of the traditional 'jig' style of this carol to add a little 'Celtic' flavour. Duration: 3.00

    Estimated dispatch 7-14 working days

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