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£17.50
Joyous Carillon (Cornet And Trombone Double Trio with Brass Band - Score only) - Bearcroft, Norman
This music takes the form of a double trio (cornets and trombones) with full brass band accompaniment and is based on the composer's own Christmas song for female voices, 'Carol of the Bells'.
Estimated dispatch 7-14 working days
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£68.99
In Dulci Jubilo Brass Band Cornet Solo (Score & Parts)
A virtuoso solo, based on the Christmas song In Dulci Jubilo , for Bb instrument and brass band, especially for cornet or euphonium. 03:00
Estimated dispatch 7-14 working days
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£68.99In Dulci Jubilo - Andrew R. Mackereth
A virtuoso solo, based on the Christmas song In Dulci Jubilo , for Bb instrument and brass band, especially for cornet or euphonium.
Estimated dispatch 5-14 working days
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£34.95Judd: Joyous Carillon
This music takes the form of a double trio (cornets and trombones) with full brass band accompaniment and is based on the composer's own Christmas song for female voices, 'Carol of the Bells'.
Estimated dispatch 7-14 working days
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£24.50
Hail, Smiling Morn! - Reginald Spofforth - Sam Fisher
For bands around the Yorkshire region, this title immediately conjures up images of Christmas and local carols, particularly in Sheffield. The song is a glee written in the early 19th Century by Reginald Spofforth and usually sang at both Easter & Christmas, has recently seen its popularity grow across the nation. Sam Fisher has taken the lively 6/8 dance and created a concert march from the raw material that fits the more traditional brass band march format.
In Stock: Estimated dispatch 1-3 working days
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£29.50Masters In This Hall - Trad. French Carol - Elizabeth Carter
Based on an old French carol, and inspired by such TV series as Downton Abbey and Pride and Prejudice, the arrangement aims to depict the servants of a well-to-do household preparing for the return of their Master and his family to enjoy Christmas at the Hall. As they go about their tasks, we hear appropriate well known carols interwoven with the main theme. Deck the Hall, Good King Wenceslas, The Wassail Song, The Holly and the Ivy and Oh Christmas Tree are all heard as the servants get into the swing of the season. This is a fastastic festive workout for all areas of the band
In Stock: Estimated dispatch 1-3 working days
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£24.50
Auld Lang Syne - Traditional - Max Stannard
The ionic words of Robert Burns were set to the tune of a traditional folk song and ever since, its popularity in English speaking countries has grown continuously. Traditionally sung to welcome in the New Year, this arrangement by Max Stannard suits all festive occasions and can be used as a moving encore to your Christmas concert programme this year.
In Stock: Estimated dispatch 1-3 working days
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£50.00Triumph Series Band Journal July 2015 Numbers 1263 - 1266
No. 1263 March - Distant Travellers (Sam Creamer)With this Christmas march, we introduce a new contributor to our journals. Sam Creamer is a bandsman and songster at the Carindale Corps in Brisbane, Australia Eastern Territory. This march should prove a useful addition to the Christmas repertoire of many groups, as it features the well-known Christmas carols; When wise men come seeking (NCP 92) and While shepherds watched (NCP 93), as well as brief references to others.No. 1264 Suite - O, for a thousand horns (Erik Silfverberg)Bandmaster Erik Silfverberg OF has taken the song O for a thousand tongues by Charles Wesley, and has composed a suite in three movements with each of the movements exploring the sentiments of one of the verses. The tune Grimsby is heard in part throughout, but the majority of the musical material used is original.No. 1265 Song Arrangement - Beyond the sunset (Noel Jones)A three-verse setting of the song Beyond the sunset which speaks of the Christian's eternal home in Heaven.No. 1266 Carol Setting - Good Christian men, rejoice (Keith Manners)A bright setting of the well-known Christmas carol.
Estimated dispatch 7-14 working days
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£102.60Stjernen og Rosa - John Philip Haqnnevik
The Star and a Rose is a big-scale Christmas piece for band, featuring four seasonal chorales.The first is a Gregorian-like chant Hodie Christus natus est.In this section of the piece, a soloist can be placed away from the band, maybe on a gallery. The soloist can be a tenor instrument, maybe trombone, or you can feature a vocal soloist.After this, the music leads us on to the old German Christmas chorale Lo, how a rose e'er blooming. This song is given a fairly rhythmical treatment, but make sure that the melody is presented in a cantabile style.An interlude follows, before the piece presents one of the most used and loved Scandinavian Christmas chorales, Mitt hjerte alltid vanker (My Heart will always wander), composed by the Danish bishop Hans Adolph Brorson around 1732. This song is building towards a climax, before the solo horn brings it all down to the Stable view described in the lyrics.Then comes a transition that brings us in to the final section of the piece, which presents the international Christmas Carol Adeste Fideles. As many will notice, I have borrowed a section from David Wilcocks majestic harmonization towards the end.The title of the piece has its background form the lyrics in My heart will always wander, where the text speaks about the stars in the sky. But also in the latin text for Adeste Fideles:Stella duce, Magi, Christum adorantesThe Rose is of course from the lyrics in the chorale Lo, how a Rose.
Estimated dispatch 5-14 working days
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£39.00
Rudolf er rod pa nesen - Johnny Marks - Arne Bendiksen - Jan Utbult
"Rudolph, the Red-Nosed Reindeer" is a song written by Johnny Marks based on the 1939 story Rudolph the Red-Nosed Reindeer published by the Montgomery Ward Company. Gene Autry's recording hit No. 1 on the U.S. charts the week of Christmas 1949.The song was first sung by crooner Harry Brannon on New York City radio in early November 1949, before Gene Autry's recording hit No. 1 in the U.S. charts during Christmas 1949. Autry's version of the song also holds the distinction of being the only chart-topping hit to fall completely off the chart after reaching No. 1. The official date of its No. 1 status was for the week ending January 7, 1950, making it the first No. 1 song of the 1950s.
Estimated dispatch 7-14 working days
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