Results
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La Calinda | Delius arr. Leigh Sharpe
Taken from the opera 'Koanga' by Frederick Delius. Koanga is the hero of the opera, an African prince and voodoo priest stolen away and now working as a slave on a Mississippi plantation who falls in love with a fellow slave; Palmyra.This piece is a faithful arrangement of Delius's masterpiece for Brass Band, and features a well loved and catchy lyrical theme. La Calinda is not a simple piece to play, but well worth investing in.An excellent concert piece.Instrumentation:Soprano, Solo, Repiano, 2nd and 3rd CornetsFlugelhornSolo, 1st and 2nd Tenor Horns1st and 2nd Baritone1st, 2nd and Bass TromboneSolo and 2nd EuphoniumEb and Bb BassesTimpaniPercussion:1.Tambourine, Floor Tom2.Glockenspiel3.VibraphoneISMN: 979-0-708127-91-8
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£34.95Storyteller - Christopher Bond
2016 marked one hundred years since the birth of iconic children's author, Roald Dahl. Storyteller, inspired by the imagination of Roald Dahl, is an ideal opener, with fizzing rhythmic motifs, forward-momentum, and a feeling of excitement through to the close. As with Dahl's magical imagination, ideas are presented boldly and developed throughout the work, with solo contributions from euphonium and baritone, and optional standing moments for soloists and sections. The work was commissioned by and written for Brighouse & Rastrick Band as the opening item to its podium-placed 2016 Brass in Concert programme, premiered at The Sage, Gateshead, on 20th November 2016.
Estimated dispatch 5-10 working days
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£19.95As A Cloud... - Jonathan Bates
'As A Cloud..' is a work for Solo Baritone and Piano composed for Nick Wilson in 2021. The inspiration for the work comes from the words of the poet William Wordsworth and his much loved text "I wandered lonely as a cloud". In the process of writing this work, the dedicatee's desire was to have a work to reflect his passion for the Lake District - a part of Northern England which Wordworth (and several other renowned poets of the time) became synonymous with; the group of writers becoming known as 'The Lake Poets'. Musically, this programmtic work reflects the words from Wordsworth's text, painting each line of the first stanza in a variety of settings and moods before the work floats away with an audio extract from the poem itself.
In Stock: Estimated dispatch 1-3 working days
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Pride of the Wolverines | Sousa arr.William Hill
'The Pride of the Wolverines' is a superb but lesser known march from the pen of JP Sousa which deserves to be better known.The Wolverine is a stocky and muscular carnivore, closely resembling a small bear, which can be found in remote reaches of the Northern Hemisphere. The US state of Michigan uses the Wolverine as it's mascot because of its reputation for strength and ferocity out of proportion to its size.In the American Civil War, many particularly from Detroit joined the Michigan Brigade, nicknamed 'The Wolverines' by their famous leader General Custer.Instrumentation: Soprano, Solo, 2nd and 3rd Cornets Flugelhorn Solo, 1st and 2nd Tenor Horns 1st and 2nd Baritone 1st, 2nd and Bass Trombones Euphonium Eb and Bb Basses Percussion: Drum Kit
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The Gartan Mother's Lullaby | trad. arr. William Hill
"The Gartan Mothers Lullaby"Dusk is drawn and the Green Man's thorn is wreathed in rings of fog,Siabra sails his boat till morn, upon the starry bog.A leanbhan O, the pale moon hath brimmed her cusp in dew,And weeps to hear the sad sleep-tune, I sing O love of you.A lovely Irish melody from Co. Donegal; the lullaby of a mother to her child. The song refers to a number of figures in Irish mythology, places in Ireland and words in the Irish language.The best known recording of the song was made by Meryl Streep in 2000. Instrumentation:Cornet SoloistSoprano, Solo/Repiano, 2nd and 3rd Cornets Flugelhorn Solo, 1st and 2nd Tenor Horns 1st and 2nd Baritone 1st, 2nd and Bass Trombone Euphonium Eb and Bb Basses
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The Sorcerer's Apprentice | Dukas arr. Alwyn Green
Most of us are familiar with the symphonic poem written by 19th century composer, Paul Dukas, which was inspired by an 18th century poem by Goethe in which the sorcerer's apprentice, desiring to save himself some work attempts to try his hand at his masters craft when things go terribly wrong!This version, arranged by Alwyn Green for Brass Band, captures the spirit of the original masterpiece in a complex and challenging score for Brass Band. It has all the drama, and vibrant energy of the Dukas masterpiece, brilliantly orchestrated for Brass Band.Listen to the piece played by Foresters Brass 2000, from their CD : 'Heritage' which can be obtained from the band.Instrumentation: Soprano, Solo, Repiano, 2nd and 3rd CornetsFlugelhornSolo, 1st and 2nd Tenor Horns1st and 2nd Baritone1st, 2nd and Bass TromboneEuphoniumEb and Bb BassesPercussion parts (4):1: Timpani2: Cymbal3: Glockenspiel4: VibraphoneISMN: 979-0-708127-01-7
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£74.95Hungerford Town (Brass Band - Score and Parts)
2011 Butlins 3rd SectionHungerford Town was commissioned by Tim Crouter and the Hungerford Town Band.The piece is in four movements played through without a break:The Black Prince: Opens with a short motif on which most of the following music is based. The music settles down into a mysterious mood that builds to the first transformation of the opening theme. The music is solid and rugged.The Coach Road: Hungerford was always a popular resting place for the horse drawn coaches on the way to London. The music is light and cheerful and features the soprano cornet and solo horn as postilions.St. Lawrence's Church: The previous motif from the first baritone becomes the main theme for this section that gives plenty of scope for warm and expressive playing. Music from the start of the suite is heard before it moves into a celebratory march.The Bear: The Bear Is a local inn frequented by travellers. The opening theme is heard again and brings the work to a triumphant close.Suitable for 4th Section Bands and above
Estimated dispatch 7-14 working days
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£37.95
Hungerford Town (Brass Band - Score only)
2011 Butlins 3rd SectionHungerford Town was commissioned by Tim Crouter and the Hungerford Town Band.The piece is in four movements played through without a break:The Black Prince: Opens with a short motif on which most of the following music is based. The music settles down into a mysterious mood that builds to the first transformation of the opening theme. The music is solid and rugged.The Coach Road: Hungerford was always a popular resting place for the horse drawn coaches on the way to London. The music is light and cheerful and features the soprano cornet and solo horn as postilions.St. Lawrence's Church: The previous motif from the first baritone becomes the main theme for this section that gives plenty of scope for warm and expressive playing. Music from the start of the suite is heard before it moves into a celebratory march.The Bear: The Bear Is a local inn frequented by travellers. The opening theme is heard again and brings the work to a triumphant close.Suitable for 4th Section Bands and above
Estimated dispatch 7-14 working days
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£82.30I Don't Know How to Love Him - Andrew Lloyd Webber
This is a ballad from the rock-opera "Jesus Christ Superstar" written by Andrew Lloyd Webber (Music) and Tim Rice (Lyrics). Together with the title song, this ballad is the most popular tune from Jesus Christ Superstar. It's recorded and performedlive by many artists since the music saw the light of day in 1971.This arrangement can be performed with a vocal- or instrumental solist. In addition to the vocal solo part, there are also solo-options for the followinginstruments:Eb-Cornet Bb-Cornet Eb-Horn Flugelhorn Baritone - Euphonium - Trombone
Estimated dispatch 5-14 working days
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