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£35.00Trumpet Shall Sound, The - G. F, Handel arr. Phillip Littlemore
Along with the Hallelujah Chorus, the bass aria (and mini trumpet concerto) The Trumpet Shall Sound is one of the most recognisable movements from Handel's Messiah, which was composed in 1741 and received it's premiere in Dublin a year later. Written in three parts, the The Trumpet Shall Sound appears in the middle of the third and final part.The aria is rarely performed 'live' with the full repeat, as it is a particularly taxing part for the trumpet player. However, in this arrangement, the extended middle section is intact and can therefore be played at the trumpet soloists discretion!Duration: 10'30" (4'20" playing the first section only)Difficulty: Suitable for all (band accompaniment)Also available from Messiah:Hallelujah ChorusAnd The Glory, The Glory of the Lord
Estimated dispatch 5-7 working days
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£59.99
Lascia ch'io pianga (Let Me Weep) - Georg Friedrich Händel
Let Me Weep ('Lascia ch'io pianga') is an aria from Handel's opera 'Rinaldo'. According to reports he composed the music for the complete opera in just 14 days, using many melodies from earlier works. The melody of this wonderful aria is known all over the world and this arrangement by Jacob de Haan retains all the passion of the original.
Estimated dispatch 5-14 working days
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£19.95Eb Solos Album
Includes: The old rustic bridge; Celestial Morn; An Irish melody; High Fidelity; Rhapsody for tuba; Glory to his name; The Queen of the night's aria; Only one intention; Jesus loves me (duet); Have thine own way, Lord; Teach me; Aria from 'The Magic Flute'; A very happy day; Precious JesusInstrumentation: Solos for Eb Soprano Cornet, Eb Tenor Horn & Eb Bass with Piano Accompaniment
Estimated dispatch 7-14 working days
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£5.00O Mio Babbino Caro (Trombone or Horn Solo and Piano Accompaniment)
This famous aria is from the opera Gianni Schicchi. Lauretta, daughter of Gianni Schicchi, has fallen in love with Rinuccio but there are huge tensions between their two families which threaten to keep the young couple apart. The rather discordant music which opens portrays these tensions before giving way to Lauretta's tender appeal to her father to allow her to marry the man she loves. A brass band arrangement of this aria was prepared at the request of Brett Baker to be performed with Brass Band Of The Western Reserve, musical director Dr Keith M Wilkinson, during his visit in May, 2011. This piano accompaniment version will make this beautiful music accessible to more soloists.Parts included for Trombone BC, Trombone TC, Eb Horn, F Horn and Piano Accompaniment
Estimated dispatch 7-14 working days
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£37.95Benvenuto Cellini (Brass Band - Score only)
Berliozs opera Benvenuto Cellini was first produced in Paris in 1838 but was withdrawn as a failure, and it was not until the production in Dresden in 1888 that it was finally acclaimed by the Germans as a triumph. Adapted from certain episodes recorded in the memoirs of Benvenuto Cellini, Tuscan sculptor and goldsmith, the story, laid in Rome during the mid-sixteenth century, is not strictly historical. The short opening Allegro, marked deciso con impeto, is conceived in the most brilliant Berlioz manner, utilising full instrumentation. In the Larghetto we meet at once the first of the opera themes " the Cardinals aria (from the last act) introduced in the bass, quasi pizzicato. A second melody leads to a resumption of the Allegro, the contrasting second subject in the tenor horns being an adaptation of Teresas aria (Act I). Towards the end the Cardinal theme is re-introduced by trombones, fortissimo against an energetic cornet and euphonium passage (senza stringendo " without hurry, says the score). After a unison passage storming skywards, there is a sudden, dramatic three-bar silent pause broken by Eb basses alone, again stating the Cardinal theme. A simple molto crescendo on the dominant, begun piano, leads to the long, resounding chord.
Estimated dispatch 7-14 working days
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£82.95Benvenuto Cellini (Brass Band - Score and Parts)
Berliozs opera Benvenuto Cellini was first produced in Paris in 1838 but was withdrawn as a failure, and it was not until the production in Dresden in 1888 that it was finally acclaimed by the Germans as a triumph. Adapted from certain episodes recorded in the memoirs of Benvenuto Cellini, Tuscan sculptor and goldsmith, the story, laid in Rome during the mid-sixteenth century, is not strictly historical. The short opening Allegro, marked deciso con impeto, is conceived in the most brilliant Berlioz manner, utilising full instrumentation. In the Larghetto we meet at once the first of the opera themes " the Cardinals aria (from the last act) introduced in the bass, quasi pizzicato. A second melody leads to a resumption of the Allegro, the contrasting second subject in the tenor horns being an adaptation of Teresas aria (Act I). Towards the end the Cardinal theme is re-introduced by trombones, fortissimo against an energetic cornet and euphonium passage (senza stringendo " without hurry, says the score). After a unison passage storming skywards, there is a sudden, dramatic three-bar silent pause broken by Eb basses alone, again stating the Cardinal theme. A simple molto crescendo on the dominant, begun piano, leads to the long, resounding chord.
Estimated dispatch 7-14 working days
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£70.00
Episodes and Echoes - Peter Meechan
Episodes and Echoes is a concerto in three movements for tuba. The title of the work relates directly to the way the composer approached writing the piece.aAlthough the work is scored with piano and wind band accompaniments, Episodes and Echoes was originally written for tuba and brass band. I had several problems to overcome - the brass band contains 4 tubas, and 2 euphoniums, all of which could obscure the solo line, so I decided to write for the soloist in a manner that meant they were either playing alone, in episodes, or repeating/echoing phrases.aIn addition to this, the composer combined the characteristics of the tuba with other instruments: in the second movement the tuba is similar to a singer performing an aria and a recitative, and third movement a bass guitar.Episodes and Echoes was commissioned by, and dedicated to, Les Neish who premiered the work in 2005, accompanied by the Beaumaris Brass Band, conducted by Gwyn Evans.
Estimated dispatch 12-14 working days
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£37.95On with the Motley - Ruggero Leoncavallo arr. Ray Farr
This famous aria from the Opera Pagliacci is popular all over the world and sits perfectly for the euphonium. This new edition has been beautifuly engraved and comes with full score and all parts.
Estimated dispatch 7-9 working days
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£37.95Two Operatic Encores (Score and Parts) - Bram Gay
Two encores in one publication! Donizetti's 'Una Furtiva Lacrima' ('A Secret Tear') is arranged as a trombone or euphonium solo while Puccini's 'Signore ascolto' - Liu's Aria from his final opera Turandot - provides cornet soloists with a delicate showpiece.
Estimated dispatch 7-9 working days
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£35.87Nessun Dorma (Trombone Solo with Brass Band) Puccini arr. Ian Jones
This trombone solo with brass band was arranged by Ian Jones for Ronald Prussing, principal trombone of the Sydney Symphony Orchestra, for a recording with the Melbourne Staff Band. Nessun Dorma is an aria from the final act of Puccini's opera Turandot. It is one of the best loved of all Puccini's arias. To view a follow-the-score video featuring Ronald Prussing performing the solo with the Melbourne Staff Band, please visit www.youtube.com/watch?v=n9fREiH41sQ Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Instrumentation: Trombone Soloist Bb Soprano Cornet Eb Solo Cornet Bb 1st Cornet Bb 2nd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Percussion
In Stock: Estimated dispatch 1-3 working days
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