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  • £82.95

    The Flowers of the Forest (Brass Band - Score and Parts) - Bennett, Richard Rodney - Hindmarsh, Paul

    In a preface to the score, the composer explains that 'the folk song The Flowers of the Forest is believed to date from 1513, the time if the battle of Flodden, in the course of which the archers of the Forest (a part of Scotland) were killed almost to a man'. Bennett had already used the same tune in his Six Scottish Folksongs (1972) for soprano, tenor and piano, and it is the arrangement he made then that forms the starting-point for the brass-band piece. A slow introduction (Poco Adagio) presents the folk song theme three times in succession - on solo cornet, on solo cornets and tenor horns, and on muted ripieno cornets in close harmony - after which the work unfolds through five sections and a coda. Although played without a break, each of these five sections has its own identity, developing elements of the tune somewhat in the manner of variations, but with each arising from and evolving into the next. The first of these sections (Con moto, tranquillo) is marked by an abrupt shift of tonality, and makes much of the slow rises and falls characteristic of the tune itself. The tempo gradually increases, to arrive at a scherzando section (Vivo) which includes the first appearance of the theme in its inverted form. A waltz-like trio is followed by a brief return of the scherzando, leading directly to a second, more extended, scherzo (con brio) based on a lilting figure no longer directly related to the theme. As this fades, a single side drum introduces an element of more overtly martial tension (Alla Marcia) and Bennett says that, from this point on, he was thinking of Debussy's tribute to the memory of an unknown soldier (in the second movement of En Blanc et noir, for two pianos). Bennett's march gradually gathers momentum, eventually culminating in a short-lived elegiac climax (Maestoso) before the music returns full-circle to the subdued melancholy of the opening. The work ends with a haunting pianissimo statement of the original tune.

    Estimated dispatch 7-14 working days
  • £44.95

    The Flowers of the Forest (Brass Band - Score only) - Bennett, Richard Rodney - Hindmarsh, Paul

    In a preface to the score, the composer explains that 'the folk song The Flowers of the Forest is believed to date from 1513, the time if the battle of Flodden, in the course of which the archers of the Forest (a part of Scotland) were killed almost to a man'. Bennett had already used the same tune in his Six Scottish Folksongs (1972) for soprano, tenor and piano, and it is the arrangement he made then that forms the starting-point for the brass-band piece. A slow introduction (Poco Adagio) presents the folk song theme three times in succession - on solo cornet, on solo cornets and tenor horns, and on muted ripieno cornets in close harmony - after which the work unfolds through five sections and a coda. Although played without a break, each of these five sections has its own identity, developing elements of the tune somewhat in the manner of variations, but with each arising from and evolving into the next. The first of these sections (Con moto, tranquillo) is marked by an abrupt shift of tonality, and makes much of the slow rises and falls characteristic of the tune itself. The tempo gradually increases, to arrive at a scherzando section (Vivo) which includes the first appearance of the theme in its inverted form. A waltz-like trio is followed by a brief return of the scherzando, leading directly to a second, more extended, scherzo (con brio) based on a lilting figure no longer directly related to the theme. As this fades, a single side drum introduces an element of more overtly martial tension (Alla Marcia) and Bennett says that, from this point on, he was thinking of Debussy's tribute to the memory of an unknown soldier (in the second movement of En Blanc et noir, for two pianos). Bennett's march gradually gathers momentum, eventually culminating in a short-lived elegiac climax (Maestoso) before the music returns full-circle to the subdued melancholy of the opening. The work ends with a haunting pianissimo statement of the original tune.

    Estimated dispatch 7-14 working days
  • £37.95

    The Snowman, Theme from (Walking in the Air) (Brass Band Set) - Blake, Howard - Sparke, Philip

    Please note that this set contains a condensed score. There is no full score available.

    Estimated dispatch 7-14 working days

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  • £30.00

    And the Glory of the Lord (from Messiah) (SATB Chorus with Brass Band - Score and Parts) - Handel, George Frideric - Littlemore, Phillip

    Handel's Messiah was composed in 1741, receiving it's premiere in Dublin a year later. And The Glory, The Glory Of The Lord is the fourth movement of the oratorio, and the first in which the choir sings. There are no choral parts included with the set, however it works with all the major editions of the vocal score. Duration: 3.20

    Estimated dispatch 7-14 working days

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  • £99.95

    BARITONE CONCERTO (Ellerby) (Brass Band - Score and Parts) - Ellerby, Martin

    Score available separately. Dedicated to and recorded by Katrina Marzella. Also available with piano accompaniment.

    Estimated dispatch 7-14 working days
  • £28.00

    BRASS TRIUMPHANT (Extra score) - Wood, Gareth

    Score only. 2013 National Champsionship Area Qualifying Contest - 1st Section

    Estimated dispatch 7-14 working days
  • £69.99

    CINEMANIA (Brass Band) - Finn, Robert

    This music sounds as if it came straight off the cinema screen. However, there's no movie for this fantastic score! Just like EVERY good film score, this work also includes moving melodies, fast virtuoso passages and, last but not least, a romantic love theme. The instrumentation takes into account that a group may not be complete and this means that the piece can be played by practically every orchestra. Highly recommended for concerts and competitions.

    Estimated dispatch 7-14 working days

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  • £34.50

    DAPHNIS AND CHLOE, 2nd Suite (Brass Band Extra Score) - Ravel, Maurice - Snell, Howard

    2012 National Championships Finals - Championship Section. A ballet described by Ravel as a choreographic symphony, the composer began work on the score in 1909. It was premiered in 1912 and the music is widely regarded as among Ravel's best.

    Estimated dispatch 7-14 working days
  • £95.00

    DAPHNIS AND CHLOE, 2nd Suite (Brass Band Set - Score and Parts) - Ravel, Maurice - Snell, Howard

    2012 National Championships Finals - Championship Section. A ballet described by Ravel as a choreographic symphony, the composer began work on the score in 1909. It was premiered in 1912 and the music is widely regarded as among Ravel's best.

    Estimated dispatch 7-14 working days
  • £32.95

    ENGLISH FOLK-SONG SUITE (Vaughan-Williams) (Brass Band - Score only) - Vaughan Williams, Ralph - Wright, Frank

    Score onlyThis masterwork by Ralph Vaughan Williams has stood the test of time and continues to receive numerous performances on a yearly basis.A must for any library!

    Estimated dispatch 7-14 working days