Results
-
£77.00General Series Brass Band Journal, Numbers 2246 - 2249, August 2024
2246: Christmas Prelude - David's City (Noel Jones)In 2 Samuel 5, we read of David's anointing as King of Israel at the age of thirty, a reign that lasted for forty years. Bethlehem was known as 'David's city' because he was born there and worked as a shepherd on the nearby hills. Verses 1, 2 and 5 of Once in Royal David's City (C.C. 68) are featured in this Christmas Prelude. There are also brief references to the carols O come, all ye faithful and O little town of Bethlehem between verses.2247: Cornet and Euphonium Duet - This Kingdom (Stephen Bulla)Geoff Bullock's song, This Kingdom, has been made well known by the American gospel singer Ron Kenoly. Stephen Bulla wrote this duet for a Brass Spectacular concert held in Basel, Switzerland, in May 2019.2248: Wonder (Stephen Gibson)When we stop to consider the mystery of God's love for each one of us, its enormity can only cause us to wonder. The opening bars of this music create an atmosphere, using a rolling accompaniment underneath sustained, music and chromatic Cornets, setting the style for the entire piece. Occasional references to Albert E. Webber's chorus Can you wonder? are heard throughout.2249: O to love thee! (Michael Davis)This piece takes its title from the first verse of Francis Bottome's words, Precious Jesus, O to love thee! The introduction establishes the baroque form of a prelude which leads into the tune Glory to the lamb (T.B. 327). Following a brief interlude, the melody is passed through several sections of the band, with delicate countermelodies in the Flugel and Horns. The majestic ending eventually comes to rest on the final tonic chord.
Estimated dispatch 7-14 working days
-
£55.00Triumph Series Brass Band Journal, Numbers 1363 - 1366, July 2024
1363: Festival March - Collect the harvest (Anders Beijer)This march is a call to tell others about the salvation we have received and bring people to Jesus. Jesus has bought us with his blood, and we now belong to him and stand under his protection, surrounded by his love and care. After brief references to the melody Bringing in the sheaves (S.A.S.B. 58) (also appearing later in the work in full) and an original melody, we hear the familiar tune Saviour, like a shepherd. This music should be performed with great joy and enthusiasm.1364: O come, Immanuel (Steve Kellner)The text of this beautiful Advent hymn (C.C. 62) dates to the 8th century and its chant-like tune to the 15th century. While the text alludes to Israel's captivity in Babylon and the coming Messiah, it in fact refers to the believer's anticipation of Jesus' second coming. The original chant melody was call and response, so the opening motif serves as the call, returning throughout the arrangement.1365: Our Consecration (Marcus Venables)This arrangement uses the tune St Margaret (T.B. 427) to the beloved hymn by George Matheson, O love that wilt not let me go (S.A.S.B. 616), which highlights the powerful and enduring nature of God's love. The use of the melodic fragment on the word 'go' serves as a subtle question mark, inviting the listener to reflect on the human qualities that may cause doubt in the steadfastness of God's love for us. However, as the piece ends, there is a sense of peace and assurance that we can truly rely on the never-ending love of God in our lives. This powerful and emotive arrangement will leave the listener feeling uplifted and encouraged by the knowledge that they are held securely in the arms of God's love.1366: March - The bell ringer (David Rowsell)The title of this march refers to someone who stands by the iconic Salvation Army Christmas kettle and receives donations from passers-by. They ring a bell to attract attention and subtly invite people to give a donation in support of The Salvation Army's work. This march was written as a tribute to the many volunteers worldwide who support this campaign each year. The music features the choruses from two Christmas carols, Sweet chiming Christmas bells (C.C. 83) and Sweet chiming bells (C.C. 82).
Estimated dispatch 7-14 working days
-
£77.00General Series Brass Band Journal, Numbers 2238 - 2241, December 2023
2238: Fanfare and allegro on the Doxology (Steve Kellner)The Doxology, set to the tune Old Hundredth (T.B. 31), is used widely around the world by Christian denominations, including Salvationists. This concert opener is based on the short but powerful hymn of praise to the Triune God.2239: To the endless day (Kenneth Downie)This is a meditation on the hymn tune Ruth (T.B. 191), written by Samuel Smith. It is a particular favourite of Don Jenkins, whose late wife was also called Ruth. This music is dedicated to Don, a distinguished trombone soloist and former Band master of Bristol Easton Corps Band.The music is always associated with the hymn by William Walsham How, whose words begin 'Summer suns are flowing over land and sea' (S.A.S.B. 59) with the title coming from the end of the final verse.2240: Euphonium Solo - He giveth more grace (Ray Steadman-Allen)This 1996 arrangement of Blacklands (T.B. 527), the composers own hymn tune written in 1963, is being published posthumously. The hymn tune sets the words 'He giveth more grace as our burdens grow greater' (S.A.S.B. 30) with an emphasis on the generosity of God.2241: The Calvary effect (Ian Clarke)Around AC 30, on a hill often refered to as Mount Calvary, an event took place that was to change the world forever. The Calvary effect is a reflection, in musical form, on that event and what it still means to people today. If features two tunes: first, in a quiet reflective mood, we hear the highly emotive Healing Stream, associated with the words 'Jesus, keep me near the cross; There is a precious fountain' (S.A.S.B. 178). This then makes way for the chorus; 'Lord, make Cavalry real to me' (S.A.S.B. 182), which is at times indistinct and almost lost in its surroundings, reflecting the sentiments of the chorus. A return to the main tune follows, this time in a positive, passionate setting. The music finishes with a triumphant 'Hallelujah!'.
Estimated dispatch 7-14 working days
-
£38.95Unity Series Band Journal - Numbers 522 - 525, October 2023
522: Festival March - The Rescuers (Andrew Hedley)This exciting and bright festival march comes from a new contributor to the band journals. Andrew Hedley is a bandsman at Chester-le-Street Corps and a member of the Euphonium Section of the International Staff Band. This work contains inventive harmonic and melodic patterns and we hope this will be the first of many works from this composer to be seen in our journals.523: Moses and Pharaoh (Ralph Pearce)This piece owes its creation to the playing of the Montclair Citadel Young Peoples' Band in the Sunday School assembly every weekend. The song Pharaoh, Pharaoh is extremely popular and is sung with gusto and much movement. The presentation of this song derives for an accompaniment written for the band to play along with the singing. To widen its use, the spiritual Go down, Moses (STTL Vol.7, Part 2) was added to make the present composition. This music should have drive throughout and be played with a sense of fun.524: Lord, to thee (Alan Williams)This is a setting of the tune Hendon (T.B. 249). The piece uses the first verse of Frances Ridley Havergal's commonly associated text 'Take my life and let it be consecrated, Lord, to thee' (S.A.S.B. 623), and from there it takes its title.525: Song Arrangement - This is why (Noel Jones)This music is based on the tune This is why (T.B. 353) by Elisha Albright Hoffman and this two-verse arrangement reflects the great song of testimony Would you know why I love Jesus (S.A.S.B. 912). An associated scripture reference is found in Mark 10:45 'For even the Son of Man did not come to be served, but to serve, and to give his life as a ransom for many'. The motif 'Would you know' occurs in the opening bars and is repeated throughout the piece, along with fragments of the first verse. The chorus confirms the hoy that Christians experience knowing that Christ's sacrifice has bought forgiveness for our wrongdoings.
Estimated dispatch 7-14 working days
-
£55.00Triumph Series Brass Band Journal, Numbers 1351 - 1354, July 2023
1351: The anointed King (Marcus Venables)This piece was originally written as a massed band item for the Ontario Central-East Divisional Music Day in 2019. The updated version includes two songs, King of kings, majesty (S.A.S.B. 376) and O worship the King (S.A.S.B. 52) to a rhythmic setting of the tune Laudate Dominum (T.B. 481). Both songs present the contrasting characteristics of God; the powerful King and gentle, loving Saviour.1352: A suite of English Christmas carols (Kenneth Downie)This suite is the result of a request for a piece of music featuring exclusively English Christmas carols.The first movement features The holly and the ivy (C.C. 87). In sharp contrast, the second movement calls for a broad, sensitive, song-like approach. Using The cherry tree carol (C.C. 85), a much slower tempo than is normally applied to encourage the listener to see this beautiful tune in a new light. The rumbustious arrival of the finale is based on I saw three ships come sailing in (C.C. 44) with the festive mood prevailing until the end.1353: Nothing but thy blood (Norman Bearcroft)This two-verse setting of Richard Slater's much-loved hymn Nothing but thy blood (S.A.S.B. 769) appears straight-forward in nature, but requires a careful sense of the musical line across all parts.1354: Meditation - Reflections on Advent (Andrew Blyth)Two well-known carols, Away in a manger (C.C. 12) and Silent Night! (C.C. 77) are featured alongside original material. The piece attempts to convey a sense of reflection and meditation on the wonderful and awe-inspiring Advent story.
Estimated dispatch 7-14 working days
-
£77.00General Series Brass Band Journal, Numbers 2226 - 2229, December 2022
2226: March - Joyful Warrior (Steve Kellner)This march was written to celebrate the rededication and renaming of the USA National Capital & Virginia Division's music conservatory building in honour of Bandmaster James B. Anderson. It is based on two songs, Joy! joy! joy! there is joy in The Salvation Army (S.A.S.B. 963) and Joyful, joyful, we adore thee (S.A.S.B. 39).2227: Song and Dance (Ian Clarke)This music is built around two main subjects, the song Jesus put this song into our hearts (S.A.S.B. 875) and an original theme reminiscent of Slavic dance music.2228: Horn Solo - Time and talents (Stephen Bulla)A reverent tenor horn solo inspired by All there is of me, Lord (S.A.S.B. 569)2229: Promises (Sam Creamer)The well-known hymn Standing on the promises (S.A.S.B. 522) is presented in this arrangement in a driving shuffle style.
Estimated dispatch 7-14 working days
-
£38.95Unity Series Band Journal - Numbers 486 - 489, February 2020
486: March - Love Divine (Ian Clarke)This lively march features Charles Wesley's song, Love divine, all loves excelling (S.A.S.B. 262) set to the tune Stainer (T.B. 349) and Charles Gabriel's I stand amazed in the presence (S.A.S.B. 466).487: Song Arrangement - The potter's hand (Daniel Elson)A simple but effective arrangement of Dalene Zschech's popular worship song The potter's hand (S.A.S.B. 355).488: Ma-(cha-cha)-jesty (Gary Rose)The cha-cha-ch is a dance that originates from Cuba. It is danced to the music of the same name, introduced by Cuban composer and violinist Enrique Jorrin in the early 1950s. This work combines the cha-cha syle with the well-known song Majesty (S.A.S.B. 382).489: The old rugged cross (Andreas Holmlund)A flowing two-verse arrangement of George Bennard's much-loved song.
Estimated dispatch 7-14 working days
-
£38.95Unity Series Band Journal - Numbers 526 - 529, February 2024
526: March - Summit Cross (Beat Hari)This exciting and energetic work introduces a new contributor to our journals. Beat Hari helps lead the band at Frutigen Corps, Switzerland. This march was composed with the intention of featuring it in an open-air concert beside the ski slopes. Members of the corps regularly join the band, instigating conversations with skiing guests by distributing bible verses and sweets. The composer has named this march because of the many Swiss mountains that have crosses on their summit as symbols of God's protection over the population living in the valleys below. The march follows a traditional format with a solid rhythmic construction built from the bass line.527: Christ is all (Olaf Ritman)The Salvation Army song, Christ is all (S.A.S.B. 588) is one that is cherished by the composer. The verses by Herbert Booth are both powerful and vulnerable and the melody by William A. Williams really touches the soul.528: My all to follow (David Edmonds)This piece pays tribute to all who have accepted the call to become Salvation Army officers and envoys. Such a calling involves significant change and can be difficult when leaving their comfort zone or moving away from family.529: We shall win (Alan Williams)William Hodgson's song We're a band that shall conquer the foe (S.A.S.B. 990) is one of confidence and encouragement in our daily fight against evil, sin and injustice, both in the world and in our lives. As such, this music should be full of that same confidence.
Estimated dispatch 7-14 working days
-
£55.00Triumph Series Brass Band Journal, Numbers 1347 - 1350, March 2023
1347: Intrada on 'St Magnus' (Ruben Schmidt)This is an energetic intrada based on the tune St. Magnus with the composer keeping the words The head that once was crowned with thorns (S.A.S.B. 22) in mind.1348: March - In every corner sing (Alan Williams)This is a bright march requiring plenty of vigour and imagination. Featuring and taking its title from Let all the world in every corner sing: My God and King! (S.A.S.B. 41), this bright melody is contrasted with the tune Lydia associating the words There is a name I love to hear, I love to sing its worth (S.A.S.B. 94).1349: I need thee (Craig Woodland)An expressive arrangement of the traditional hymn I need thee every hour (S.A.S.B. 707)1350: March - The great commission (Paul Sharman)This march was written for the Norwegian Christian brass band, Egersund Missionary Band, and is derived from the tune Onward, Christian soldiers (T.B. 188) as well as a brief fragment of the Norwegian National Anthem and the melody Die Sach is dein (The work is thine).
Estimated dispatch 7-14 working days
-
£38.95Unity Series Band Journal - Numbers 534 - 537, October 2024
534: Boldly Going (Wycliffe Kortin)This arrangement is derived from a Kenyan Swahili gospel melody Simama Imara, which means 'to stand firm'. The song is an encouragement to Christians to stay strong in the Lord, even in times of difficulty. The piece has a lively rock feel which requires precision in articulation and a sense of drive throughout.535: Fill me anew (Mark Feltwell)The melody Fill me anew (T.B. 611) has always been a favourite of the composer and this composition was used at the Worchester Corps in their Pentecost services. It is a simple melody with a simple purpose and associated prayer that is the focus of the piece, 536: There's something about that name (William Gaither arr. Kingsley Layton)The chorus (S.A.S.B. 80) from which this piece takes its title was composed by Bill and Gloria Gaither. They wrote it in 1970, having watched their grandparents near the end of their lives and pass away. At the same time, they were, as a couple, embracing parenthood. It resonated with them how the young loved to say the name of Jesus as well as those that were nearing the end of their lives. The chorus reflects the peace and comfort which comes to us when we call on that name during both the good and challenging times in life. The Gaithers are a performing and songwriting couple who have become well-known within the Southern Gospel music genre.537: Selection - Singing Praises! (Noel Jones)A motif, based on the phrase 'Praise him!, Praise him!, Ever in joyful song', appears throughout the selection. Songs also featured include I love to sing of the Saviour (S.A.S.B. 845) and Singing glory, glory, Glory be to God on high (S.A.S.B. 840)
Estimated dispatch 7-14 working days