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  • £74.99

    Beat, Blues & Swing - Koen Pletinckx

    Following the overwhelming success of Pop Tune Variations and Whistling Kettle, Koen Pletinckx presents you with Beat, Blues and Swing, a suite in three parts. In this work he uses his easy and light composition style, making it an excellent for young or small bands.

    Estimated dispatch 5-14 working days

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  • £45.99

    KENNESAW MOUNTAIN BLUES (Brass Band) - Bulla, Stephen

    Let your brass band play the blues. This innovative work makes use of traditional blues harmonies over a strong rock beat. The cornets carry the melody first, but this is soon taken over by a solo percussion break. The piece also makes use of mixed time signatures where the whole band plays the blues scale in an uneven seven beats! Duration: 3:15

    Estimated dispatch 7-14 working days
  • £45.99

    Kennesaw Mountain Blues - Stephen Bulla

    Let your brass band play the blues. This inivotive work makes use of traditional blues harmonies over a strong rock beat. The cornets carry the melody first, but this is soon taken over by a solo percussion break. The piece also makes use of mixed time signiatures where the whole band plays the blues scale in an uneaven seven beats!

    Estimated dispatch 5-14 working days
  • £30.00

    The St Louis Blues - Sandy Coffin, W C Handy

    Two-Step MarchCommissioned by John Wallace, this arrangement of The St Louis Blues has been crafted by Sandy Coffin through close listening of the available recordings of the Harlem Hellfighters Band. Sandy had been heavily involved with the Historic Brass Society symposium 2017 held in New York and assisted John with his research on this fascinating band and the style of music it generated.Eye-witness accounts refer to the 369th band 'dancing' rather than 'marching'. Above all, in modern performance, finding a 'dancing beat' is crucial to a successful performance of this Ragtime march in order to do justice to the great pioneering work of James Reese Europe.Note the flutter-tonguing and use of muting, the counter-melody in soprano cornet, and the wilder and yet wilder nature of each repetition of the Chorus.Look and Listen:Background to the Harlem HellfightersThe US Army 369th Regiment, made up largely of African-Americans from New York, became known as the Harlem Hellfighters because of the heroic reputation which accrued to them during the actions they engaged in during the First World War in Europe.James Reese Europe was one of the most active African-American composer/musical directors in the pre-war American music scene. The legendary Harlem Hellfighters Band, which he assembled in 1917 from African-American and Puerto Rican musicians, came at an important transitional point in musical history. A new form of music called jazz was emerging from Ragtime and the performing style of Europe's band was immersed in the flow of this new direction.Europe's Harlem Hellfighters influenced and inspired everyone who heard them, including the welcoming crowd when they disembarked in France, bowled over by their swinging rendition of La Marseillaise. Reese Europe became a war hero, commanding a machine-gun unit as well as the band.On return from War in 1919 the band led a ticker-tape parade along Fifth Avenue in New York and soon made about 30 shellac recordings. These recordings display some of the fingerprints of their performing style: ragging, improvising, muting, wailing, smearing (their word for glissando) - and from the evidence of their recordings they took the printed page as a blueprint for individuality.In May 1919 during the Hellfighters' triumphant coast-to-coast tour after their return, James Reese Europe was tragically murdered, bringing to premature close, at the age of 39, the work of a great musical innovator.

    In Stock: Estimated dispatch 3-5 working days
  • £34.72

    The Piano Preludes (Brass Band) George Gershwin arr. Rob Bushnell

    First performed by the composer at the Roosevelt Hotel in New York in 1926, The Piano Preludes (or Three Preludes) are a collection of short pieces by George Gershwin, show casing early-20th-century American classical music, as influenced by jazz. Gershwin originally planned to compose 24 preludes, wrote seven, performed only six publically and was further reduced to three when first published. The work was dedicated to friend and musical advisor Bill Daly. The first prelude begins with a five-note blues motif. It features syncopated rhythms based on the Brazilian baiao and minor-seventh chords throughout. The second prelude, which Gershwin said was "a sort of blues lullaby" consists of two sections: the first a "lazy" melody upon a steady beat of crotchets; the second the bass takes the melody, continuing with the steady beats. The third prelude was called "Spanish" by Gershwin, and features a question-and-answer type melody, starting in a minor tonality and ending in major one. This arrangement is for the British-style brass band, with alternative parts for horns in F and bass-clef lower brass. To view a follow-the-score video please visit www.youtube.com/watch?v=XqIQ0j1SWlc PDF download includes score and parts. Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Difficulty Level: 1st Section + Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Drum Kit Mallet Percussion

    In Stock: Estimated dispatch 1-3 working days
  • £74.99

    The Universal Band Collection (Brass Band - Score and Parts) - De Haan, Jacob

    A collection of 5 short works in pop style which can be performed by any kind of compilation. The titles can be presented on the programme as separate works but the Universal Band Collection can also be performed as a complete suite. From a didactic point of view it is a suitable work to teach musicians something about the structure in music. For this purpose not only the big structure but also the small structure was kept very clear.Western Girl: A girl from the west of the USA rides her horse across the prairie, dreaming of her future. The rough structure: introduction - theme in a blues scale - the same thing in a different instrumentation - finale.Just a ballad: A ballad in pop style with a rough A-B-A form. First there is the introduction of the main theme (A), then follows a tenor melody in minor with a rhythmical reference to the main theme (B). Finally there is the main melody, performed tutti with a different rhythm in the drums (A').Play the Game: An English saying meaning: play fairly. Playful music in up-tempo with a wink to China, where almost all games are manufactured nowadays. Once again an A-B-A structure here.San Diego: A Mexican fugitive enjoys his freedom in America but also remembers his place of birth with melancholy. A sad minor melody with a straight trendy beat appears twice. The second time it has a slightly different instrumentation, in which the muted trumpets represent the Mexican feeling.Final Dance: Eventually there is a dance with an introduction in renaissance style, followed by a fast dance in rock style. All this composed in a classical song structure: introduction, verse, bridge, chorus, shortened verse, bridge, chorus, chorus.Duration: 10:30

    Estimated dispatch 7-14 working days

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  • £53.50

    On a Roll - Oliver Waespi

    The title of this piece reflects its upbeat, forward-driven character. It starts out with a soul groove, carrying a prominent theme which invites players and listeners to dance. The slower middle section features a blues with optional solo parts. After the return of the soul beat, the piece concludes with a striking reaffirmation of the initial theme. On a Roll may be performed as an effective opener or as an upbeat rhythm item during a concert or contest. On a Roll was commissioned by the Zurcher Blasmusikverband for the Zurcher Kantonalmusikfest 2024 in Urdorf/Schlieren, Switzerland.

    Estimated dispatch 5-14 working days

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