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  • £48.00

    Red Vest Man (Brass Band - Score and Parts) - Waterman, Steve

    Red Vest Man was composed as a dedication to cornet player Buddy Bolden, one of the first jazz musicians. He was reputed to always perform wearing a red vest. The piece is a New Orleans funeral march, something Bolden would have been called to do many times in his career. It starts with a slow mournful march, featuring solos from trumpet and trombone and finishes with a joyful 2nd line New Orleans rhythm. Duration: 8.00. Suitable for 2nd Section Bands and above.

    Estimated dispatch 7-14 working days
  • £42.95

    Shout! (Trombone Solo with Brass Band - Score and Parts) - Wiffin, Rob

    Shout! was written for Brett Baker to demonstrate a particular musical aspect of his trombone playing.It is a Latin jazz piece subtitled CCC 4 BB - Cha cha cha for Brett Baker - and shows the trombone's ability to act as a declamatory jazz voice, covering much of the range and expressive power of the instrument. In one sense the title also refers to the jazz tradition of a Shout chorus which often appears towards the end of a jazz piece, bringing the players together after they have all taken their improvised solos.Shout! should hopefully be enjoyable to listen to and, although not without its technical challenges, fun to play.Duration: 3.45Recorded on Polyphonic QPRL227D SHOUT!

    Estimated dispatch 7-14 working days

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  • £34.95

    A Happy Day (Cornet Solo with Brass Band - Score and Parts) - Leidzen, Erik

    This composition was awarded first prize in the Theme and Variations Section of the 1926 Salvation Army Band Music Competition and has remained popular with cornet soloists and audiences ever since. This was the first in a trilogy of cornet solos with the word 'day' in the title written by Erik Leidzen, the others being 'Happy all the Day' and 'Wondrous Day'.

    Estimated dispatch 7-14 working days
  • £17.50

    A Happy Day (Cornet Solo with Brass Band - Score only) - Leidzen, Erik

    This composition was awarded first prize in the Theme and Variations Section of the 1926 Salvation Army Band Music Competition and has remained popular with cornet soloists and audiences ever since. This was the first in a trilogy of cornet solos with the word 'day' in the title written by Erik Leidzen, the others being 'Happy all the Day' and 'Wondrous Day'.

    Estimated dispatch 7-14 working days
  • £102.99

    The Seventh Night of July (Brass Band - Score and Parts) - Sakai, Itaru

    In Japan, July the 7th is a holiday known as Tanabata, for which large celebrations are held throughout the country. The holiday is based on a legend about a young man and a young woman who are separated by the Milky Way and can only see each other once a year on this night. The Seventh Night of July is Itaru Sakai's musical interpretation of this romantic legend. The flugel horn and euphonium solos during the middle movement represent the two main themes from the legend.

    Estimated dispatch 7-14 working days

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  • £59.99

    A Sentimental Song Brass Band (Score & Parts)

    A simple melody, with accompaniment in blue, becomes a wonderful expressive piece. There are opportunities for improvisation, but the indicated solos have been composed. Select your favourite instrument and soloist, or will all soloists be featured? Enjoy playing and listening to A Sentimental Song! 03:00

    Estimated dispatch 7-14 working days

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  • £45.00

    Caribe (Brass Band - Score and Parts) - Camilo, Michel - Harper, Philip

    An absolute showstopper in Latin style, this features solos for horn, baritone and cornet, amongst others. Simplified lines are also offered, but the full effect can be heard on Cory Band's CD Summon the HeroesSuitable for Championship Section BandsDuration: 3.30

    Estimated dispatch 7-14 working days

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  • £109.99

    Fantasy for Brassband and Organ Brass Band (Score & Parts)

    When I was approached to compose a work for brassband and church organ I already envisioned the concept I would use. It would indeed literally become a work for brassband and organ. Without the traditional solos, the organ would form an addition to the brassband orchestration as would the brassband provide an extra register for the organ. In short a homogeneous entity. The most important reason for doing this is quite simple. Since this work can only be performed in a church and because of the specific acoustics of the church, the brassband would sound in al its tone colour like an organ. By using certain registers of the organ and combining these with the brassband a wonderful sound palette can be created. The use of complementary or contrasting tone quality is also possible. The primary theme of this composition is based on these three methods of "colouring". As far as structure is concerned this work consists of two parts. slow - fast. It is built on a number of motifs in which some behave like a consecutive canon. In the fast movement the primary motif develops into a fugue-like section. The canon and fugato are techniques frequently used in classical and contemporary organ literature. The liberal use of structure and motif has lead to the title. "Fantasy for Brassband and Organ". 11:00

    Estimated dispatch 7-14 working days

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  • £54.20

    FRANK SINATRA (Cornet/Brass Band) - Wormald, Christopher

    Grade: easy-medium. Three solos for Cornet & BB. Includes: All the Way; Guess I'll Hang My Tears Out to Dry; I've Got You Under My Skin.

    Estimated dispatch 7-14 working days
  • £18.99

    GRACES OF LOVE (Le Gratie d'Amore) (Brass Band Extra Score) - Waespi, Oliver

    2015 National Championships Finals Testpiece - Third Section - Extra Score only. The Graces of Love (Le Gratie d'Amore) is the title of a book published in 1602 by Cesare Negri, the famous dance master of the Milan court in the Renaissance. It contains numerous dance tunes and precise descriptions of courtly dances. It also includes the tune Il bianco fior (The White Flower) on which the first movement of the present piece is based. A vigorous dance in three-four, it leads to an acceleration and a sudden shift to an even meter towards the end. The second movement, calm and contemplative in character, features the tune Vaghe bellezze ... (Veiled Beauty ...). Widely spaced melodic parts surround two solos during which the tune is varied and developed. Finally, the third movement contains a saltarello with a hypnotic rhythm, ending the work with flair and gusto. Duration: 11:30

    Estimated dispatch 7-14 working days

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