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£24.95The Old Rugged Cross - George Bennard - Rodney Newton
This popular American hymn has been arranged as a Euphonium Solo with Brass Band accompaniment by the Buy As You View Cory Band's Composer-in-Residence, Rodney Newton. After a short introduction, the soloist makes an initial statement of the melody. A...
Estimated dispatch 5-7 working days
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£25.00Bonny At Morn - Steve Robson
A beautiful arrangement of the Northumbrian folk song, created here by Steve Robson as asolo for trombone with brass band.The tranquil melody led by the soloist is sympathetically and gently supported by the rest of the band, bringing a pause for reflection and tranquility to your concert programme.Steve Robson dedicates this arrangement to Bob Thompson, a long-time friend and playing associate.
In Stock: Estimated dispatch 3-5 working days
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£37.95The Flirt (Score and Parts) - William Rimmer arr. Elgar Howarth
Taken from William Rimmer's The Artistic Soloist - a volume of character melodies for solo cornet - Elgar Howarth has furnished four of the tunes with full accompaniment for brass band. The Flirt is dainty, inconstant, and capricious - the downcast eyes and the toss of the head are represented musically.
Estimated dispatch 7-9 working days
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£37.95Norwegian Song (Score and Parts) - William Rimmer Realised by Elgar Howarth
Taken from William Rimmer's The Artistic Soloist - a volume of character melodies for solo cornet - Elgar Howarth has furnished four of the tunes with full accompaniment for brass band. Norwegain Song is written along the lines of the great Norwegian composer Edvard Grieg and requires intelligent reading, purity of tone and a refined approach.
Estimated dispatch 7-9 working days
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£37.95A Southern Sketch (Score and Parts) - William Rimmer Realised by Elgar Howarth
Taken from William Rimmer's The Artistic Soloist - a volume of character melodies for solo cornet - Elgar Howarth has furnished four of the tunes with full accompaniment for brass band. A Southern Sketch is a quaint melody suggestive, perhaps of the cotton fiels of the southern USA. Clean tonguing is required in the second strain, while the meno mosso requires a soft undertone.
Estimated dispatch 7-9 working days
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£24.95Secret Hymn - Lucy Pankhurst - Christian Jenkins
Secret Hymn is a reflective, passionate ballad for tenor horn solo and brass band. A single theme is played by the tenor horn soloist (with optional percussion accompaniment) from which the entire piece grows. The music gradually expands, texturally and...
Estimated dispatch 5-7 working days
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£30.00Introduction and Allegro Spiritoso - Senaille
Euphonium Solo with brass band accompaniment.Jean Baptiste Senaille was a French born Baroque composer and violin virtuoso. Senaille studied under Tomaso Antonio Vitali and imported Italian musical techniques and pieces into the French court. He wrote around 50 violin sonatas and this arrangement of his most well known offers the soloist a perfect opportunity to showcase their style and technical ability.
In Stock: Estimated dispatch 3-5 working days
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£29.50The Rose - Amanda McBroom - Rob Westacott
This classic song has been entertaining audiences around the globe since it was originally written back in 1977. It didn't reach world-wide success until the piece was recorded by artist Bette Midler and featured in the film, The Rose. Songwriter, Amanda McBroom recalls that she wrote the piece in just 45 minutes. The work has now been arranged as a gorgeous Euphonium solo with lower brass (flugelhorn down the band) accompaniment and is a great new addition to a soloist's repertoire. The work is not technically demanding and the lyrical tone of the piece is one that will allow players of all ages to shine with this solo. To download the playback audio to play along to, please RIGHT CLICK HERE & Save As .
In Stock: Estimated dispatch 1-3 working days
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£34.95When Thunder Calls
When Thunder Calls was commissioned by Dr Nicholas Childs and the Black Dyke Band for their performance at the Gala Concert of the Swiss Open Championships in September 2011. When composing this piece, I decided to focus on both the music and the stage presentation. The way the piece has been composed and designed makes it a very effective way of starting a concert or a second half of a concert.At the start of the piece, the percussion enter the stage and take their positions in their usual place behind the band. They begin playing the piece without a conductor. They keep repeating the opening section while the Basses, Horns, Baritones and Euphoniums march onto the stage.This group of musicians take their seats with the Horns, Baritones and Euphoniums sitting where they usually sit in the band but the Basses sit where the solo cornets usually sit, forming an inner semi-circle of lower brass. When seated and when the music gets to the end of bar 4 the piece continues onto section A. All performers keep repeating this next 4-bar phrase until the trombones march onto stage and stand at the front of the stage with the Bass Trombone standing in between the other two trombones.All performers then play from figure B to C with the trombones taking the lead at the front. When the performers get to rehearsal figure C they repeat this section (the same as section A) while the trombones move from the front of the stage and take their positions where the Basses would normally sit (between the horns and the percussion) and remain standing. Meanwhile, the flugel enters the stage and stands at the front of the stage (standing where the trombones did). When in position the flugel soloist picks up into rehearsal figure D.When the flugel soloist finishes playing, just before rehearsal figure F they then move to their normal seat in the band. At figure F the cornets march onto the stage from either side, they turn and stand side by side each other facing outward towards the audience forming two 'fanfare' lines either side of the lower brass. The conductor follows the cornets on stage and on cue they lift their instruments at the same time and perform when the piece gets to figure G.There is no more moving around from this point on other than the solo cornet to move forward with the solo euphonium and perform their duet at letter H. Also the horns are required to stand and play at letter I and then sit just before J.When performed with all the choreography, this piece makes for an exciting addition to any concert repertoire both for the performer and the audience.Suitable for 3rd Section Bands and Above
Estimated dispatch 7-14 working days
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£44.95Festiva Brazilia
Using a variety of Latin American musical influences the piece opens with a bass riff that is to be the prominent feature in this work. Accompanied with lively Latin American Samba Percussion section the work is reminiscent of the music heard at the world famous Rio Carnival. There are lots of Latin 'Riffs' and 'Licks' throughout the piece that keep returning in true samba style. This is a real fun piece to perform and the performing notes below act as a guide to getting the most out of this performance.Performing Notes:There are opportunities for soloists within the piece, particularly Solo Cornet, Soprano and Bongo's.When the Cornet and Soprano soloist play their solo part they have an instruction to stand out at the front to perform. It is at the players and conductors discretion where they would like to stand for their solo line.Obviously the Drum Kit soloist is restricted to their current positioning within the band. However, the other percussionists are quite at liberty to come out to the front of the band to perform their solo at rehearsal figure P at the conductors discretion.NB - At the 5th bar of figure P there is an optional repeat section. Performers can repeat this section over and over to extend the percussion feature. Or even add more players from the band to play percussion. If you do not wish to use this opportunity then dismiss the repeat so that there is a 16 bar section between figure P and figure R.There are also a variety of cameo roles for other soloists and musical sections during the piece. Other players and sections can stand to perform various motifs during the piece again at the conductor's discretion.Festiva Brazilia was composed for performers to have fun and enjoy performing the piece as much as possible. Just like the many Samba festivals around Brazil.
Estimated dispatch 7-14 working days
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