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£20.99
Pirates of the Caribbean: Dead Man's Chest (Brass Band - Score only)
The atmosphere of the brilliant and successful Walt Disney film Pirates of the Caribbean - Dead Man's Chest was partly defined by the exciting, dramatic and powerful soundtrack by Hans Zimmer. With this excellent arrangement of his memorable themes, the adventure comes to life all over again! Take your band on a high seas adventure with this swashbuckling medley. 06:59
Estimated dispatch 7-14 working days
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£104.99Prevision (CD incl.) (Brass Band - Score and Parts) with CD
The work Prevision has been composed in a free fantasy form. Deep in thought the composer sketches his prevision - the development of his small grandson growing up to be an adult. After a brilliant introduction, a slow march follows, which symbolises the first steps toward adulthood. Aspects such as love and a sense of security, that are indispensable for a positive development, are presented in a calm middle section, after which an energetic closing part refers to the rebelliousness of an adolescent. The grand finale of Prevision expresses the grandfather's and composer's positive picture of the future. 10:30
Estimated dispatch 7-14 working days
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£104.99SYMPHONIC CONTRASTS (Brass Band) - Crausaz, Etienne
Symphonic Contrasts is an original composition in three harmoniously connected movements. The first movement opens with a brilliant introduction and presents two themes that are developed simultaneously and become intermingled. The second movement is at a slower tempo and gives several soloists the opportunity to showcase their expressive skills. The last movement begins with a musical dialogue between timpani, bongos and cymbals. Duration: 9:00.
Estimated dispatch 7-14 working days
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£74.99
The Kingdom of God Brass Band (Score & Parts)
A brilliant concert-march in the best British martial tradition. Both the title and composition are based on the well-known hymn 'Seek Ye First the Kingdom of God'. Jerry B. Bensman schreef deze concertmars om zijn bands, die hij destijds dirigeerde, aan het werk te zetten. Met name de trombones en bassen moeten in deze mars (technisch gezien) aan de bak. Deze mars is dan ook een uitdaging voor de orkesten in de hogere divisies. Bensman maakt in deze mars gebruik van het lied 'Seek ye first the Kingdom of God' (Zoek eerst het Koninkrijk van God). De mars is daarom bij uitstek geschikt als muzikaal intermezzo in kerkdiensten en kerkconcerten. 04:00
Estimated dispatch 7-14 working days
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£42.95YOU ARE THE SUNSHINE OF MY LIFE (Sextet/Brass Band) - Wonder, Stevie - Richards, Goff
A brilliant feature for 3 flugel horns and/or cornets and 3 trombones. Recorded on Polyphonic QPRL229D Ovation!
Estimated dispatch 7-14 working days
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£37.95The Accursed Huntsman (Brass Band - Score only) - Franck, Cesar - Siebert, Edrich
This work was composed by Cesar Franck in 1881, and was inspired by Burger's Ballade. The dramatic and religious character of the Poem is set from the beginning by the horns and later, by the bells.The approaching Ride is preceded by a broader passage and then, in a quick 9/8 rhythm the horns are heard again, answered by the cornets and the trombones.After some agitated passages there is a brilliant Andante movement after which the rhythm becomes more and more animated.At last the Ride appears, the gallop becoming wilder and wilder until it finally dies away in a chilling roll on the cymbal.
Estimated dispatch 7-14 working days
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£74.95The Accursed Huntsman (Brass Band - Score and Parts) - Franck, Cesar - Siebert, Edrich
This work was composed by Cesar Franck in 1881, and was inspired by Burger's Ballade. The dramatic and religious character of the Poem is set from the beginning by the horns and later, by the bells.The approaching Ride is preceded by a broader passage and then, in a quick 9/8 rhythm the horns are heard again, answered by the cornets and the trombones.After some agitated passages there is a brilliant Andante movement after which the rhythm becomes more and more animated.At last the Ride appears, the gallop becoming wilder and wilder until it finally dies away in a chilling roll on the cymbal.
Estimated dispatch 7-14 working days
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£37.95Benvenuto Cellini (Brass Band - Score only) - Berlioz, Hector - Wright, Frank
Berlioz's opera Benvenuto Cellini was first produced in Paris in 1838 but was withdrawn as a failure, and it was not until the production in Dresden in 1888 that it was finally acclaimed by the Germans as a triumph. Adapted from certain episodes recorded in the memoirs of Benvenuto Cellini, Tuscan sculptor and goldsmith, the story, laid in Rome during the mid-sixteenth century, is not strictly historical. The short opening Allegro, marked deciso con impeto, is conceived in the most brilliant Berlioz manner, utilising full instrumentation. In the Larghetto we meet at once the first of the opera themes - the Cardinal's aria (from the last act) introduced in the bass, quasi pizzicato. A second melody leads to a resumption of the Allegro, the contrasting second subject in the tenor horns being an adaptation of Teresa's aria (Act I). Towards the end the Cardinal theme is re-introduced by trombones, fortissimo against an energetic cornet and euphonium passage (senza stringendo - without hurry, says the score). After a unison passage storming skywards, there is a sudden, dramatic three-bar silent pause broken by Eb basses alone, again stating the Cardinal theme. A simple molto crescendo on the dominant, begun piano, leads to the long, resounding chord.
Estimated dispatch 7-14 working days
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£82.95Benvenuto Cellini (Brass Band - Score and Parts) - Berlioz, Hector - Wright, Frank
Berlioz's opera Benvenuto Cellini was first produced in Paris in 1838 but was withdrawn as a failure, and it was not until the production in Dresden in 1888 that it was finally acclaimed by the Germans as a triumph. Adapted from certain episodes recorded in the memoirs of Benvenuto Cellini, Tuscan sculptor and goldsmith, the story, laid in Rome during the mid-sixteenth century, is not strictly historical. The short opening Allegro, marked deciso con impeto, is conceived in the most brilliant Berlioz manner, utilising full instrumentation. In the Larghetto we meet at once the first of the opera themes - the Cardinal's aria (from the last act) introduced in the bass, quasi pizzicato. A second melody leads to a resumption of the Allegro, the contrasting second subject in the tenor horns being an adaptation of Teresa's aria (Act I). Towards the end the Cardinal theme is re-introduced by trombones, fortissimo against an energetic cornet and euphonium passage (senza stringendo - without hurry, says the score). After a unison passage storming skywards, there is a sudden, dramatic three-bar silent pause broken by Eb basses alone, again stating the Cardinal theme. A simple molto crescendo on the dominant, begun piano, leads to the long, resounding chord.
Estimated dispatch 7-14 working days
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£35.00Fanfare & Theme - Christian Overhead
A stunning and brilliant opening number, composed by Christian Overhead. Originally written for The Raunds Temperance Band, this exciting piece really grips the attention of the audience from the outset! It takes the traditional expectations of a fanfare and entwines it with twists and turns, bringing the strong theme in to the spotlight and ending in a magnificent flourish.Listen In (performance sound sample courtesy of Raunds Temperance Band 2010):
In Stock: Estimated dispatch 3-5 working days
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