Results
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£40.00Trittico (Brass Band - Score only) - Curnow, James
Trittico was commissioned by the Swiss Brass Band Association for their national championships in 1988.A trittico is a triptych or group of three paintings or musical compositions based on a common theme and presented or performed together. The present work is a set of three extended variations on the American shaped-note hymn Consolation.The work opens in grand style with motives based on intervals of the hymn tune. The opening motif, and smaller fragments of it reappear throughout the piece and serve as an underlying element alongside the theme itself.The first variation is essentially a scherzo which echoes the minor mood of the theme. The hemiolic opposition of compound and duple time is used to good effect and, again, the main motif is never far away. This is music with energy and forward movement.The second variation gives the soloists a chance to shine. The mood is tranquil, yet there is always some activity and the musical material pre-echoes the third variation.The third variation is another scherzo-like section, the main theme accompanied by a rhythmic ostinato. Toward the conclusion there is a short aleatoric passage - a variation within a variation allowing half the band to make their own variations in a cacophony of sound. An energetic coda draws together several elements to round off a work brim full of drive, energy, and self-propelled enthusiasm.Recorded on Polyphonic QPRL044D Brass from the ValleysDuration: 13:30
Estimated dispatch 7-14 working days
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£90.00
Trittico (Brass Band - Score and Parts) - Curnow, James
Trittico was commissioned by the Swiss Brass Band Association for their national championships in 1988.A trittico is a triptych or group of three paintings or musical compositions based on a common theme and presented or performed together. The present work is a set of three extended variations on the American shaped-note hymn Consolation.The work opens in grand style with motives based on intervals of the hymn tune. The opening motif, and smaller fragments of it reappear throughout the piece and serve as an underlying element alongside the theme itself.The first variation is essentially a scherzo which echoes the minor mood of the theme. The hemiolic opposition of compound and duple time is used to good effect and, again, the main motif is never far away. This is music with energy and forward movement.The second variation gives the soloists a chance to shine. The mood is tranquil, yet there is always some activity and the musical material pre-echoes the third variation.The third variation is another scherzo-like section, the main theme accompanied by a rhythmic ostinato. Toward the conclusion there is a short aleatoric passage - a variation within a variation allowing half the band to make their own variations in a cacophony of sound. An energetic coda draws together several elements to round off a work brim full of drive, energy, and self-propelled enthusiasm.Recorded on Polyphonic QPRL044D Brass from the ValleysDuration: 13:30
Estimated dispatch 7-14 working days
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£59.99
Old Paintings Brass Band (Score & Parts)
The composer depicts five little paintings which were hanging on the wall of the spare room of his grandparents' house when he used to stay there as a young boy. Each painting had its own place and story. Even a replica of Rembrandt's Night Watch was there and his eyes were always focussed on the person with the drums. Imaginative music of high educational value. Playing together, articulation, and playing in tune are familiar, but useful, ingredients of this varied piece. 06:00
Estimated dispatch 7-14 working days
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£59.99
Old Paintings - Patrick Millstone
The composer depicts five little paintings which were hanging on the wall of the spare room of his grandparents' house when he used to stay there as a young boy. Each painting had its own place and story. Even a replica of Rembrandt's Night Watch was there and his eyes were always focussed on the person with the drums. Imaginative music of high educational value. Playing together, articulation, and playing in tune are familiar, but useful, ingredients of this varied piece.
Estimated dispatch 5-14 working days
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£32.00Coventry Variations (Score only) - Bramwell Tovey
A work which has quickly found a place in the repertoire of many brass bands - it is so full of invention, glorious melodies, energy, and exciting sounds. Players will enjoy both rehearsal and performance, and while there are technical demands, they always serve the music. The famous Coventry Carol is used as a basis - and it appears triumphantly at the work's conclusion, like the new city of Coventry rising, Phoenix-like, from the ashes of the old.
Estimated dispatch 7-9 working days
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£42.00Coventry Variations (Parts only) - Bramwell Tovey
A work which has quickly found a place in the repertoire of many brass bands - it is so full of invention, glorious melodies, energy, and exciting sounds. Players will enjoy both rehearsal and performance, and while there are technical demands, they always serve the music. The famous Coventry Carol is used as a basis - and it appears triumphantly at the work's conclusion, like the new city of Coventry rising, Phoenix-like, from the ashes of the old.
Estimated dispatch 7-9 working days
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£38.95Unity Series Band Journal - Numbers 534 - 537, October 2024
534: Boldly Going (Wycliffe Kortin)This arrangement is derived from a Kenyan Swahili gospel melody Simama Imara, which means 'to stand firm'. The song is an encouragement to Christians to stay strong in the Lord, even in times of difficulty. The piece has a lively rock feel which requires precision in articulation and a sense of drive throughout.535: Fill me anew (Mark Feltwell)The melody Fill me anew (T.B. 611) has always been a favourite of the composer and this composition was used at the Worchester Corps in their Pentecost services. It is a simple melody with a simple purpose and associated prayer that is the focus of the piece, 536: There's something about that name (William Gaither arr. Kingsley Layton)The chorus (S.A.S.B. 80) from which this piece takes its title was composed by Bill and Gloria Gaither. They wrote it in 1970, having watched their grandparents near the end of their lives and pass away. At the same time, they were, as a couple, embracing parenthood. It resonated with them how the young loved to say the name of Jesus as well as those that were nearing the end of their lives. The chorus reflects the peace and comfort which comes to us when we call on that name during both the good and challenging times in life. The Gaithers are a performing and songwriting couple who have become well-known within the Southern Gospel music genre.537: Selection - Singing Praises! (Noel Jones)A motif, based on the phrase 'Praise him!, Praise him!, Ever in joyful song', appears throughout the selection. Songs also featured include I love to sing of the Saviour (S.A.S.B. 845) and Singing glory, glory, Glory be to God on high (S.A.S.B. 840)
Estimated dispatch 7-14 working days
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£77.00General Series Brass Band Journal, Numbers 2238 - 2241, December 2023
2238: Fanfare and allegro on the Doxology (Steve Kellner)The Doxology, set to the tune Old Hundredth (T.B. 31), is used widely around the world by Christian denominations, including Salvationists. This concert opener is based on the short but powerful hymn of praise to the Triune God.2239: To the endless day (Kenneth Downie)This is a meditation on the hymn tune Ruth (T.B. 191), written by Samuel Smith. It is a particular favourite of Don Jenkins, whose late wife was also called Ruth. This music is dedicated to Don, a distinguished trombone soloist and former Band master of Bristol Easton Corps Band.The music is always associated with the hymn by William Walsham How, whose words begin 'Summer suns are flowing over land and sea' (S.A.S.B. 59) with the title coming from the end of the final verse.2240: Euphonium Solo - He giveth more grace (Ray Steadman-Allen)This 1996 arrangement of Blacklands (T.B. 527), the composers own hymn tune written in 1963, is being published posthumously. The hymn tune sets the words 'He giveth more grace as our burdens grow greater' (S.A.S.B. 30) with an emphasis on the generosity of God.2241: The Calvary effect (Ian Clarke)Around AC 30, on a hill often refered to as Mount Calvary, an event took place that was to change the world forever. The Calvary effect is a reflection, in musical form, on that event and what it still means to people today. If features two tunes: first, in a quiet reflective mood, we hear the highly emotive Healing Stream, associated with the words 'Jesus, keep me near the cross; There is a precious fountain' (S.A.S.B. 178). This then makes way for the chorus; 'Lord, make Cavalry real to me' (S.A.S.B. 182), which is at times indistinct and almost lost in its surroundings, reflecting the sentiments of the chorus. A return to the main tune follows, this time in a positive, passionate setting. The music finishes with a triumphant 'Hallelujah!'.
Estimated dispatch 7-14 working days
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£44.95Judd: Fantasia on 'Glory to His Name' - Dudley Bright
This Fantasia is a celebration of the work of Ray Steadman-Allen. Through most of his 92 years, his music has had a profound and wide-ranging impact on Salvation Army music. Always innovative, rather than stylistically stereotypical, his music has led the way forward for Salvationist composers. As the title suggests, his light-hearted 1960's vocal solo provides thematic material and highlights his motivation. There are also references to and quotations from several more of his pieces. Yet, although much of his music can be challenging, he has also given us music that speaks directly to the heart. His much-loved songs 'He giveth more grace' ('Blacklands') and 'Remember Me' are heard in humble and sincere tribute to a life dedicated to giving the glory to God through his music.
Estimated dispatch 7-14 working days
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£14.95Tom Bowling (Trombone and Piano)
This wonderful song is invariably featured in the last night of the BBC Promenade Concert series as it is included in Henry Wood's Fantasia on British Sea Songs. It is played as a cello solo and always provides one of the most sensitive, melancholic moments of the evening. It the trombone soloist rises to the challenge, there will not be a dry eye in the concert hall!
Estimated dispatch 7-14 working days
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