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£75.00As Above, So Below - Jay Capperauld
An original composition for brass band and brass quintet by Jay Capperauld was commissioned by John Wallace and The Wallace Collection with the support of the PRS Foundation's Beyond Borders. This major work enjoyed its world premiere at The Cumnock Tryst on 30 September 2017 at Cumnock Old Church, performed by The Wallace Collection and Dalmellington Band, conducted by Martyn Brabbins.If you would like to perform this work, please don't hesitate considering The Wallace Collection to provide the brass quintet elements - if you would like to discuss potential performances, please contact us on [email protected] NotesBased on the Hermetic maxim "As Above, So Below", the phrase comes from the cryptic text of The Emerald Tablet, which was purportedly written by a mysterious character who is thought of as an amalgamation of Greek and Egyptian Gods, Hermes Trismegistus. The text first appears in Arabic between the 6th and 8th Centuries and is intended to outline the primitive and hidden sources that constitute the basis of all matter in the universe. The phrase "As Above, So Below" implies an essential "oneness" of all matter and a correlation between the physical elements and supernatural entities that make up our surroundings. The philosophies expressed within The Emerald Tablet have become a founding principle of Alchemy, Occultism, Witchcraft, Theosophy and various other ancient gnostic systems of belief, and this work attempts to explore these forms of so-called "secret knowledge" in a ritualistic trance-like Adagio steeped in the esoteric.The Brass Band is placed at the centre of the stage while the solo Brass Quintet are spread antiphonally around the concert hall and are placed above both the Brass Band and the audience in an attempt to create a direct dialogue between the Above and the Below. Therefore, the piece endeavours to explore the meaning behind the text of The Emerald Tablet as well as the phrase 'As Above, So Below' in a music context while giving particular attention to the 'SOLVE' (Latin for 'Separate' which correlates to the Above) and 'COAGLUA' (Latin for 'Join Together' which relates to the Below) that is depicted in the image of the Baphomet by the French occultist author, Eliphas Levi, which is a visual representation of the phrase 'As Above, So Below'.Additional Note of InterestIt was not until the work was complete that the role of the main melody became clear when an unexpected and inadvertent correlation between this melody and that of the Latin Dies Irae presented itself. The plainchant nature of As Above, So Below's melody became a defining feature of the piece and when compared to the melody of the Dies Irae (a similar melody reminiscent of that contained within As Above, So Below), some interesting and unsettling implications unveiled themselves.The findings of a comparison can be interpreted as follows:Both melodies adhere naturally to the plainchant idiom, which in itself strongly relates to a supernatural (or quasi-religious) element in both cases.Both melodies originate in the key of D; the Dies Irae resides in the Dorian Mode on D while the As Above, So Below melody inhabits the D Octatonic Scale.Both melodies can be divided into three distinct phrases, although the melody to As Above, So Below can be divided into three phrases in a number of ambiguous ways.The most striking and unnerving connection is that, by pure chance, the Latin text to the Dies Irae fits perfectly under both melodies giving an entirely specific context to how the melodies are perceived.By understanding the As Above, So Below melody as an alternative to that of the Dies Irae and by interpreting it in the same context, the connotations of the Dies Irae's otherworldliness, and the suggestion of a dialogue with the supernatural and death adds a richer dimension to the As Above, So Below melody which in turn solidifies the esoteric concept of this work.In conclusion, this unanticipated and purely accidental relationship between both melodies is worthy of note more so from an emotional and contextual perspective rather than from any analytical evaluation concerning the music itself - it is the circumstance of the so-called "secret knowledge" that has presented itself within the inner workings of As Above, So Below.
In Stock: Estimated dispatch 3-5 working days
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£24.95Prelude- The truth from above - Ralph Vaughan Williams
In hisPrelude - The Truth from Above, outstanding arranger and curator Paul Hindmarsh has distilled the essence of a timeless Christmas classic by Ralph Vaughan Williams into five minutes of ravishingly unforgettable music for brass band. The variants of the Herefordshire tune popular from theFantasia on Christmas CarolsandThe Oxford Book of Carolsare skilfully and stylishly woven together, from an evocative opening to an ecstatic, multi-layered coda. Unerringly true to the timeless spirit of the original, with the added beauty of the brass-band sound at its most sonorously grave and haunting,Prelude - The Truth from Abovemay be performed separately, or as the first of two preludes, preceding Paul's arrangement ofRhosymedre from the Three Preludes Founded on Welsh Hymn Tunes, also available from Stainer & Bell.
Estimated dispatch 5-14 working days
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£44.95Above and Beyond - Paul Lovatt-Cooper
Above and Beyond was commissioned by Duncan Beckley to celebrate the memory ofPeter Kitson, musician, bandsman, mentor and friend. Circa 7'30"
Estimated dispatch 5-7 working days
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£24.95Wanderer Above the Sea of Fog - Ben Hollings - Rodney Newton
Wanderer Above the Sea of Fog was commissioned by Leigh Baker and the Carlton Main Frickley Colliery Band, for the 2014 Brass in Concert Championships at the Sage, Gateshead. The theme for the programme was a modern take on Mussorgsky's...
Estimated dispatch 5-7 working days
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£45.00
THE STARS ABOVE, THE EARTH BELOW Judith Bingham
Estimated dispatch 7-14 working days
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£24.95Jesus, Good Above All Other (Brass Band - Score and Parts)
This well-loved tune comes to us from 14th century Germany. Its charm and simplicity are beautifully captured in this arrangement with its delicate orchestration and sensitive solo passages. This piece is well within the ability range of most bands.
Estimated dispatch 7-14 working days
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£8.50CONCERT MARCH: SERVICE ABOVE SELF (score) - Wyld, Simon
Parts included for Brass Band Brass, Orchestral Brass, Percussion & Flute
In Stock: Estimated dispatch 1-3 working days
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£27.50CONCERT MARCH: SERVICE ABOVE SELF (score & parts) - Wyld, Simon
Parts included for Brass Band Brass, Orchestral Brass, Percussion & Flute
In Stock: Estimated dispatch 1-3 working days
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£24.95Jesus, Good Above All Other (Brass Band - Score and Parts) - Downie, Kenneth
This well-loved tune comes to us from 14th century Germany. Its charm and simplicity are beautifully captured in this arrangement with its delicate orchestration and sensitive solo passages. This piece is well within the ability range of most bands.
Estimated dispatch 7-14 working days
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£12.50
Jesus, Good Above All Other (Brass Band - Score Only) - Downie, Kenneth
This well-loved tune comes to us from 14th century Germany. Its charm and simplicity are beautifully captured in this arrangement with its delicate orchestration and sensitive solo passages. This piece is well within the ability range of most bands.
Estimated dispatch 7-14 working days