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  • £30.00

    Russian Rag - George L Cobb, Sandy Coffin

    Interpolating the world famous"Prelude" by RachmaninoffCommissioned by John Wallace, this arrangement of Russian Rag has been crafted by Sandy Coffin through close listening of the available recordings of the Harlem Hellfighters Band. Sandy had been heavily involved with the Historic Brass Society symposium 2017 held in New York and assisted John with his research on this fascinating band and the style of music it generated.Eye-witness accounts refer to the 369th band 'dancing' rather than 'marching'. Above all, in modern performance, finding a 'dancing beat' is crucial to a successful performance of this Ragtime march in order to do justice to the great pioneering work of James Reese Europe. Note the cheeky virtuosity and rubato!Look and Listen (courtesy of Tullis Russell Mills Band):Background to the Harlem HellfightersThe US Army 369th Regiment, made up largely of African-Americans from New York, became known as the Harlem Hellfighters because of the heroic reputation which accrued to them during the actions they engaged in during the First World War in Europe.James Reese Europe was one of the most active African-American composer/musical directors in the pre-war American music scene. The legendary Harlem Hellfighters Band, which he assembled in 1917 from African-American and Puerto Rican musicians, came at an important transitional point in musical history. A new form of music called jazz was emerging from Ragtime and the performing style of Europe's band was immersed in the flow of this new direction.Europe's Harlem Hellfighters influenced and inspired everyone who heard them, including the welcoming crowd when they disembarked in France, bowled over by their swinging rendition of La Marseillaise. Reese Europe became a war hero, commanding a machine-gun unit as well as the band.On return from War in 1919 the band led a ticker-tape parade along Fifth Avenue in New York and soon made about 30 shellac recordings. These recordings display some of the fingerprints of their performing style: ragging, improvising, muting, wailing, smearing (their word for glissando) - and from the evidence of their recordings they took the printed page as a blueprint for individuality.In May 1919 during the Hellfighters' triumphant coast-to-coast tour after their return, James Reese Europe was tragically murdered, bringing to premature close, at the age of 39, the work of a great musical innovator.

    In Stock: Estimated dispatch 3-5 working days
  • £30.00

    That Moaning Trombone - Carl D Bethel, Sandy Coffin

    Comic March One-StepCommissioned by John Wallace, this arrangement of That Moaning Trombone has been crafted by Sandy Coffin through close listening of the available recordings of the Harlem Hellfighters Band. Sandy had been heavily involved with the Historic Brass Society symposium 2017 held in New York and assisted John with his research on this fascinating band and the style of music it generated.Eye-witness accounts refer to the 369th band 'dancing' rather than 'marching'. Above all, in modern performance, finding a 'dancing beat' is crucial to a successful performance of this Ragtime march in order to do justice to the great pioneering work of James Reese Europe.Note the the reckless abandon with which glissando, at that time a novel effect, is used!Look and Listen (courtesy of the Tullis Russell Mills Band):Background to the Harlem HellfightersThe US Army 369th Regiment, made up largely of African-Americans from New York, became known as the Harlem Hellfighters because of the heroic reputation which accrued to them during the actions they engaged in during the First World War in Europe.James Reese Europe was one of the most active African-American composer/musical directors in the pre-war American music scene. The legendary Harlem Hellfighters Band, which he assembled in 1917 from African-American and Puerto Rican musicians, came at an important transitional point in musical history. A new form of music called jazz was emerging from Ragtime and the performing style of Europe's band was immersed in the flow of this new direction.Europe's Harlem Hellfighters influenced and inspired everyone who heard them, including the welcoming crowd when they disembarked in France, bowled over by their swinging rendition of La Marseillaise. Reese Europe became a war hero, commanding a machine-gun unit as well as the band.On return from War in 1919 the band led a ticker-tape parade along Fifth Avenue in New York and soon made about 30 shellac recordings. These recordings display some of the fingerprints of their performing style: ragging, improvising, muting, wailing, smearing (their word for glissando) - and from the evidence of their recordings they took the printed page as a blueprint for individuality.In May 1919 during the Hellfighters' triumphant coast-to-coast tour after their return, James Reese Europe was tragically murdered, bringing to premature close, at the age of 39, the work of a great musical innovator.

    In Stock: Estimated dispatch 3-5 working days
  • £30.00

    The St Louis Blues - Sandy Coffin, W C Handy

    Two-Step MarchCommissioned by John Wallace, this arrangement of The St Louis Blues has been crafted by Sandy Coffin through close listening of the available recordings of the Harlem Hellfighters Band. Sandy had been heavily involved with the Historic Brass Society symposium 2017 held in New York and assisted John with his research on this fascinating band and the style of music it generated.Eye-witness accounts refer to the 369th band 'dancing' rather than 'marching'. Above all, in modern performance, finding a 'dancing beat' is crucial to a successful performance of this Ragtime march in order to do justice to the great pioneering work of James Reese Europe.Note the flutter-tonguing and use of muting, the counter-melody in soprano cornet, and the wilder and yet wilder nature of each repetition of the Chorus.Look and Listen:Background to the Harlem HellfightersThe US Army 369th Regiment, made up largely of African-Americans from New York, became known as the Harlem Hellfighters because of the heroic reputation which accrued to them during the actions they engaged in during the First World War in Europe.James Reese Europe was one of the most active African-American composer/musical directors in the pre-war American music scene. The legendary Harlem Hellfighters Band, which he assembled in 1917 from African-American and Puerto Rican musicians, came at an important transitional point in musical history. A new form of music called jazz was emerging from Ragtime and the performing style of Europe's band was immersed in the flow of this new direction.Europe's Harlem Hellfighters influenced and inspired everyone who heard them, including the welcoming crowd when they disembarked in France, bowled over by their swinging rendition of La Marseillaise. Reese Europe became a war hero, commanding a machine-gun unit as well as the band.On return from War in 1919 the band led a ticker-tape parade along Fifth Avenue in New York and soon made about 30 shellac recordings. These recordings display some of the fingerprints of their performing style: ragging, improvising, muting, wailing, smearing (their word for glissando) - and from the evidence of their recordings they took the printed page as a blueprint for individuality.In May 1919 during the Hellfighters' triumphant coast-to-coast tour after their return, James Reese Europe was tragically murdered, bringing to premature close, at the age of 39, the work of a great musical innovator.

    In Stock: Estimated dispatch 3-5 working days
  • £29.50

    The Land Before Time - James Horner - Gavin Somerset

    The music of James Horner is known around the world for his strong, heart-warming melody lines that featured in such films at 'Titanic' and 'An American Tail'. Released in 1988, 'The Land Before Time' was made by the same film creators of 'An American Tail' and so, James Horner and Will Jennings were the obvious choice to create the movie's soundtrack, following the success of 'Somewhere Out There' (from 'An American Tail'). They didn't disappoint, and the main title track 'If We Hold On Together' became a success both on the screen and off when it was released as a single by Diana Ross in 1989. Now arranged by Gavin Somerset, this release will take a generation back in time to the story of Littlefoot, who embarks upon journey with 4 friends as they search for the Great Valley. A great item for all bands

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  • £24.50

    Away In A Manger - William Kirtpatrick - Adrian Horn

    Probably the most famous of all Christmas carols, this arrangement by Adrian Horn makes this well-loved work sparkle in a whole new light. With repeated bell calls throughout, this piece brings all the sounds of Christmas to you concerts. The melody, entitled "Cradle's Song" composed by the American born composer William J. Kirkpatrick is known worldwide and with this new arrangement, can play a feature role in your Christmas concerts.A

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  • £24.50

    In The Pines - Traditional - Max Stannard

    Whilst the song may not be familiar with some, this traditional American folk song is believed to date back to the 1870's. With various other titles including 'Where Did You Sleep Last Night?' and 'Black Girl', this work has been recorded by numerous artists over the years and was in 1993, introduced to a new generation when it was performed by the US band, Nirvana. Max Stannard's haunting setting brings your audience in with the haunting melody before shifting gears into a great jazz-waltz section. Featuring several soloists, this is a great entertainment items and a good showcase for concerts and contests.

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  • £24.50

    Kathleen Mavourneen - Frederick Crouch - Andi Cook

    Composed by Frederick Crouch with lyrics by Marion Crawford, this easy listening piece was popular during the American Civil War years. The term "Mavourneen" is derived from Irish Gaelic "My Beloved.". Now skilfully arranged as a cornet solo by Andi Cook, the work is open to soloists of most standards and was recently recorded on the final James Shepard Versatile Brass CD, Legacy which has increased it's popularity again within the Brass Band movement.

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  • £29.50

    Mexican Hat Dance - Trad - David Hollins

    One of the most famous tunes to ever come out of South American has now been arranged as a brilliant comedy item for a cornet trio. This arrangement, titled, as "La Danza Del Sombrero Mexicana", is a wonderful showpiece for your band and 3 cornet players. After the main theme, cadenzas from the 3 soloists lead us into a Habanera before returning to the well-known melody. This item works in just about any concert, from bandstand to opera house. Lending itself perfectly to choreography, this comic item is the perfect audience pleaser.

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  • £24.50

    Shenandoah - Trad - Gavin Somerset

    A gorgeous arrangement of a simply stunning tune. This American folk tune has become a huge hit over the years as artists such as Bing Crosby, Bryn Terfel and more recently, Hayley Westenra. Its lyrics meanings have long been a topic for discussion, the "rolling river" being either that of the "Missouri River" or, the actual "Shenandoah River". Rivermen, settlers and even slaves have undoubtedly added lyrics to this hair-raising tune. Playable by all levels of bands, this simple, yet very effective arrangement uses all the colours of the brass band to send shivers down the listener's spine.

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  • £29.50

    Top Hat White Tie & Tails - Irving Berlin - David Holling

    If your band is after that stunning opener to make a sparkling impression on either the concert or contest stage, then look no further than this perfect Irving Berlin hit. Arranged by David Holling, the song was performed by Fred Astaire in the 1935 film "Top Hat". This piece has just about everything you could want from an opening item. From Swing to Waltz's and back again, the song has now become an American classic. A fantastic standalone item that allows a band to show off and also has the potential for choreography. A great item for any concert!

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