Results
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£11.50THE BIG WIG WAM (score) - Hazelgrove, Bernard (1945-2004)
score shows Bb, Bb, Eb, bass clef, bass clef, bass clef and percussion, but set contains transcribed parts for brass band brass and orchestral brass.
In Stock: Estimated dispatch 1-3 working days
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£37.50THE BIG WIG WAM (score & parts) - Hazelgrove, Bernard (1945-2004)
score shows Bb, Bb, Eb, bass clef, bass clef, bass clef and percussion, but set contains transcribed parts for brass band brass and orchestral brass.
In Stock: Estimated dispatch 1-3 working days
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£30.00Slavonic Basses - Tim Paton
A feature for the Bass Section with Brass Band. This is a chance for the bass section to display their talent!A short introduction for the four basses on their own. Then, after this humourous introduction, the piece immediately moves into the Cossack style music, where the bass section play a major part. Great fun for both band and audience!
In Stock: Estimated dispatch 3-5 working days
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£37.95Softly, As I Leave You - Alfred de Vita arr. Alan Catherall
Made popular by many singers over the years, this lovely song was first arranged for the Childs brothers as a solo, and later a duet, by Alan Catherall. It was first performed in the duet version at the Royal Albert Hall, London, in October 1985, conducted by their late father, John Childs. Also available with piano Brass Band Set comprises: Detailed condensed conductor score Solo B-flat Euphonium B-flat Euphonium Duet (2) E-flat Soprano Cornet Solo B-flat Cornet (4) 2nd B-flat Cornet (2) 3rd B-flat Cornet (2) B-flat Flugelhorn* Solo E-flat Horn* 1st E-flat Horn* 2nd E-flat Horn 1st B-flat Baritone 2nd B-flat Baritone 1st B-flat Trombone 2nd B-flat Trombone Bass Trombone B-flat Euphonium (2) E-flat Bass (2) B-flat Bass (2) 1st Percussion 2nd Percussion 3rd Percussion (Drum Kit) * Alternative parts for use as solo or duet provided. There is no Repiano Cornet part.
Estimated dispatch 7-9 working days
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£29.95Fanfare of a Nation - Christopher Bond
Fanfare of a Nation (2012) was commissioned by the Greater Gwent Youth Brass Ensemble as a short fanfare originally for ten players, and was performed in the presence of HM Queen Elizabeth II & The Duke of Edinburgh on the occasion of their visit to Wales to mark the Diamond Jubilee last year, under its original title The Royal Diamond Jubilee Fanfare. Since arranged for brass band and performed throughout the UK including by Black Dyke Band in Cardiff, this short work mesmerizes, dazzles and utilizes the fanfare effects so often associated with the brass family. Available to purchase for Brass Band or Brass Ensemble (10 players plus 1 percussion). The brass ensemble version is scored as follows: 4 x Trumpets, 1 x Horn in F, 3 x Tenor Trombones, 1 x Bass Trombone, 1 x Tuba, 1 x Percussion. Trumpet 1 is supplied in both E-flat & B-flat, Horn in F is supplied in E-flat, Tenor Trombone and Tuba parts are supplied in both bass and treble clef.
Estimated dispatch 5-10 working days
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£35.00Oubliette - Lucy Pankhurst
Lucy Pankhurst has created a highly immersive solo for Tuba/Eb Bass with brass band accompaniment, aiming and succeeding in showing the lyrical and technical diversity of the tuba, demanding virtuoso brilliance and clarity in performance.Dedicated to tuba player Edd Leech, Oubliette raises the bar for tuba repertoire.Set includes score, brass band parts and solo parts for Eb Bass (TC) and Tuba (BC). Solo with piano accompaniment available separately.Programme notes from the composer, Lucy Pankhurst:From the French word oublier, meaning 'to forget', an oubliette was a form of dungeon used in the 14th century. A small, windowless room where someone is locked away to be forgotten and left to go mad.I initially chose this title for the piece as the Tuba is often forgotten as a solo instrument, when its versatility in performance should be celebrated. Oubliette showsThe work begins with desolate and sparse accompaniment with lamenting solo lines. The soloist has already been cast into the oubliette at this point and is beginning to wake from a somnolent state. Reality is blurred through the darkness of the chamber - the only entrance is a hatch in the ceiling, far out of reach.Memories are confused by countless hours of solitude - hallucinations and paranoia tainting reality. Gradually, the soloist remembers images from the past and gains confidence and strength. Long forgotten by the captors, or presumed dead in the chamber, the entrance hatch suddenly opens to allow another prisoner inside. The soloist seizes the opportunity for escape and a short battle ensues. Sword and fist fighting, perilous leaps over the entrances to more dungeons and fierce battle cries are futile, as the soloist suddenly realises they are alone in the oubliette once more and the skirmish was nothing but another dream.The piece concludes with unaccompanied soloist in the low register, sinking deeper into the shadows of the windowless prison; are they accepting their fate, or merely lying in wait for another chance of escape, if one will ever come . . .
In Stock: Estimated dispatch 3-5 working days
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£80.00St. Magnus - Kenneth Downie
Dedicated to Alastair Massey, an inspirational music teacher. Commissioned by the Scottish Brass Band Association for the 2004 European Brass Band Championships in Glasgow. This music is a set of variations on the tune known as St Magnus, which is attributed to Jeremiah Clarke. Most people will associate it with Thomas Kelly's hymn which begins: "The Head that once was crowned with thorns is crowned with glory now". The tune is very simple, consisting of just two, four-bar phrases. Neither is there much in the way of rhythmic variety, every note being a crotchet with the exception of two quavers, and the last note in each phrase. Within such a simple structure, however, lies considerable strength. THEME The listener is given the opportunity of hearing it twice, in full, at the beginning, starting with one player but soon taken up by the full ensemble. It returns in the middle of the music and is stated again near the end. This has been done quite deliberately in the hope that there will be an appreciation of what material is being developed, by the listener as well as by those with access to the score, who are able to see the visual connections. VARIATION 1 This takes the rhythm of the last part of the theme and also uses the shape of the opening as a recurring figure. The mood is whimsical and skittish, with short, teasing rhythmic figures tossed around the band, and quick interplay with percussion, at a fast tempo. An energetic flourish finishes this variation before the Andante espress. VARIATION 2 This commences with chords related to the opening of Variation 1. The cantabile on solo comets establishes a new, lyrical mood and there is scope for expressive playing in a series of short solo passages. The theme works its way unobtrusively into the texture before a reprise of the solo cornet melody and some more lyrical interchanges between Eb bass, euphonium, flugel horn and comets. The variation ends serenely with clear references to the last phrase of the theme. VARIATION 3 The first idea to dominate is clearly linked to the shape of the theme's first phrase. There is a frenetic feel to much of this variation, with considerable energy and instability created by extensive use of cross-rhythms. A thinning-out of the score marks a clear change to development of the start of the second phrase of the theme. This proves to be short-lived however, and the opening material returns leading to a restatement of the theme, "Maestoso," after which a euphonium cadenza links to Variation 4. VARIATION 4 Here we have some solos for euphonium, cornet, trombone and Eb bass set against a background of horns and baritones presenting a pensive statement of the theme's opening. VARIATION 5 This commences Allegro, with lively work for cornet and euphonium spreading to the whole band before attention focuses on the beginning of the second phrase of the theme which is initially presented in diminution, then in regular rhythm, then in inversion. An increase in tempo coupled with a decrease in volume, requires dexterity and control, with several metrical challenges thrown in for good measure. The same fragment of phrase becomes an ostinato which generates a frenzied climax, punctuated by short, dramatic silence, before the opening figure returns and the music gradually winds down. The tubular bells herald the final return of the theme, in augmentation, marking the start of the Finale. FINALE This features the running semiquavers of the previous variation sounding in counterpoint. A fast, furious coda speeds the work to a conclusion while references to the opening of the theme are still trying to break into the texture of the music. Kenneth Downie
Estimated dispatch 5-14 working days
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£34.95Bah Humbug! - Jonathan Bates
DURATION: 3'00". DIFFICULTY: 3rd+. Composed for Strata Brass in 2020 as part of their COVID-19 induced, virtually recorded 'A Christmas Carol' (a new suite for brass band lasting around 30 minutes in total), 'Bah Humbug!' is a tongue-in-cheek yet showy solo composed for Bass Trombone. Throughout the work, the solo line is used to depict Ebenezer Scrooge, a miserly old man with little-to-no compassion or generosity and this grumpiness is portrayed throughout the solo. Often there will be moments of lightness and hoy, quickly banished by the misery of the Bass Trombonist!.
In Stock: Estimated dispatch 1-3 working days
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£8.50AMAZING GRACE (score) - Traditional
score shows Bb, Bb, Eb, bass clef, bass clef and percussion, but set contains transcribed parts for brass band brass and orchestral brass.
In Stock: Estimated dispatch 1-3 working days
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£8.50THE HAPPY WANDERER (score) - Traditional
score shows Bb, Bb, Eb, bass clef, bass clef and percussion, but set contains transcribed parts for brass band brass and orchestral brass.
In Stock: Estimated dispatch 1-3 working days