Results
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£22.50Princethorpe Variations (Brass Band - Score only) - Downie, Kenneth
Colourful harmony, rhythmic flair and melodic invention are the hallmarks of this excellent set of variations by Kenneth Downie, based on the well known church tune, Princethorpe.This major work demonstrates the well-known characteristics of the composer: colourful harmony, rhythmic flair and melodic invention, all encapsulated in scoring which is engulfing both to players and listeners alike. Following a presentation of the theme there are five variations culminating in what can be described as either a finale or coda.Theme. The composer shows his originality in the harmonic sense of this introduction. Perhaps it could be suggested that over-indulgence of rubato may be a temptation to be avoided.Sections A to F. Relentless rhythmic drive is of paramount importance in this first variation. Conscientious observance of dynamics is of course an essential requirement in conveying the exciting quality of the music; there are moments of sudden contrast of which all will need to be aware. Moving between the time-signatures of 5/4 and 6/4 these sections are built from strong easily-identifiable fragments of the theme. These is a significant increase in temp at letter F which will further the exciting impact of the music.Sections G & H. In a pastorale style this short, gentle variation affords a contrast in style between the previous and succeeding ones. The gentle undulating character of the melodic lines is governed by the Allegretto grazioso directive.Sections I to M. Commencing two bars before letter I the music is now exuberant and the tempo and style is that of a march in compound time. In this exhilarating movement there are moments of contrast and indeed of delicacy which are a foil to the more energetic moments. Rhythmic control will be essential to maintain a consistent tempo. As elsewhere in the work, the percussion section will contribute much to the success of the performance there are bars where this section alone is heard and there are important entries for glockenspiel.Sections N & O. With emotional content this Adagio variation has the first two notes of the melody as its melodic impetus. Apart from just over two bars at O (where there is an interpolatory phrase from Cornets and Trombones), the melodic line is entrusted to the plaintive sounds of the horn section. Cornets and Trombones provide a change of tone colour at the beginning of section O. Under a poco rall, this very expressive variation is concluded; there is an important link supplied by Eb Bass.Sections P & Q. A lively march-tempo is launched immediately and these sections are in the nature of an introduction to the final variations. There is a quickening of pace at Q which assists the generation of excitement which should be an essential part of the performance. Solo Cornets introduce a melodic line at Q which anticipates the compound time of the following section.Sections R & S. The Solo Cornet theme of the previous section is now a contrapuntal line accompanying the theme tune. With an elongation of the notes in the melody, the conductor will need to call on the sustaining powers of the band and at no time should the interesting accompanying lines be allowed to detract from the sonorous presentation of the basic theme.Sections T, U & V. Following a poco rit, the finale begins at letter T with the directive, molto vivace. There is much detail to be rehearsed, not least being the dynamic contrasts which are encountered. As throughout the work, the listener should have no difficulty in identifying the thematic sources of the composer's music.
Estimated dispatch 7-14 working days
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£49.99Lock Horns/Rage On (Brass Band - Score and Parts)
Simon Dobson's dynamic and unusual concert march Lock Horns/Rage On was commissioned by the Leyland Band and their conductor Jason Katsikaris, and formed part of their programme for the Brass in Concert Championships, held at The Sage, Gateshead on 15th November 2009. Suitable for Premier Youth/2nd Section Bands and above. Duration: 4.00
Estimated dispatch 7-14 working days
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£29.95The Candle of the Lord (Cornet Solo with Brass Band - Score and Parts) - Webb, Joy - Graham, Peter
The Candle of the Lord, originally written as part of a musical named Breakthrough, finds its inspiration from Proverbs 20, Verse 27. This beautiful setting has been arranged by Peter Graham and was specifically written for Philip Cobb. Duration: 4.00
Estimated dispatch 7-14 working days
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£60.99Banana Island (Brass Band - Score and Parts) - Crausaz, Etienne
Banana Island is an extraordinary fictional place: coconut palms, date palms, mango trees, banana trees and mangroves grow in abundance. Animals live there in heavenly harmony. On a Caribbean danse rhythm, the Soca, several themes develop and create a dialogue between the various registers. A central section offers the cornet and trombone the chance to display their soloist skills. This work is full of energy and brimming over with enthusiasm! This music forms part of the musical tale La Malediction d'Aragne (Aragne's Curse), written by Dominique Schweizer and commissioned by the Lyre de Courtion (dir. Dominique Morel) on the occasion of its 100th anniversary.Duration: 4.15
Estimated dispatch 7-14 working days
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£59.99Song of Liberation (Brass Band - Score and Parts) - De Haan, Jacob
A composition with the liberation from the Second World War as its theme. After a solemn introduction one hears the melody of the hymn Abide with you, which was sung a lot during the war. Following there are variations on the theme, finally leading to the magisterial conclusion that represents the ultimate liberation. The work may be interpreted as popular music (with the part for drumset), but a more serious version without drums is possible and, indeed, preferable.Duration: 4:45
Estimated dispatch 7-14 working days
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£74.99
Bread and Games Brass Band (Score & Parts)
Panem et Circenses', Bread and Games were essential for keeping the citizens of ancient Rome in check. While the bread was meant for the poorest among the Romans, the Games were Popular Pastime Number One for everybody.There were different kinds of games, such as chariot races (especially popular with female spectators), or wild-beast fights, where lions, tigers, bulls or bears were set on one another or even on human beings. Most popular, however, were the Gladiator fights. In 'Bread and Games' William Vean depicts one of the many fights in the antique Colosseum. 1. Entrance of the Gladiators: By powerful bugle-calls the attention of the people was asked for, after which the Gladiators entered the Arena at the sound of heroic marching-music.2.Swordfight: We can hear that the fights were not mere child's play in this part.On the contrary, they were a matter of life and death and were fought accordingly.3.Mercy of the Emperor: Sometimes a wounded gladiator could be fortunate, depending on the mercy of the audience. Waving one's handkerchief meant mercy, a turned-down thumb meant no pardon. The Emperor had the right to take the final decision, but he usually complied with the wish of the majority of the public. 4.Lap of Honour: Gladiators were mainly selected among slaves, convicted criminals, or prisoners of war. Consequently, winning was very important, as it would mean fame, honour and sometimes even wealth. A lap of honour, therefore, was the winner's due reward. 06:00
Estimated dispatch 7-14 working days
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£84.99
Voyage with the VOC Brass Band (Score & Parts)
The Netherlands have been an important trading nation for a long time - partly as a result of their geographical situation. One of the first multinationals in The Netherlands was the 'Verenigde Oostindische Compagnie' (VOC). The aim of the VOC was to send ships to Asia in order to buy pepper and spices, and to take over the Portuguese monopoly in this field. The Company was successful. An era of great prosperity resulted, in which the art of painting (Rembrandt van Rijn) as well as science (Constantijn Huygens) flourished alongside a thriving economy. 1. The Sails are set : There is a lot of hustle and bustle on the quay. The crew are preparing for departure. Goodbyes are said and once the sails have been hoisted the ship sets out to sea.2. A Visit to the Rajah of Yogyakarta: After a voyage of many months the place of destination is reached. A visit to the Radja, the king of the area around Yokyakarta, follows. The dishes and beverages and the native culture in general are very pleasant after having been on a diet of ship's biscuit and water for such a long time.3. The Holds have been loaded: The holds have been loaded to the brim, and the voyage home can be begin!4. Death sails along: Life at sea is rough. not seldom did a sailor die of a tropical disease or scurvy. After a memorial service, the Captain would speak the words 'One, two, three, in God's name ...' and the body, wrapped in canvas, would be committed to the sea.5. A joyful homecoming: After many months of hardship coming home is perhaps the best part of the entire voyage. The quay is filled with people eager to give the crew a warm welcome. 06:30
Estimated dispatch 7-14 working days
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£37.95Bass in the Ballroom (Eb Bass Solo with Brass Band) - Newsome, Roy
Solo part provided in Eb TC and C BC.Duration 4:40
Estimated dispatch 7-14 working days
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£14.99All Tuned Up (Flexible Ensemble - Percussion (optional part), Marchcard Size)
120 Famous Tunes for All Occasions for Flexible Ensembles of Brass and WoodwindAll Tuned Up is designed to cater for ensembles for occasions throughout the year. Tunes are drawn from genres including Classical, Hymns, Folk and Patriotic amongst many others to form a comprehensive book that will cover a wide variety of events such as Weddings, Funerals, Graduation Ceremonies, Parties, Proms, Remembrance, Street Playing and Thanksgiving.Playable by as few as five players but also designed to work for full brass band or wind band, it features flexible parts in a wide variety of transpositions. These excellent arrangements have been expertly created by Andrew Wainwright, David E. Jones, Dean H. Jones and Steven Ponsford.The general harmonic format of All Tuned Up is in five parts, although additional notes have been included to thicken the harmony where more players are available. Therefore, the book will work equally well with larger groups, including full brass bands and wind bands.The following parts are available (in both A4 and Marchcard sizes):Part 1 in Bb: Cornet/Trumpet, Clarinet, Flugel Horn, Soprano SaxophonePart 1 in C: Piccolo, Flute, OboePart 1 in Eb (optional part): Soprano Cornet/Eb Trumpet, Eb ClarinetPart 2 in Bb: Cornet/Trumpet, Clarinet, Flugel HornPart 2 in Eb: Tenor Horn, Alto Saxophone, Alto ClarinetPart 2 in F: French Horn, Cor AnglaisPart 3 in Bb: Baritone TC, Trombone TC, Euphonium TC, Tenor SaxophonePart 3 in C BC: Baritone BC, Trombone BC, Euphonium BCPart 3 in Eb: Tenor Horn, Alto Saxophone, Alto ClarinetPart 3 in F: French Horn, Cor AnglaisPart 4 in Bb: Euphonium TC, Baritone TC, Tenor SaxophonePart 4 in C BC: Euphonium BC, Baritone BC, BassoonPart 5 in Bb: Bb Bass, Bass ClarinetPart 5 in C BC: Tuba, Bassoon, String BassPart 5 in Eb: Eb Bass, Baritone SaxophonePercussion (optional part)
Estimated dispatch 7-14 working days
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£5.95SALT OF THE EARTH, GOSPEL (Euphonium Solo part only) - Scott, Andy
Solo part only, Brass Band parts and score available separately. 'Salt of the Earth Gospel' is a new arrangment for Solo Euphonium and Brass Band of the second movement of the Concerto for Tuba 'Salt of the Earth'. It is a seven-bar melody that is passed around different soloists whilst the solo euphonium weaves in and out of the melody in an almost improvisatory way. Tension is created by a gradual dynamic build with an ensemble release before the soloist gently brings the piece to rest. Dur: 4:30
Estimated dispatch 7-14 working days
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