Results
-
£87.95Masquerade (Score and Parts)
The first performance took place on the 4th. September 1993 at the Free Trade Hall in Manchester during the British Open Brass Band Championships.Note by Philip Wilby:Masquerade is a centenary tribute to Verdi's last opera Falstaff and takes its final scene as the basis for my own piece. Thus I have used some of Verdi's music, and some of Shalespeare's plot, and woven them into a fabric with highly demanding music of my own to produce a work in the great tradition of operatically-based brass band pieces. Such scores date from the very beginnings of band repertory and are often not direct arrangements in the established sense but new compositions produced in homage to a past master. They may still offer performers and audience alike something familiar interwoven with something new. My own piece reuses some elements from the original story: . .Falstaff has been caught in a web of his own lies by the ladies of the town, who propose to teach him a lesson. The story opens at night in Windsor Great Park. The plotters, variously disguised in Hallowe'en fashion (as fairies,elves hobgoblins etc!) assemble in the park to await Falstaff's arrival (musicologists will, perhaps, note a rare use of 'large bottle in F' being used during this scene of suppressed alcoholic revelry!). Falstaff's companions, Bardolph,Piston and Robin, enter (represented here by the three trombones!), and are variously abused by the masqueraders. At the height of the Tout an alarm sounds and Falstaff (euphonium cadenza) enters as Midnight strikes. From a safe hiding place he watches as the disguised Nanetta (principal comet) sings a serene solo as the moon appcars above the trees. With sudden force the others seize him and drag him from his hiding place. As in the traditional game 'Blind Man's Buff', he is roughly turned seven times (a sequence of solo accelerandi) until, at last, he recognizes his assailants as his sometime friends. Far from complaining, Verdi's character concludes the opera with a good-humoured fugue on the words.... 'All the World's a Joke... Every mortal laughs at the others, But he laughs best who has the final laugh. Philip Wilby.
Estimated dispatch 7-14 working days
-
£44.95Masquerade (Score Only)
The first performance took place on the 4th. September 1993 at the Free Trade Hall in Manchester during the British Open Brass Band Championships.Note by Philip Wilby:Masquerade is a centenary tribute to Verdi's last opera Falstaff and takes its final scene as the basis for my own piece. Thus I have used some of Verdi's music, and some of Shalespeare's plot, and woven them into a fabric with highly demanding music of my own to produce a work in the great tradition of operatically-based brass band pieces. Such scores date from the very beginnings of band repertory and are often not direct arrangements in the established sense but new compositions produced in homage to a past master. They may still offer performers and audience alike something familiar interwoven with something new. My own piece reuses some elements from the original story: . .Falstaff has been caught in a web of his own lies by the ladies of the town, who propose to teach him a lesson. The story opens at night in Windsor Great Park. The plotters, variously disguised in Hallowe'en fashion (as fairies,elves hobgoblins etc!) assemble in the park to await Falstaff's arrival (musicologists will, perhaps, note a rare use of 'large bottle in F' being used during this scene of suppressed alcoholic revelry!). Falstaff's companions, Bardolph,Piston and Robin, enter (represented here by the three trombones!), and are variously abused by the masqueraders. At the height of the Tout an alarm sounds and Falstaff (euphonium cadenza) enters as Midnight strikes. From a safe hiding place he watches as the disguised Nanetta (principal comet) sings a serene solo as the moon appcars above the trees. With sudden force the others seize him and drag him from his hiding place. As in the traditional game 'Blind Man's Buff', he is roughly turned seven times (a sequence of solo accelerandi) until, at last, he recognizes his assailants as his sometime friends. Far from complaining, Verdi's character concludes the opera with a good-humoured fugue on the words.... 'All the World's a Joke... Every mortal laughs at the others, But he laughs best who has the final laugh. Philip Wilby.
Estimated dispatch 7-14 working days
-
£45.00Starburst
Commissioned by the Greater Manchester Hub Youth Brass Band for their 2014 season, Starburst is a high-octane work in a contemporary style with elements of rock and funk fusion. The piece features soloistic input from all sections, with vibrant percussion colours adding to the overall effectiveness. Although the piece sounds extremely virtuosic it is accessible for most bands, and is fun to rehearse as well as exciting to listen to. Duration: 00:04:00 Grade: 3 (Works well when paired with Aurora Awakes)
Estimated dispatch 5-7 working days
-
£59.99Game of Thrones (Main Theme) - Christopher Bond
The dark and dramatic theme from the popular HBO series Game of Thrones is one of the most distinctive and effective themes for TV or film to come along in several years. Arranged in a powerful setting for brass band and suitable for bands of all standards from Section 4 upwards, this is sure to be a hit with your musicians.
Estimated dispatch 5-10 working days
-
£105.00
Danceries (Set II) - Kenneth Hesketh
Danceries Set II, arranged for brass band, was first commission by Keith Allen for the Birmingham Symphonic Winds. This second set of Danceries continues the format, established in the popular Danceries (Set I), of using tunes and dances from Playford's Dancing Master (17th century) to form the basis of an extended dancesuite. In this set, the melodies have become more abstracted and project only a distant echo of their original forms. As before, each movement is self-contained, colourful and direct, with its own distinct mood.The outer movements - Jennie's Bawbee and Peascod's Galliarda - share driving percussion with a military air. Tom Tinker's Toye and Heart's Ease (movements two and three) are both settings of original melodies. All movements are more extended than in the first set, with a freer use and approach to the material; melodies now occur in various keys and are supported by a greater variety of harmonic colouring. The result is a richer, even more exhilarating set of dances.
In Stock: Estimated dispatch 1-3 working days
-
£45.00
Congestion Charge - Nigel Hess
This is the third movement of Nigel Hess's New London Pictures As with all modern cities, London is over-crowded with motor vehicles. London was the first major city in Europe to adopt a Congestion Charge, and this lighthearted work includes musical images of frustrated rush hour traffic leading to a freer flowing galop.Brass Band Grade 5: 1st SectionDuration: 7 minutes.
In Stock: Estimated dispatch 1-3 working days
-
£40.00
A Christmas Festival - Leroy Anderson
Originally composed in 1950 for Arthur Fiedler's Boston Pops Orchestra, A Christmas Festival is the most famous Christmas medley of all. Leroy Anderson's sparkling selection includes Joy to the World, Deck the Halls, God Rest Ye Merry Gentlemen, Good King Wenceslas and Hark the Herald Angels Sing.Brass Band Grade 4: Advanced Youth and 3rd Section.Duration: 7 minutes.
In Stock: Estimated dispatch 1-3 working days
-
£40.00
Hedwig's Theme (Score & Parts) - John Williams
Hedwig's Theme, from Harry Potter and the Philosopher's Stone, is probably the most recognisable of all the themes from John Williams' score to the Harry Potter films. The music has been arranged for brass band by Andrew Duncan. Brass Band Grade 4: Advanced Youth and 3rd Section Duration: 5 minutes
In Stock: Estimated dispatch 1-3 working days
-
£40.00
Five Lyric Pieces (Score & Parts) - Edvard Grieg
Mark Freeh's arrangement of five of Grieg's Lyric Pieces are taken from the orchestral adaptations from the composer himself. Grieg wrote 66 piano miniatures, all referred to as lyric pieces.Brass Band Grade 5: 1st SectionDuration: 12 minutes
In Stock: Estimated dispatch 1-3 working days
-
£50.00
Keystone Kops - Carl Davis
The Keystone Kops was a series of silent comedies featuring an incompetent group of policemen. They first appeared in the 1912 film Hoffmeyer's Legacy but it was the 1913 feature The Bangville Police that confirmed their popularity. The Keystone Kops were renowned for making mistakes, particularly with a great deal of energy and activity, and all done with a major lack of coordination. Carl Davis's energetic theme provides a fitting musical portrait of a silverscreen phenomenen.Brass Band Grade 4/5: Premier Youth and 2nd Section.Duration: 3 Minutes.
In Stock: Estimated dispatch 1-3 working days
