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£54.99
Sumba Samba Brass Band (Score & Parts)
The Samba is a Latin American dance, which is mostly associated with parties, as a result of the fast tempo in which it is usually played. 'Sumba Samba' forms an exception to this rule. In order to get this samba to swing it is important to stick to the tempo prescribed. 'Sumba Samba' starts with a motif which will play an important role throughout the piece. This motif can be heard in the first notes of the 'refrain' and, as said before, has been used in the introduction, as well as in the transition after the middle part (letter G). Furthermore, it plays an important role in the middle part itself (letter E), in which the samba has momentarily disappeared and a completely different atmosphere has been created. At letter H we pick up where we left off with the samba and swing to the end of this composition. 02:45
Estimated dispatch 7-14 working days
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£109.99
The Horn of Plenty Brass Band Tenor Horn Solo (Score & Parts)
The Horn of Plenty is a composition which allows to present the Horn in many styles. The opening has an heroic character and exudes an Spanish atmosphere. The next part is a playful and lighthearted Leggiero. The melody used in bar 38 has an oriental sound through melodic use of the harmonic scale. The Andante is a parody on a piano etude by the composer Stephen Heller, a Frenchman of Hungarian descent. The piece ends with a relaxed swing area in which the Horn also in a different way can be heard. 04:45
Estimated dispatch 7-14 working days
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£109.99
The Power of the Megatsunami Brass Band (Score & Parts)
The word 'tsunami' is of Japanese origin. When you look it up in a dictionary, you will find that it means 'a great sea wave produced by submarine earth movement or volcanic eruption'. A megatsunami is the superlative of this awesome expression of power that nature can create, and has catastrophic consequences. When Carl Wittrock completed this composition not many such big earth movements had occurred, but since then we have become all too familiar with the disastrous consequences which a tsunami may have. On the 26th of December 2004 a heavy seaquake took place near the Indonesian island of Sumatra. Tidal waves 10 meters in height ravaged the coastal regions of many countries for miles around. The tsunami took the lives of thousands of people and destroyed many villages and towns. There are more areas which run the risk of being struck by a tsunami, such as the island of La Palma, one of the Canary Islands. This island is based on oceanic crust at a fracture zone and as such is one of nature's time bombs. The consequences of a natural calamity like a megatsunami are immense. In the case of La Palma, the tidal wave will move in the direction of South America, where it may reach 50 km inland, destroying everything on its way. In his composition Wittrock describes an ordinary day which will have an unexpected ending. Right from the beginning there seems to be something in the air, the music creating an oppressive atmosphere of impending disaster. Themes are interrupted, broken off suddenly, followed by silence, suggesting the calm before the storm. Suddenly a short climax (glissandi in the trombone part) indicates the seaquake, and the megatsunami is a fact. Hereafter follows a turbulent passage symbolising the huge rolling waves. After nature's force has spent itself, resignation sets in and the composition ends with a majestic ode to nature. 10:30
Estimated dispatch 7-14 working days
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£94.99
The Seven Divine Properties Brass Band Euphonium Solo (Score & Parts)
Rob Goorhuis wrote this challenging work for solo euphonium with its marvellous title The Seven Divine Properties at the request of Danny Oosterman and after an idea of Anteun Hoesen. In fact, this piece came about because the Andels Fanfare Corps was going to record a CD in early 2012 exclusively with pieces by Rob Goorhuis. Anteun Hoesen plays the solo part in this piece on the CD.The concept of divine properties features heavily in various ancient religions: these are properties to which man can aspire--through striving towards divine properties one can evolve spiritually and become a better person. Different divine properties feature in various religions. In the Christian church, the terms Faith, Hope and Love play an important role.This composition is primarily written from an Old Testament point of view. The chosen qualities are as follows: Simplicity, Strength, Truth, Perseverance and Passion. After a short introduction of the thematic material, the various properties are depicted in musical miniatures.
Estimated dispatch 7-14 working days
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£119.95The Torchbearer (Symphonic Variations on a Theme by Eric Ball) (Brass Band - Score and Parts) - Graham, Peter
2015 National Championships Regionals - Championship Section. The variations are based upon the first phrase of the trio from Eric Ball's Salvation Army march, Torchbearers. After opening statements of the theme, variation 1 (an energetic allegro brillante utilising fragment A) commences. Cadenza passages for Eb Bass and Euphonium lead to variation 2 (an andante appassionato based upon fragment B) Variation 3 (a vivace featuring C as an ostinato) is followed by variation 4 (the central andante e sciolto molto for solo cornet). The work culminates in a reprise of the cornet solo, now fully metamorphosised and mirroring in music a concept at the centre of Ball's broader philosophy, that of transformation. Eric Ball will be remembered as a composer whose classic works for brass shine through with integrity and sincerity. There has been no less sincere in the composers' efforts to pay musical tribute to the 20th century's most influential composer of brass band music. Duration: 12:30
Estimated dispatch 7-14 working days
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£37.95
The Torchbearer (Symphonic Variations on a Theme by Eric Ball) (Brass Band - Score only) - Graham, Peter
2015 National Championships Regionals - Championship Section. The variations are based upon the first phrase of the trio from Eric Ball's Salvation Army march, Torchbearers. After opening statements of the theme, variation 1 (an energetic allegro brillante utilising fragment A) commences. Cadenza passages for Eb Bass and Euphonium lead to variation 2 (an andante appassionato based upon fragment B) Variation 3 (a vivace featuring C as an ostinato) is followed by variation 4 (the central andante e sciolto molto for solo cornet). The work culminates in a reprise of the cornet solo, now fully metamorphosised and mirroring in music a concept at the centre of Ball's broader philosophy, that of transformation. Eric Ball will be remembered as a composer whose classic works for brass shine through with integrity and sincerity. There has been no less sincere in the composers' efforts to pay musical tribute to the 20th century's most influential composer of brass band music. Duration: 12:30
Estimated dispatch 7-14 working days
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£37.95Connotations (Brass Band - Score only) - Gregson, Edward
Connotations was commissioned for the 1977 National Brass Band Championship finals, held in the Royal Albert Hall, London (the winner, incidentally, of that particular competition was the famous Black Dyke Mills Band).At the age of 32 Gregson was the youngest composer to have received the honour of such a commission. It came at the end of a productive five years writing for the brass band publisher R Smith. Some of those works - The Plantagenets, Essay and Patterns for example, with their direct and tuneful style, have remained popular with brass bands the world over.For Gregson, these were the means by which he sharpened the tools of his trade, preparing the ground, as it were, for his finest work to date - Connotations. He thought of calling the piece Variations on a Fourth, but with due deference to Gilbert Vinter perhaps (Variations on a Ninth), he chose a more appropriate one. As Gregson has written, 'Connotations suggests more than one way of looking at something, an idea, and this is exactly what the piece is about'.Writing a competition piece brought its own problems. 'It has to be technically difficult and yet musically satisfying. I didn't like being kept to an eleven-minute maximum. The inclusion of short cadenzas for less usual solo instruments seems to signify a certain test-piece mentality'.Gregson solved the problems admirably by adopting a symphonic approach to variation form: Introduction - fanfares, a call to attention, in effect Variation 1; Theme - a six-note motif, given a lyrical and restrained first statement; Variation 2 - a delicate toccata; Variation 3 - typically robust in melody and rhythm; Variation 4 - lyrical solos; Variation 5 - a scherzo; Variation 6 - cadenzas; Variations 7-9 - an introduction, fugato and resounding restatement of the theme.Duration: 10.30
Estimated dispatch 7-14 working days
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£74.95
Connotations (Brass Band - Score and Parts) - Gregson, Edward
Connotations was commissioned for the 1977 National Brass Band Championship finals, held in the Royal Albert Hall, London (the winner, incidentally, of that particular competition was the famous Black Dyke Mills Band).At the age of 32 Gregson was the youngest composer to have received the honour of such a commission. It came at the end of a productive five years writing for the brass band publisher R Smith. Some of those works - The Plantagenets, Essay and Patterns for example, with their direct and tuneful style, have remained popular with brass bands the world over.For Gregson, these were the means by which he sharpened the tools of his trade, preparing the ground, as it were, for his finest work to date - Connotations. He thought of calling the piece Variations on a Fourth, but with due deference to Gilbert Vinter perhaps (Variations on a Ninth), he chose a more appropriate one. As Gregson has written, 'Connotations suggests more than one way of looking at something, an idea, and this is exactly what the piece is about'.Writing a competition piece brought its own problems. 'It has to be technically difficult and yet musically satisfying. I didn't like being kept to an eleven-minute maximum. The inclusion of short cadenzas for less usual solo instruments seems to signify a certain test-piece mentality'.Gregson solved the problems admirably by adopting a symphonic approach to variation form: Introduction - fanfares, a call to attention, in effect Variation 1; Theme - a six-note motif, given a lyrical and restrained first statement; Variation 2 - a delicate toccata; Variation 3 - typically robust in melody and rhythm; Variation 4 - lyrical solos; Variation 5 - a scherzo; Variation 6 - cadenzas; Variations 7-9 - an introduction, fugato and resounding restatement of the theme.Duration: 10.30
Estimated dispatch 7-14 working days
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£30.00Homage to Bach - Chris Houlding
Inspired by the master of counterpoint, Homage to Bach was written by Chris as an exercise in simplicity itself, designed to not only test the musicians playing skills and sense of style, but to encourage them to develop their "ensemble radar" through carefully listening, fine tuning, subtle dynamics and variation in articulation. The brass band has a long tradition of using chorales and hymns as a training exercise. As an alternative to existing hymn tunes, I have composed this simple chorale melody in three verses with a short introduction and links to specifically develop a quality 'tutti' band sound. Certain parts are doubled allowing performances by incomplete bands while presenting full outfits with an intonation and stylistic challenge. The printed phrasing is to be adhered to at all times regarding breaths, thus producing a seamless counterpoint. Simple yet satisfying for a quieter and atmospheric concert interlude.
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£40.00Last Night of the Proms Medley - Traditional
The quintessential most English of English classical music concerts and the self-styled world's largest and most democratic musical festival". The "Proms", originally known as The Henry Wood Promenade Concerts are an eight-week summer season of daily orchestral classical music concerts and other events held annually, predominantly in the Royal Albert Hall in London. Founded in 1895, each season now consists of more than 70 concerts in the Albert Hall, a series of chamber concerts at Cadogan Hall, additional Proms in the Park events across the United Kingdom on the last night, and associated educational and children's events. Often held as outdoor concerts in London's pleasure gardens, where the audience was free to stroll around while the orchestra was playing, this tradition has once again been revived in parks and stately homes not only in the UK, but across the world. The first series of promenade concerts were held indoors at the Queen's Hall in Langham Place. The idea was to encourage an audience for concert hall music who, though not normally attending classical concerts, would be attracted by the low-ticket prices and more informal atmosphere. In addition to "promenading" or "promming"; eating, drinking and smoking was all allowed. Many people's perception of the "Proms" is taken from the "Last Night", although this concert is very different from the others. The concert is traditionally of a lighter vein, with popular classics being followed by a series of British patriotic pieces in the second half of the concert. This second half sequence traditionally includes most of the works included in this medley. Many in the audience use the occasion for an exuberant display of Britishness. Union Jack Flags are carried and waved by the "Prommers", especially during "Rule, Britannia!". Balloons and party poppers are also in abundance.
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