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  • £44.95

    The Flowers of the Forest (Brass Band - Score only) - Bennett, Richard Rodney - Hindmarsh, Paul

    In a preface to the score, the composer explains that 'the folk song The Flowers of the Forest is believed to date from 1513, the time if the battle of Flodden, in the course of which the archers of the Forest (a part of Scotland) were killed almost to a man'. Bennett had already used the same tune in his Six Scottish Folksongs (1972) for soprano, tenor and piano, and it is the arrangement he made then that forms the starting-point for the brass-band piece. A slow introduction (Poco Adagio) presents the folk song theme three times in succession - on solo cornet, on solo cornets and tenor horns, and on muted ripieno cornets in close harmony - after which the work unfolds through five sections and a coda. Although played without a break, each of these five sections has its own identity, developing elements of the tune somewhat in the manner of variations, but with each arising from and evolving into the next. The first of these sections (Con moto, tranquillo) is marked by an abrupt shift of tonality, and makes much of the slow rises and falls characteristic of the tune itself. The tempo gradually increases, to arrive at a scherzando section (Vivo) which includes the first appearance of the theme in its inverted form. A waltz-like trio is followed by a brief return of the scherzando, leading directly to a second, more extended, scherzo (con brio) based on a lilting figure no longer directly related to the theme. As this fades, a single side drum introduces an element of more overtly martial tension (Alla Marcia) and Bennett says that, from this point on, he was thinking of Debussy's tribute to the memory of an unknown soldier (in the second movement of En Blanc et noir, for two pianos). Bennett's march gradually gathers momentum, eventually culminating in a short-lived elegiac climax (Maestoso) before the music returns full-circle to the subdued melancholy of the opening. The work ends with a haunting pianissimo statement of the original tune.

    Estimated dispatch 7-14 working days
  • £74.99

    Contrasten (Brass Band - Score and Parts) - De Haan, Jan

    The source of inspiration for the composer was the nuclear disaster in Chernobyl in Russia. The first movement Ostinato expresses desperation, helplessness, fear and anger. The themes from the first movement are further exposed in the second movement Fantasia which has a spectacular finale. In 1989 this composition was the test-piece for the finals in the fourth section of the National Brassband Championships of Great Britain.Duration: 11:30

    Estimated dispatch 7-14 working days

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  • £119.99

    Amsterdam Brass Band (Score & Parts)

    Rob Goorhuis schreef de compositie Amsterdam voor Amsterdam Brass in 2002. Het werk beleefde haar premi?re in 2003 in een uitvoering van de opdrachtgever. De componist, zelf Amsterdammer van geboorte, heeft in dit werk zijn herinneringen aan de toen ook al bruisende stad muzikaal verwerkt in een combinatie met het heden. De geluiden van de stad zoals Goorhuis die in de 50-er jaren hoorde zijn al dan niet abstract weergegeven in Amsterdam. Amsterdam bestaat uit drie in elkaar overgaande delen. Het eerste deel (Allegro Moderato) beschrijft de grote drukte in de Nederlandse hoofdstad die altijd leeft, beweegt, zindert en schijnbaar nooit 'slaapt'. De voortdurende zestiende beweging in de diverse instrumenten benadrukken die immer aanwezige drukte in de stad die in de volksmond bekend staat als 'Mokum'. Zelfs de klanken van een Amsterdams draaiorgel zijn goed hoorbaar in dit eerste gedeelte. De karavaan vuilnisauto's die elke ochtend om 5 uur door de straat van de nog jonge Rob Goorhuis reed is een hoorbare herinnering aan vervlogen tijden. Het tweede deel brengt ons in het Vondelpark aan de rand van het centrum. Het thema wordt voorgesteld door de bugel en voert via variaties op dit thema in diverse andere instrumenten naar een drukker gedeelte van het stadspark om vervolgens weer kort terug te keren naar de oase van rust.Het tempo en de begeleidende beweging zijn bepalend voor het bijzondere karakter van dit middendeel. Het derde deel zet ons weer met beide benen in het bruisende hart van de stad. De euphonium introduceert het grillige thema, met karakteristieke toonladderfiguren en kwartsprongen, dat in de verschillende stemmen canonisch wordt verwerkt. Halverwege duikt onopvallend het thema van het middendeel weer op dat steeds opvallender naar voren komt resulterend in een verrassend slot. Verplicht werk Nederlandse Brassband Kampioenschappen 2004 - 1e divisie. 12:00

    Estimated dispatch 7-14 working days

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  • £59.99

    Astrid Brass Band (Score & Parts)

    Norwegian folk song, arranged by Ray Steadman-Allen as a flugel horn solo. Noors volksliedje, door Ray Steadman-Allen gearrangeerd voor flugel solo en brassband. 03:45

    Estimated dispatch 7-14 working days

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  • £74.99

    Bessarabyanke Brass Band (Score & Parts)

    A Yiddish theme is by the composer at a very spectacular way developed into an amazing concert bouncer. Van der Reijden's experience as a trumpeter and arranger of the Klezmer Band Di Gojim 'comes in handy. A great work, full of challenge for all sections of the brassband! 02:30

    Estimated dispatch 7-14 working days

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  • £13.99

    Bessarabyanke Score Only

    A Yiddish theme is by the composer at a very spectacular way developed into an amazing concert bouncer. Van der Reijden's experience as a trumpeter and arranger of the Klezmer Band Di Gojim 'comes in handy. A great work, full of challenge for all sections of the brassband! 02:30

    Estimated dispatch 7-14 working days

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  • £20.00

    African Funk - Alan Fernie

    A fun, upbeat number, playable by all levels and offering a wealth of percussion opportunities for the whole band!Alan Fernie composed this work in support of a charitable project, known in 2005 as Brass Band Aid. The organisation called for original compositions to be included in a follow-up CD release - Into Africato help raise funds for projects in Adet, Africa, and to build awareness of theMake Poverty History campaign. African Adventure was featured on the CD with a recording by the Nova Scotia International Tattoo Brass Band.Now that the original BBA projects are complete, funds raised by the titles we publish from the Brass Band Aidseries continue to support other music-related projects on a regular basis.Look and Listen (courtesy of Neo Brassband from their performance at Heywood Civic Hall in 2016):

    In Stock: Estimated dispatch 3-5 working days
  • £53.50

    Till We Meet Again - Philip Sparke

    Till We Meet Again was commissioned by Floraskulen Brassband, Floro, Norway, as a tribute to their former tuba player, Gunstein Stromsnes, who died tragically young in a traffic accident in 2017. They gave the premiere in December 2018. After a short introduction, a solo euphonium intones a modal, folk-like melody. This is taken up by the flugel horn and leads to a series of short solos which build to a majestic chorale for the full band. The mood subsides to reintroduce the modal melody before hints of the introduction and a short euphonium cadenza bring the work peacefully to a close.

    Estimated dispatch 5-14 working days

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  • £24.95

    Prelude- The truth from above - Ralph Vaughan Williams

    In hisPrelude - The Truth from Above, outstanding arranger and curator Paul Hindmarsh has distilled the essence of a timeless Christmas classic by Ralph Vaughan Williams into five minutes of ravishingly unforgettable music for brass band. The variants of the Herefordshire tune popular from theFantasia on Christmas CarolsandThe Oxford Book of Carolsare skilfully and stylishly woven together, from an evocative opening to an ecstatic, multi-layered coda. Unerringly true to the timeless spirit of the original, with the added beauty of the brass-band sound at its most sonorously grave and haunting,Prelude - The Truth from Abovemay be performed separately, or as the first of two preludes, preceding Paul's arrangement ofRhosymedre from the Three Preludes Founded on Welsh Hymn Tunes, also available from Stainer & Bell.

    Estimated dispatch 5-14 working days
  • £144.10

    Tales and Myths of Gothia - Jerker Johansson

    Jerker Johansson has lived in Gothenburg, on the Swedish West Coast, since 1984, and is deeply interested in the history of the country. Gothia is the most southern part of Sweden, and Gothenburg, which was founded in 1621, is since many years an important centre for trade and shipping. Old paintings of the harbour with its gigantic sailing ships gave impulse to the heroic character of the piece. The opening fanfare is followed by a lively allegro, which eventually leads to a calm section, containing reminiscences of the fanfare. The cornets introduce a cantabile theme, and a dance reminding of the Renaissance precede a recapitulation of the allegro theme. Tales and Myths of Gothia was originally composed for concert band in 2017. The brass band version was premiered on 26 April 2019 during Oslo Brass festival by Uffes Blas Brassband, conducted by Andreas Kratz.

    Estimated dispatch 5-14 working days