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£14.95
They Shall Come From The East (Brass Band - Score only) - Larsson, Kevin
One of the most well-known songs from the Gowans and Larsson musical, 'The Blood of the Lamb' is given an 'African' treatment which builds to a majestic climax emphasising the words; 'From every tribe and every race, all men as brothers shall embrace; they shall come from the east, they shall come from the west, and sit down in the Kingdom of God'.
Estimated dispatch 7-14 working days
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£39.95The Divine Right (Brass Band - Score only) - Harper, Philip
At the time of composing this piece, the Arab Spring was sweeping through the Middle East. It seemed that almost every week a new country's people had risen up against the regimes and dictatorships which had prevailed for generations, leaving many nations at a defining crossroads in their history. There were so many possible ways ahead: so many hopes, yet so many uncertainties.This music is a depiction of these revolutionary times, and several musical themes are in turn presented, discussed, considered, fought over, altered, rejected or accepted.Most nations have had, or probably will have, their own Arab Spring, including the United Kingdom. Events of 17th Century Britain provide the context for this piece, particularly those following the execution of the tyrant King Charles I on 30 January 1649. The regicide was in part due to Charless steadfast belief in the Divine Right of Kings, and led to a tumultuous interregnum, where England stood at its own defining crossroads. The music begins turbulently, before King Charles appears and is led to the gallows outside Banqueting House in central London where he is brutally decapitated. From the assembled crowd rose, according to one observer,a moan as I never heard before and desire I may never hear again.The music descends to emptiness.The musical argument which follows is not strictly programmatic, but a number of musical themes are all thrown into the melting pot, representing ideas such as: religion; military force; reasoned Parliamentary debate; and the chattering, irrepressible voice of the people. Additionally, there are some quotations from the music of royalist composer Thomas Tomkins (1572-1656), who was often in tune with the feeling of the times.This defining episode in England's history was brought to a close with the Restoration of the monarchy in 1660, and as the exiled King Charles II rode back into London the diarist John Evelyn wrote:Never was so joyful a day seen in this nation. I stood in the Strand and beheld it, and blessed God.At the end of the piece the bells ring out, and the musical appearance of the King has transformed from turbulent to triumphant.Duration: 17.00
Estimated dispatch 7-14 working days
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£99.99
The Divine Right (Brass Band - Score and Parts) - Harper, Philip
At the time of composing this piece, the Arab Spring was sweeping through the Middle East. It seemed that almost every week a new country's people had risen up against the regimes and dictatorships which had prevailed for generations, leaving many nations at a defining crossroads in their history. There were so many possible ways ahead: so many hopes, yet so many uncertainties.This music is a depiction of these revolutionary times, and several musical themes are in turn presented, discussed, considered, fought over, altered, rejected or accepted.Most nations have had, or probably will have, their own Arab Spring, including the United Kingdom. Events of 17th Century Britain provide the context for this piece, particularly those following the execution of the tyrant King Charles I on 30 January 1649. The regicide was in part due to Charless steadfast belief in the Divine Right of Kings, and led to a tumultuous interregnum, where England stood at its own defining crossroads. The music begins turbulently, before King Charles appears and is led to the gallows outside Banqueting House in central London where he is brutally decapitated. From the assembled crowd rose, according to one observer,a moan as I never heard before and desire I may never hear again.The music descends to emptiness.The musical argument which follows is not strictly programmatic, but a number of musical themes are all thrown into the melting pot, representing ideas such as: religion; military force; reasoned Parliamentary debate; and the chattering, irrepressible voice of the people. Additionally, there are some quotations from the music of royalist composer Thomas Tomkins (1572-1656), who was often in tune with the feeling of the times.This defining episode in England's history was brought to a close with the Restoration of the monarchy in 1660, and as the exiled King Charles II rode back into London the diarist John Evelyn wrote:Never was so joyful a day seen in this nation. I stood in the Strand and beheld it, and blessed God.At the end of the piece the bells ring out, and the musical appearance of the King has transformed from turbulent to triumphant.Duration: 17.00
Estimated dispatch 7-14 working days
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£159.99Time Machine (Brass Band - Score and Parts) - Doss, Thomas
Time Machine is a journey through time that begins in the Stone Age. Evolution and the coming of man take place. The journey takes us into the present, in which disorientation and chaos abound. We travel further into the future. An unfamiliar, quiet and surreal landscape lies before us and we wander through it, bewildered as we become aware of the destruction of the environment. Suddenly, and for no reason, memories from our childhood are awoken. Cultures have become completely mixed into one and the evolution of man has run its course. We realise that there is no "afterwards" as before us lies the Stone Age once again... The wheel of time spins blindly on and all is repeated.Duration: 13:30
Estimated dispatch 7-14 working days
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£30.00Twelve Scripture-based Songs Volume XIII
Twelve scripture-Based Songs arranged for Brass Band (Volume XIII) are packaged and marketed in complete sets which include a full score and a set of master parts. It is intended that these parts be used as 'masters', for the purpose of photocopying a quantity of parts to accommodate the precise instrumentation needs of the band for which this has been purchased.Includes:Faithful OneHide me now (Still)I know he rescued my soul (My redeemer lives)I will praise you, Lord, with all my heartI will worship (You alone are worthy of my praise)Jesus shall take the highest honourThe candel of the LordThe way it's goona beThere is an endless song (How can I keel from singing?)When the spirit of the Lord (Dance like David)Your grace still amazes meZwphaniah's Song (I've found the pearl)
Estimated dispatch 7-14 working days
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£104.99Musica Helvetica (Brass Band - Score and Parts) - De Haan, Jan
Every year a competition for wind orchestras and brass bands takes place in Wallberg, Switzerland. Apart from a hymn and a solo piece, all orchestras also have a compulsory piece to play. The commission to create a compulsory piece for the 2012 competition fell to Jan de Haan. The composition is entitled Musica Helvetica. It takes the form of a three-part concert work, in which the last two parts flow directly from one to the other. The first part, Musica Prima, is a brisk virtuoso opening with jazz flavours woven in. The following section, Musica Sacra, offers a contrast with an extraordinarily colourful instrumentation for the gorgeous main theme. The final part, Musica Alpina, is inspired by the great variety of scenery in Switzerland. With its witty humour it makes a worthy conclusion to this beautiful tryptich.Duration: 11.00
Estimated dispatch 7-14 working days
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£104.99Parnassus (Brass Band - Score and Parts) - Van der Roost, Jan
Since most of the bands competing in the 4th Section of the Dutch National Championships have many young players, this piece is stylistically youthful, especially in the opening and closing sections. An arpeggio pattern appears numerous times in all registers and is the basic musical element of the main melody, alternating with a second theme that has a slightly different melodic character. The middle section is conceived like a chorale, introduced and developed stepwise: firstly with short patterns and gradually in increasingly long snippets, until it's played in its glorious entirety at measure 216. No real solo passages are included but rather small chamber combinations, thus offering the opportunity to various players to display their technical and performance skills. The finale recaptures musical material from the first section of the piece and provides a majestic conclusion.Duration: 11:45
Estimated dispatch 7-14 working days
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£69.99Prelude and Chorale (Brass Band - Score and Parts) - Roels, Stijn
Prelude and Chorale is a scintillating, dynamic opening piece based on the brilliant finale from the earlier concert work Aureus. The latter work is built around a magnificent hymn, which also forms the common thread running through this overture.As the title suggests, the work begins with a modern 'prelude': a prologue to the actual hymn. The beginning of the hymn, especially, serves as the source of the thematic material. The hymn melody itself is immediately embellished by a counter-melody and supported by a rhythm section of bass and drums. This all leads to an energetic passage in which the proverbial stops are pulled out once more.Duration: 3:00
Estimated dispatch 7-14 working days
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£102.99Red Mountain (Brass Band - Score and Parts) - Jeanbourquin, Marc
We all set ourselves certain goals in life, some of which can be compared to mountains and are not always easy to reach. Red Mountain depicts these moments, variously strewn with doubts, confidence, calm and emotions. Red Mountain won the audience's prize at the EBBA 2012 composition competition.
Estimated dispatch 7-14 working days
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£44.95
Deus Invictus - God Unconquered (Brass Band - Score and Parts) - Mackereth, Andrew
Deus Invictus draws its inspiration from well-known words from Romans 8: 38-39; 'For I am convinced that neither death nor life, neither angels nor demons, neither the present nor the future, nor any owers, neither height nor depth, nor anything else in all creation, can separate us from the love of God'. The music reflects the confidence and certainty of the scripture text while, as in everyday life, trials and tests come along which are reflected in a sequence of musical skirmishes. The work introduces the 19th century hymn 'St Albinus' to a wider audience and also includes references to the tunes 'St Margaret' and 'Rachie'. A setting of the Easter Hymn, 'Christ the Lord is risen today!', is heard followed by a final reprise of 'St Albinus'.
Estimated dispatch 7-14 working days
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