Results
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£25.95Heed the Word - Lucy Pankhurst
Lucy Pankhurst created this impressive work in support of a charitable project, known in 2005 as Brass Band Aid. The organisation called for original compositions to be included in a follow-up CD release - Into Africa to help raise funds for projects in Adet, Africa, and to build awareness of the Make Poverty History campaign.Lucy's creativity and imagination are very prevalent in this work - a complete mix of powerful energy and poignant emotions flow from the score. A strong use of pulsating drums are balanced with sheer tranquility and rich chords. It exudes hope and positivity and perhaps, through its title, offers a gentle warning to listen carefully to the concerns that are aired around us - not least in recognition of the challenges facing the very communities the CD was aiming to help.The work was recorded by the Prairie Brass Band, US and featured on the Brass Band Aid CD - Into Africa.
In Stock: Estimated dispatch 3-5 working days
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£25.00Zephyrus - Andrew Duncan
The Big Blow', was a formal record attempt to create the largest brass band in the world. It took place at Butlin's Resort, Skegness on 20 January 27 and in addition to the fun generated by the event itself, it's main goal was to raise money in support of the work of Brass Band Aid, and specifically to provide long-term sponsorship for two children in the village of Adet, Ethiopia.The Music Company (UK) Ltd were one of the Official Partners of The Big Blow, providing the performance piece for the record attempt. As Editorial Director of the company, Andrew Duncan wrote 'Zephyrus' to mark the occasion.Originally presented at the event as 'March - The Big Blow', the published re-titling of 'Zephyrus' provides a more subtle alternative, taking its name from the Greek God of the West Winds.'Zephyrus' is a traditional British brass band march with an interesting African-feel lilt to the trio. This is enhanced by optional percussion instruments including djembi and bongos, which can also be covered by standard drum kit. A positive, upbeat concert march to reflect the sentiment behind 'The Big Blow' record attempt.There were 443 participants in total, including:Soprano Cornets x 12Cornets x 152Flugels x 19Tenor Horns x 68Baritones x 32Euphoniums x 32Trombones x 55Eb Basses x 35Bb Basses x 17Percussionists x 21The Music Company are pleased to continue their support of Brass Band Aid by offering a donation to this worthy charity for every set of this music sold.
In Stock: Estimated dispatch 3-5 working days
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£25.95Dignity - Alan Fernie
Alan Fernie created this beautiful work in support of a charitable project, known in 2005 as Brass Band Aid. The organisation called for original compositions to be included in a follow-up CD release - Into Africa to help raise funds for projects in Adet, Ethiopia, Africa, and to build awareness of the Make Poverty Historycampaign.This work offers a quiet, peaceful interlude. No technical fireworks, just a simplicity which reflects the dignity of the people in Ethiopia, despite the hardships they endured.'Dignity' was in fact the second donation of music made by Alan Fernie in support of the project (his first being African Funk which has featured in many a band's programme). It was recorded by the Scottish Co-Op Band and featured on the Brass Band Aid CD - Into Africa.
In Stock: Estimated dispatch 3-5 working days
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£40.00
Ivory Ghosts - Gavin Higgins
Gavin Higgins wrote Ivory Ghosts in 2006 for brass ensemble as one of a collection of short pieces composed in support of the charity Brass Band Aid. It is a haunting miniature created in response to the horrors of the illegal trade in African elephant ivory. This definitive version for brass band and percussion was prepared for the Tredegar Town Band.
In Stock: Estimated dispatch 1-3 working days
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£40.00Ivory Ghosts - Gavin Higgins
Gavin Higgins wrote Ivory Ghosts in 2006 for brass ensemble as one of a collection of short pieces composed in support of the charity Brass Band Aid. It is a haunting miniature created in response to the horrors of the illegal trade in African elephant ivory. This definitive version for brass band and percussion was prepared for the Tredegar Town Band.
Estimated dispatch 5-14 working days
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£34.95King Solomon's Mines - Rodney Newton - Christian Jenkins
This short concert overture was written for Robert Childs and the Cory Band as part of the composer's contribution to the Brass Band Aid project. It is based on Sir Henry Rider Haggard's African adventure story of the hunter Alan...
Estimated dispatch 5-7 working days
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£29.99Nimrod from The Enigma Variations By Edward Elgar arr. Joseph Knight
This arrangement has been taken from the original Enigma Variations and adapted for brass band. It has been arranged so that any band can perform it regardless of section. It is time signatured in both 6/4 and 3/2 to aid the band in it's learning. It is offered with full parts and score.
Estimated dispatch 5-9 working days
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£37.95The Year of the Dragon (Score Only)
The highlight of Cory's centenary celebrations throughout 1984 was a concert held in St. David's Hall, Cardiff, in March. The band, with the aid of funds provided by the Welsh Arts Council, commissioned Philip Sparke to write a work for first performance at this concert. The result was "The Year of the Dragon" of which the composer writes:"At the time I wrote The Year of the Dragon, Cory had won two successive National Finals and I set out to write a virtuoso piece to display the talents of this remarkable band to the full."The work is in three movements:TOCCATA opens with an arresting side drum figure and snatches of themes from various sections of the band, which try to develop until a broad and powerful theme from the middle of the band asserts itself. A central dance-like section soon gives way to the return of this theme, which subsides until faint echoes of the opening material fade to a close.INTERLUDE takes the form of a sad and languid solo for trombone. A chorale for the whole band introduces a brief spell of optimism but the trombone solo returns to close the movement quietly.FINALE is a real tour-de-force for the band with a stream of rapid semi-quavers running throughout the movement. The main theme is heroic and march-like but this is interspersed with lighter, more playful episodes. A distant fanfare to the sound of bells is introduced and this eventually returns to bring the work to a stirring close.
Estimated dispatch 7-14 working days
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£89.95Partita (Score and Parts)
Partita was written in 1989 to a commission from Eikanger/Bjrsvik Musikklag (Norway) who were European Champions at the time.There are three movements.1 The first movement is almost a miniature concerto for band. It opens with a relentless quaver passage in the basses, which builds until the whole band is involved. Horns and baritones are first to take centre-stage in close harmony and the euphoniums and basses follow them. These forces combine to introduce the cornets that have a 10-part fanfare to themselves before the trombones interrupt. The opening quaver figure returns, somewhat ominously, and, after the full band recalls previous material, brings the movement to a close.2. Starts with a cornet solo over a pulsating accompaniment after which the band builds to a noble tune on the trombones. The full band takes over and brings back the opening cornet tune with which the soloist, with the aid of a euphonium counter-melody, quietly ends the movement, leading directly into:3. A sparkling vivo, which opens with the fanfare-like figures throughout the band until a solo cornet, emerges with an acrobatic tune. The whole band takes this up until horns; baritones and trombones introduce an energetic second subject, which leads to a full band climax in the form of a jubilant chorale. This died away to reintroduce the opening fanfare against a new theme from the trombones, which eventually leads back to a recapitulation. We are then thrown headlong into a 12/8 presto, which hurtles to a coda, which recalls the opening themes.
Estimated dispatch 7-14 working days
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£44.95Partita (Score Only)
Partita was written in 1989 to a commission from Eikanger/Bjrsvik Musikklag (Norway) who were European Champions at the time.There are three movements.1 The first movement is almost a miniature concerto for band. It opens with a relentless quaver passage in the basses, which builds until the whole band is involved. Horns and baritones are first to take centre-stage in close harmony and the euphoniums and basses follow them. These forces combine to introduce the cornets that have a 10-part fanfare to themselves before the trombones interrupt. The opening quaver figure returns, somewhat ominously, and, after the full band recalls previous material, brings the movement to a close.2. Starts with a cornet solo over a pulsating accompaniment after which the band builds to a noble tune on the trombones. The full band takes over and brings back the opening cornet tune with which the soloist, with the aid of a euphonium counter-melody, quietly ends the movement, leading directly into:3. A sparkling vivo, which opens with the fanfare-like figures throughout the band until a solo cornet, emerges with an acrobatic tune. The whole band takes this up until horns; baritones and trombones introduce an energetic second subject, which leads to a full band climax in the form of a jubilant chorale. This died away to reintroduce the opening fanfare against a new theme from the trombones, which eventually leads back to a recapitulation. We are then thrown headlong into a 12/8 presto, which hurtles to a coda, which recalls the opening themes.
Estimated dispatch 7-14 working days
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