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  • £53.00

    Far Eastern Dream - Paul Voet

    The longest trip we make is to the Far East. Japan, China, Tibet,... all countries with an enormous cultural background and history. Percussion is very important here to give a rich dimension to this Japanese 'Black Bamboo' theme. Tam-tam, Chinese cymbals, Tibetan gong and a kododrum (if not possible, large floor tom) together with marimba and glockenspiel are used all the time in a carefulway. A solo cornet presents the main theme that is answered by the whole lower brass section. While this theme develops now and then the sounds of the impressive 'dung' is heard. (dung is the Tibetan very large trumpet-like instrument with loud and very deep sounds) In a quicker tempo Eb bass, euphonium and solo cornet start with the theme and even the counter theme. The whole group joins the party but everything ends very silently with mute.

    Estimated dispatch 10-14 working days

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  • £101.00

    Three Inventions - Pi Scheffer/A. H. Jakeway

    Dr. J (Pi) Scheffer was the leader of the famous Dutch AVRO Radio Big Band 'The Skymasters' in the 50's, as well as also being an English teacher. He also had a huge success with his composition for wind band 'Three Inventions', not only in Europe but also in the USA. At the time of publication (1971) there was no promotion with sound sample of this work, so for this reason now Molenaar Edition has a complete new score and parts available in their 'Creative Compositions' (c) series. The work is in the movements. 'Flippant', 'Whimsical' and 'Sorta Mixed Up'. A recent edition of the American magazine publication 'The School Musician' even compared Scheffer with Leonard Bernstein.

    Estimated dispatch 10-14 working days

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  • £44.95

    EUPHONY (Euphonium Solo with Brass Band Set) - Robert Redhead

    Previously only available in manuscript form, this euphonium solo with brass band accompaniment is now available in printed format. Euphony (meaning a pleasant, sweet sound) is based on the tunes of Sidney Cox with material taken from the songs; 'He found me', 'This one thing I know', 'You can tell out the sweet story' and 'Deep and wide'. At the time of writing, the composer remarked; 'The euphonium is often associated with melodies and harmonies that lend themselves to pleasing sounds'. That is true of this solo but it also presents considerable technical challenges for the soloist in terms of range and technique.

    Estimated dispatch 7-14 working days
  • £72.99

    English Dances, Set 1, Op. 27: No. 1 - Sir Malcolm Arnold

    English Dances, Set I, opus 27, is a light classic composition that was written for orchestra by the British composer Malcolm Arnold in 1950. The set contains four dances that continue without pause: the individual movements are indicated by the tempo markings. The work came about at the request of Bernard de Nevers, at the time the head of publisher Alfred Lengnick & Co., who asked Arnold to write a suite of dances as an English counterpart to Dvo ak's Slavonic Dances and Bartok's Romanian Folk Dances. The premiere took place in the spring of 1951, played by the London Philharmonic Orchestra, conducted by Sir Adrian Boult. Following the success of the first set, DeNevers asked the composer to write a second one, which Arnold completed the next year (Op. 33). The Andantino from the first set has been skilfully arranged and orchestrated for brass band by Ray Farr.

    Estimated dispatch 5-14 working days
  • £127.30

    Gallito - Pasodoble Torero - Santiago Lope

    Santiago Lope was born in Ezcaray (La Rioja, Spain) on May 23. 1871. He studied violin and composition at the Royal Academy of Music in Madrid. When the city of Valencia organized a municipal band in 1902, Lope was a leading figure. The four pasodobles: Dauder, Gallito, Angelillo and Vito are all dedicated to the star matadors of the time. Gallito is the most performed of the four, and is dedicated to Fernando Gomez Ojeda. Santiago Lope died on September 25. 1906.

    Estimated dispatch 5-14 working days
  • £115.60

    Klabb - Øyvind Moe

    Klabb was written in 2010 for the brass band at Manger Folkehogskule and conductor Bjorn Sagstad. The piece consists of a series of short related episodes based on the whole-tone scale, but intermittently tending towards traditional "major" tonality. "Klabb" can refer to punching someone - and the piece is certainly meant to pack a punch - but the common meaning of the word comes from snow clumping to the undersides of skis, or more generally, something that makes for laborious progress. The whole-tone scale is directionless in that it has no implicit pull towards a tonal center, complicating the creation of meaningful and believable harmonic development. In thisrespect, the title can be seen as the composer's expression of frustration with his own choice of basic material (it seemed like a good idea at the time ...). For the performers, the unusual fingering combinations are what constitute the "klabb". Good luck, and don't forget to wax!

    Estimated dispatch 5-14 working days
  • £89.99

    Dies Infernus - Bert Appermont

    Dies Infernus means 'Day of Hell'. The reason for this title is the dreadful disaster that befell the Dutch village of Kolhorn in 1788, when the whole village went up in flames. Afterwards, a huge appeal was launched to rebuild the unfortunate village. Many people were willing to contribute, resulting in the collection of the enormous sum at the time of eighteen thousand guilders, with which the village could be rebuilt. This work was commissioned by Harmonie De Eendracht in Kolhorn to mark its 110th Anniversary.

    Estimated dispatch 5-14 working days
  • £38.00

    Leviathan (Brass Band - Score and Parts) - Denegri, Paul - Barton, Tom

    "Leviathan" began its evolution as a workshop work inspired by the poem written by Heathcote Williams entitled; "Whale Nation". At the time of this workshop the tentet brass repertoire existed of extremely well written original or arranged works of a lighter nature but there was a shortage of works with a greater emotional depth and edge, hence Leviathan's early conception as an atmospheric and emotive work. The workshop piece explored whale sound and song and was a 25 minute work in two parts. After many years of the workshop sketches sitting dormant the new work Leviathan is a much shorter and concise work. It contains only one of the original melodic themes of the workshop work. Leviathan is driven and underpinned by melodic and rhythmic elements. It is a programmed work following the awe inspiring majestic might and beauty of whales through to a hunt scene, the chase, and the ultimate demise of earth's largest mammal. Originally commissioned by Superbrass for brass ensemble, this arrangement is by Tom Barton. Duration: 6.30. Suitable for 1st Section Bands and above.

    Estimated dispatch 7-14 working days
  • £44.95

    Euphony (Euphonium Solo with Brass Band - Score and Parts) - Redhead, Robert

    Previously only available in manuscript form, this euphonium solo with brass band accompaniment is now available in printed format. Euphony (meaning a pleasant, sweet sound) is based on the tunes of Sidney Cox with material taken from the songs; 'He found me', 'This one thing I know', 'You can tell out the sweet story' and 'Deep and wide'. At the time of writing, the composer remarked; 'The euphonium is often associated with melodies and harmonies that lend themselves to pleasing sounds'. That is true of this solo but it also presents considerable technical challenges for the soloist in terms of range and technique.

    Estimated dispatch 7-14 working days
  • £22.50

    Euphony (Euphonium Solo with Brass Band - Score only) - Redhead, Robert

    Previously only available in manuscript form, this euphonium solo with brass band accompaniment is now available in printed format. Euphony (meaning a pleasant, sweet sound) is based on the tunes of Sidney Cox with material taken from the songs; 'He found me', 'This one thing I know', 'You can tell out the sweet story' and 'Deep and wide'. At the time of writing, the composer remarked; 'The euphonium is often associated with melodies and harmonies that lend themselves to pleasing sounds'. That is true of this solo but it also presents considerable technical challenges for the soloist in terms of range and technique.

    Estimated dispatch 7-14 working days