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  • £24.95

    Music for Greenwich (Brass Band - Score only) - Gregson, Edward

    Music for Greenwich was commissioned in 1980 by the Greenwich Theatre, London, for a new production of Peter Buckman's play 'All Together Now'.In this play, about a down-at-heels brass band in the North of England brought to a new level of self-confidence and achievement by an incoming conductor, the whole cast performed a test piece on stage every night (i.e. Music for Greenwich), in readiness for a competition which they have entered and, of course, win. Although the play is as much a social commentary as anything to do with music-making, every member of the cast had to be able to play a brass instrument to a greater or lesser extent (a difficult challenge for the casting Director!).For obvious reasons, the music is not technically difficult. The work is structured as follows: a brief fanfare-like opening is followed by an allegro section, rhythmic and playful; a slow lyrical section is then introduced (a suitably nostalgic melody featuring solos for cornet and trombone), before a return to the fast music, a hint of the fanfare, and finally a climactic flourish to round things off. This is music to be enjoyed, as hopefully it was every night by the audience and actors alike.Duration: 5.00

    Estimated dispatch 7-14 working days

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  • £37.95

    A KENSINGTON CONCERTO (Brass Band - Score only) - Ball, Eric

    Recorded on Polyphonic QPRL237D Master Brass Vol.24. Duration: 11:40

    Estimated dispatch 7-14 working days
  • £37.95

    ALTA VISTA (Brass Band - Score only) - Fraser, Bruce

    National Finals of the British Brass Band Championships 2009 4th Section test piece.

    Estimated dispatch 7-14 working days
  • £24.95

    AND EVERYTHING IS STILLAaA (Tenor Horn solo with Brass Band Parts) - Scott, Andy - Fieldhouse, Jim

    Brass Band parts only. And Everything is Still was inspired by a poem by Lemn Sissay from his children's book, The Emperor's Watch Maker. A simple melody unravels alongside a calm and gentle atmosphere. Dur: 3:30

    Estimated dispatch 7-14 working days

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  • £26.50

    BARBER OF SEVILLE (Brass Band) - Hawkins, George

    Solo Cornet Coductor part only. Recorded on Polyphonic QPRL235D Master Brass Vol.23. Duraion: 7:15

    Estimated dispatch 7-14 working days
  • £57.95

    BARITONE CONCERTO (Ellerby) (Brass Band - Score only) - Ellerby, Martin

    Brass Band parts available separately. Dedicated to and recorded by Katrina Marzella.

    Estimated dispatch 7-14 working days
  • £54.95

    BATTLE OF BARROSSA (Brass Band Parts) - Scott, Andy

    Brass Band parts only. For brass band & narrator and is one continuous movement. The piece tells the story of the famous Battle of Barossa in March 1811, with musical sections depicting events as they unravel. Duration: 16:00

    Estimated dispatch 7-14 working days

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  • £25.00

    BATTLE OF BARROSSA (Brass Band Score) - Scott, Andy

    Brass Band score only. For brass band & narrator and is one continuous movement. The piece tells the story of the famous Battle of Barossa in March 1811, with musical sections depicting events as they unravel. Duration: 16:00

    Estimated dispatch 7-14 working days

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  • £22.50

    Beecher Variations (Brass Band - Score only) - Bulla, Stephen

    In this beautiful composition, melodic fragments of the hymn tune Beecher are morphed into a series of variations, showing the melody in various moods from expressive, then quiet and soft, to bright and triumphant in the end. Written as a test piece in the 4th division for the Dutch Brass Band Championships in 2015, the music features challenging solo parts for cornet, soprano cornet, flugelhorn and euphonium. A great work for the concert or contest stage!Duration: 12.00

    Estimated dispatch 7-14 working days

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  • £74.95

    Between the Moon and Mexico (Brass Band - Score and Parts) - Sparke, Philip

    Between the Moon and Mexico was composed for the 1998 Finals of the National Brass Band Championships of Great Britain. The first performance took place at the Royal Albert Hall, London, on the 17th of October.The title has no hidden meaning and was chosen preciesly because it would not predetermine the style or form of the work. The composer wanted to see what sort of piece would emerge if the only influence was what had already been written. The result is a sort of musical collage in which various musical collage in which various musical elements, ranging from two or three notes to complete melodies, assume importance by virtue of their context. In a way, the piece grew out of itself.Duration: 16.30

    Estimated dispatch 7-14 working days