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  • £61.73

    Sleigh Ride Suite (Brass Band) Leopold Mozart arr. Alex McGee

    Today Leopold Mozart (1719-1787) is known almost exclusively as the stern father of Wolfgang, but he was a prominent and successful musician in his own time. The Sleigh Ride, composed just before Wolfgang was born, certainly shows that Mozart the elder had as good a sense of humour as his more famous son. Wolfgang must, in fact, have known and enjoyed his father's piece - he included a short Sleigh Ride in his German Dances, K.605, in 1791. Leopold's more complicated piece is a programmatic serenade, with short titles for each section: a musical picture of a cold evening's ride to a party. The score calls for sleigh bells, rattle, a whip, and triangle. The action begins with a short overture (Intrada), followed by the Sleigh Ride itself, a lively duple-meter dance accompanied by jangling sleigh bells and punctuated by the cracking of a whip. There is then a nice bit of musical pantomime - The Young Lady Shivers With Cold. The sleigh finally arrives at the party, a ball with a small dance orchestra. The Ball Begins, not surprisingly, with a courtly menuet, and the End of the Ball is a spirited Kehraus, a lively rondo-form dance. This transcription faithfully seeks to convey the light touch of the Age of Enlightenment to the modern brass band and provides ensembles with new material for their annual Christmas concerts. To view a rolling score video of the work please visit https://www.youtube.com/watch?v=tgrBe1u8Xag Duration: Approx. 11.45 minutes Difficulty Level: 3rd Section + PDF download includes parts and score. Sheet music available from www.brassband.co.uk Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass BbTimpani Percussion 1-2

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  • £69.44

    Armistice at Flanders Fields (Brass Band) Dwayne Bloomfield

    This poignant and powerful work for brass band by Dwayne Bloomfield describes the day peace was announced to end World War I. The piece was written in 2023 to be played by bands around the world to mark Armistice Day. The composer writes: 'Unless you were there, it's impossible to imagine what it must have been like the day peace was announced ending World War I. The feelings soldiers experienced, who after years of fighting and suffering, to know it was over and they would return home to see family and loved ones again. This piece tries to tell their story. The work begins by approaching the front, distant artillery and battle sounds heard while the carnage and loss of lives was already known to the world. The band builds as we enter the thick of battle, the death and destruction, the conditions faced and the loss of hope of ever surviving. The next section, in 7/8 time, reflects the two sides fighting - both sides attacking and defending with mostly little result, but for the loss of more lives. Two euphoniums then depict the news and hope of peace talks. However, fighting did continue right up to the very end and on the last day there would be another 2,738 casualties. The Canadians were still battling to capture the town of Mons that morning. A song is sung in reflection of the estimated 5.5 million allied soldiers who lost their lives during World War I, then a clock ticks down the final minutes. The last three known casualties are depicted with French soldier Augustin Trebuchon, killed at 10:45am by a single shot as he rushed down the trenches to spread the news of coming peace; Canadian George Lawrence Price killed by a sniper round at 10:58am at the battle of Mons, and lastly a machine gun burst that killed American Henry Gunther, who is believed to have fallen on the 11th hour. Bells then toll ringing around the world announcing the end of the war. After years of war, it must have been jubilation for the families at home knowing their loved ones would be returning to them. The band builds with a hymn for peace as a final tribute to those who fought, before the piece resides with one of the most dreaded sounds at that time, the knock on the door from a telegram delivery boy or better known then as the Angels of Death. It wasn't just the 2,738 families from the casualties of the last day who would receive such a knock, but many more who expected their loved ones to be returning home would instead find out they were instead killed in the last weeks. So close. Driving around the battlefields today one comes across many intersections in the countryside which have cemetery signposts pointing in every direction. While the last post sounds in ceremonies today, this last bugle call instead depicts the horrors, devastation and death the soldiers faced during the war and right up the 11th hour of the 11th day of the 11th month, Armistice at Flanders Fields.' To view a video of Dallas Brass Band performing the work please visit https://www.youtube.com/watch?v=ljfyVz3cMgk Duration: Approx. 15.00 minutes Difficulty Level: 3rd Section + PDF download includes parts and score. Sheet music available from www.brassband.co.uk Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Percussion 1-3

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  • £34.72

    With the heart (Brass Band) Andrew Batterham

    With the heart is a fanfare full of energy and celebration. The title references a quote from the book The Little Prince by Antoine de Saint-Exupery: "it is only with the heart that one can see rightly, what is essential is invisible to the eye". This aesthetic links the passion of music to the giving ethos of the Rotary organisation, whose District 9800 commissioned the work for their 2024 District Conference. With the Heart was premiered by the Victorian Youth State Brass Band directed by Phillipa Edwards in Bendigo in April 2024. To listen to a performance by Victorian State Youth Brass Band please click here. Duration: Approx. 3.15 minutes Difficulty Level: 4th Section + PDF download includes parts and score. Sheet music available from www.brassband.co.uk Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Percussion 1-3

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  • £34.72

    The Piano Preludes (Brass Band) George Gershwin arr. Rob Bushnell

    First performed by the composer at the Roosevelt Hotel in New York in 1926, The Piano Preludes (or Three Preludes) are a collection of short pieces by George Gershwin, show casing early-20th-century American classical music, as influenced by jazz. Gershwin originally planned to compose 24 preludes, wrote seven, performed only six publically and was further reduced to three when first published. The work was dedicated to friend and musical advisor Bill Daly. The first prelude begins with a five-note blues motif. It features syncopated rhythms based on the Brazilian baiao and minor-seventh chords throughout. The second prelude, which Gershwin said was "a sort of blues lullaby" consists of two sections: the first a "lazy" melody upon a steady beat of crotchets; the second the bass takes the melody, continuing with the steady beats. The third prelude was called "Spanish" by Gershwin, and features a question-and-answer type melody, starting in a minor tonality and ending in major one. This arrangement is for the British-style brass band, with alternative parts for horns in F and bass-clef lower brass. To view a follow-the-score video please visit www.youtube.com/watch?v=XqIQ0j1SWlc PDF download includes score and parts. Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Difficulty Level: 1st Section + Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Drum Kit Mallet Percussion

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  • £61.73

    Variations on 'Sine Nomine' (Brass Band) Andrew Wainwright

    This magnificent work was written in 2019 for the London Central Fellowship Band and Bandmaster David Rudd. It is based on the hymn tune by Ralph Vaughan Williams, which is also known as For all the Saints. Its release in the summer of 2022 marks the 150th anniversary of Vaughan Williams' birth. The work is set in four contrasting movements, which follow an opening statement of the hymn in its full form. Variation I (Leggiero) is based on the first few notes of the chorale and is lively and sprightly in nature, with regular time changes permeating throughout. There are regular statements of the hymn, with the movement closing with a full statement of the tune in its full glory. Variation II (Andante Espressivo) derives its material from the final strain of the verse. The music is generally calm and ethereal in nature before building to an impassioned fortissimo featuring the full band, and finally dying away. Variation III (Allegro Vivace) is in compound time and, like Variation I, is based on the first few notes of the hymn. The music is joyful and playful, epitomised by syncopated rhythms, and snippets of the tune are heard throughout. Variation IV (Allegro Giocoso) is in the form of a fugue which commences with the cornets, before the theme is handed to each section of the band at various points. After several statements of the theme, the music grows into the final strain of the chorale, which is given a grandiose setting. A frenzied Presto coda leads into organ-like chords, before a series of upward major scales bring the work to its final chord. To view a video of the Canadian Staff Band performing the work please visit https://www.youtube.com/watch?v=QZ1pYH0ftv0 Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Difficulty Level: Second Section + Instrumentation: Soprano Cornet Eb Solo Cornet Bb 1st Cornet Bb 2nd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Percussion 1-2

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  • £92.59

    Euphonium Concerto with Brass Band (Karl Whelan)

    VIEW SCORE PDF Karl Whelan's Euphonium Concerto with Brass Band is written in three linked movements: I: Prelude II: Aria III: Scherzo The first movement, Prelude, is in a mirror image sonata form and with its menacing ostinato sets the tone for the entire concerto and also introduces material on which the concerto is based. During this movement, the soloist has the opportunity to display their technical ability as well as the extremes of the instruments range. A chord based on the notes of the ostinato signal the beginning of the second movement, Aria. Here, material from the first movement has been weaved together and moves through a multitude of keys, the soloist is able to show the expressive side of the instrument to create an almost yearning, operatic aria. A reiteration of the 1st subject takes us into an almost march like figure at the beginning of the third movement, Scherzo. This is then interrupted both times by dance-like scherzo which, as with the rest of the concerto navigates itself through different keys leading to the cadenza that even the temple blocks have the the chance of participating in! The concerto concludes with almost a battle between the band (playing fragments of the first and second subjects from the first movement), and soloist who is attempting to have the last word! To view a follow-the-score video of the work please visit: www.youtube.com/watch?v=aEnou67XHqA Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Instrumentation: Euphonium Soloist Bb Soprano Cornet Eb Solo Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Percussion 1-3

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  • £7.71

    Euphonium Concerto with Brass Band (Karl Whelan) Soloist Copy

    *Karl Whelan's Euphonium Concerto with Brass Band is written in three linked movements: I: Prelude II: Aria III: Scherzo The first movement, Prelude, is in a mirror image sonata form and with its menacing ostinato sets the tone for the entire concerto and also introduces material on which the concerto is based. During this movement, the soloist has the opportunity to display their technical ability as well as the extremes of the instruments range. A chord based on the notes of the ostinato signal the beginning of the second movement, Aria. Here, material from the first movement has been weaved together and moves through a multitude of keys, the soloist is able to show the expressive side of the instrument to create an almost yearning, operatic aria. A reiteration of the 1st subject takes us into an almost march like figure at the beginning of the third movement, Scherzo. This is then interrupted both times by dance-like scherzo which, as with the rest of the concerto navigates itself through different keys leading to the cadenza that even the temple blocks have the the chance of participating in! The concerto concludes with almost a battle between the band (playing fragments of the first and second subjects from the first movement), and soloist who is attempting to have the last word! To view a follow-the-score video of the work please visit: www.youtube.com/watch?v=aEnou67XHqA To purchase the full band set please visit www.brookwrightmusic.com/product-page/euphonium-concerto-with-brass-band-karl-whelan *Please note this download only includes the soloist copy. Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Instrumentation: Euphonium Soloist Bb Soprano Cornet Eb Solo Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Percussion 1-3

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  • £30.86

    Beaufort Fanfare (Brass Band) Friedrich Gattermann

    Beaufort Fanfare, by German composer Friedrich Gattermann, is a dynamic and vibrant musical work inspired by the Beaufort scale, a system for estimating wind speeds. Originally composed for brass ensemble and percussion, it was created to showcase Orchestral Tools' Beaufort Brass sample library, recorded at the iconic AIR Studios in London. Here it has been set for brass band. A central element of Beaufort Fanfare is its exploration of musical density. The piece begins with a single motif and gradually builds in complexity and richness, reflecting the increasing strength of the wind. As it progresses, the music intensifies, with the development of density playing a crucial role in conveying the evolving character of the elements. Through intricate brass harmonies and rhythmic drive, Beaufort Fanfare captures both the awe-inspiring beauty and raw power of nature. More than just an auditory experience, this composition takes the listener on a journey through the elements, celebrating the force of wind in all its forms. To view a rolling score video of the work please visit www.youtube.com/watch?v=vdiIIERMSDY Duration: 2.15 minutes approx. Difficulty Level: 1st Section + PDF download includes parts and score. Sheet music available from www.brassband.co.uk Instrumentation: Soprano Cornet Eb Solo Cornet 1-3 Bb Solo Cornet 2-4 Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass BbTimpani Percussion 1-3

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  • £61.73

    Horizon: The Promise of the Lord (Brass Band) Andrew Wainwright

    Horizon: The Promise of the Lord was written at the request of Bandmaster Stephen Cobb for The International Staff Band. It is based on the much loved hymn of the church, Cwm Rhondda (Guide me O thou great Jehovah). The work was recorded on the ISB's CD Manuscripts II (released 2023). This highly descriptive piece will be an excellent addition to concert programs, as well as being appropriate as a test piece. The inspiration for the work comes from the book of Exodus. Whilst the music is not intended to be directly programmatic, like the hymn Cwm Rhondda, the work takes the listener through the Exodus from Egypt to the promised land of Israel as a metaphor of the spiritual pilgrimage of the individual Christian through his or her earthly life. The music aims to evoke a sense of God's guidance through strife and affirm the reality that God provides for us and redeems all the wrong in the world. This God who provided for the Hebrew people wandering amidst 'barren lands' with 'bread of heaven' is still and ever will be a God of provisional grace. Through listening to the music, it is the composer's intention that we are reminded of God's promise of Deliverance as set out in Exodus 6 v7-8: 'I will take you as my own people, and I will be your God. Then you will know that I am the Lord your God, who brought you out from under the yoke of the Egyptians. And I will bring you to the land I swore with uplifted hand to give to Abraham, to Isaac and to Jacob. I will give it to you as a possession. I am the Lord.' Like the hymn, Horizon: The Promise of the Lord is intended as a prayer for guidance. The Christian is a pilgrim through 'this barren land'. The music is often chromatic and in large parts verging on atonality, as a reflection of the strife that the Israelites endured in their 40 years in the wilderness. However, it ends in climactic fashion with the Hebrew people finally reaching their destination after many years of wandering in the desert - as they approach the 'Horizon' promised by the Lord. To view a performance of the work by the National Youth Brass Band of Great Britain please visit www.youtube.com/watch?v=LjOHf7QEw1g PDF download includes score and parts. Sheet music available from: UK - www.brassband.co.uk USA - www.cimarronmusic.com Difficulty Level: 1st Section + Length: c11.00 minutes Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Percussion 1-4

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  • £61.73

    Avifauna (Brass Band) Joshua Tyler Jameson

    This highly descriptive work was commissioned by the National Youth Brass Band of America and will be a terrific concert or entertainment contest item. The music paints the picture of the lives of a variety of different birds. The composer writes: 'When I began thinking about this project I was sitting in my office in the early morning, the sun having just risen. There was a gentle breeze and the only thing that I could hear (aside from my hungry whining cats) was the gentle song of the birds outside my open window. As much of my work is programmatic, almost like symphonic poems, this immediately gave me the image of a majestic sunrise with all types of birds fluttering about, almost as if out of an episode of Planet Earth. When I was commissioned by the National Youth Brass Band of America, I knew the project had to be something the ensemble could grab onto. Something they could see. Something they could relate to. There being so many types of birds in North America, I selected a handful to help tell my story... The scene where I came up with this idea seemed to be the perfect starting point. Sunrise, tiny chirps of Morning Birds floating around the twilight of dawn, swiftly moving towards the majesty of the sun cresting the horizon. A new day, the beginning of a story. As the sun rises higher in the sky, animal activity stirs, becoming lively and wild. The flowers have opened up to drink in the sun's rays, leaving them open to nectar-seeking Hummingbirds. Whizzing by at lightning speed, the hummingbirds journey from flower to flower, drinking their fill until the sun begins to set back over the horizon. When daylight fades, the enigmatic Owl floats silently through the sky. The wonder of these creatures comes not just from their beauty, but also from their mystery and their ferocity. We see images in pop culture of majestic white owls and marvel in their beauty... but to a mouse roaming the forest floor in the dark of the night, the terror of suddenly being dropped upon by a silent predator is anything but peaceful. In the dead of night, soft rolling clouds thicken as a storm begins to brew. With the ensuing rain also emerges the grotesque scavenging Vulture; marching along from carcass to carcass, tearing into the rotting leftovers of another predator's kill, gorging themselves until over-full. However, from this nightmare fuel of a bird, a new day awaits... As the dawn of another day approaches, you begin to hear the same morning birds you heard the previous day. When the light finally breaks the horizon, the soaring majesty of the Eagle drives us to the end of our story; an exciting journey told through the eyes of the winged creatures that paint the skies of North America. This is Avifauna.' To view a follow-the-score video please visit: www.youtube.com/watch?v=J2bhBpx9KvM Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Difficulty Level: 2nd Section + Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Percussion 1-4

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