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£22.00O Magnum Mysterium (Brass Band - Score and Parts) - Lauridsen, Morten
For centuries, composers have been inspired by the beautiful O Magnum Mysterium text depicting the birth of the new-born King among the lowly animals and shepherds. This arrangement for symphonic band has been transcribed from the original unaccompanied choral setting. Morten Lauridsen is one of America's most-loved and most-performed living composers, and this arrangement is rich in colour, deeply spiritual and intensely moving.Suitable for Youth/4th Section Bands and above.Duration: 6.00
Estimated dispatch 7-14 working days
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£30.00Inchcolm - Terry Johns
The island of Inchcolm was visited by St Columba in 567 and is mentioned in Shakespeare's Macbeth. It lies on the stretch of water beyond my balcony, known locally as "Mortimer's deep", and on short winter days, the ruins of Columba's abbey are shrouded in the mists of the estuary and bring a flavour of mystery and legend to my morning coffee. Music comes easily here amidst the crying of the seabirds, and the horn has given its distinctive voice to history, myth and folklore for centuries. Its sound was born in the wide-open spaces and can paint a broad seascape with ease.
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£75.00As Above, So Below - Jay Capperauld
An original composition for brass band and brass quintet by Jay Capperauld was commissioned by John Wallace and The Wallace Collection with the support of the PRS Foundation's Beyond Borders. This major work enjoyed its world premiere at The Cumnock Tryst on 30 September 2017 at Cumnock Old Church, performed by The Wallace Collection and Dalmellington Band, conducted by Martyn Brabbins.If you would like to perform this work, please don't hesitate considering The Wallace Collection to provide the brass quintet elements - if you would like to discuss potential performances, please contact us on [email protected] NotesBased on the Hermetic maxim "As Above, So Below", the phrase comes from the cryptic text of The Emerald Tablet, which was purportedly written by a mysterious character who is thought of as an amalgamation of Greek and Egyptian Gods, Hermes Trismegistus. The text first appears in Arabic between the 6th and 8th Centuries and is intended to outline the primitive and hidden sources that constitute the basis of all matter in the universe. The phrase "As Above, So Below" implies an essential "oneness" of all matter and a correlation between the physical elements and supernatural entities that make up our surroundings. The philosophies expressed within The Emerald Tablet have become a founding principle of Alchemy, Occultism, Witchcraft, Theosophy and various other ancient gnostic systems of belief, and this work attempts to explore these forms of so-called "secret knowledge" in a ritualistic trance-like Adagio steeped in the esoteric.The Brass Band is placed at the centre of the stage while the solo Brass Quintet are spread antiphonally around the concert hall and are placed above both the Brass Band and the audience in an attempt to create a direct dialogue between the Above and the Below. Therefore, the piece endeavours to explore the meaning behind the text of The Emerald Tablet as well as the phrase 'As Above, So Below' in a music context while giving particular attention to the 'SOLVE' (Latin for 'Separate' which correlates to the Above) and 'COAGLUA' (Latin for 'Join Together' which relates to the Below) that is depicted in the image of the Baphomet by the French occultist author, Eliphas Levi, which is a visual representation of the phrase 'As Above, So Below'.Additional Note of InterestIt was not until the work was complete that the role of the main melody became clear when an unexpected and inadvertent correlation between this melody and that of the Latin Dies Irae presented itself. The plainchant nature of As Above, So Below's melody became a defining feature of the piece and when compared to the melody of the Dies Irae (a similar melody reminiscent of that contained within As Above, So Below), some interesting and unsettling implications unveiled themselves.The findings of a comparison can be interpreted as follows:Both melodies adhere naturally to the plainchant idiom, which in itself strongly relates to a supernatural (or quasi-religious) element in both cases.Both melodies originate in the key of D; the Dies Irae resides in the Dorian Mode on D while the As Above, So Below melody inhabits the D Octatonic Scale.Both melodies can be divided into three distinct phrases, although the melody to As Above, So Below can be divided into three phrases in a number of ambiguous ways.The most striking and unnerving connection is that, by pure chance, the Latin text to the Dies Irae fits perfectly under both melodies giving an entirely specific context to how the melodies are perceived.By understanding the As Above, So Below melody as an alternative to that of the Dies Irae and by interpreting it in the same context, the connotations of the Dies Irae's otherworldliness, and the suggestion of a dialogue with the supernatural and death adds a richer dimension to the As Above, So Below melody which in turn solidifies the esoteric concept of this work.In conclusion, this unanticipated and purely accidental relationship between both melodies is worthy of note more so from an emotional and contextual perspective rather than from any analytical evaluation concerning the music itself - it is the circumstance of the so-called "secret knowledge" that has presented itself within the inner workings of As Above, So Below.
In Stock: Estimated dispatch 3-5 working days
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£118.99Lions of Legends - Thierry Deleruyelle
This work was commissioned by Eurofestival. Ever since antiquity, mankind has been fascinated by the lion: symbolising courage, strength and temperance. Many have made use of the lion to represent themselves in symbols and emblems. In five movements the composer describes both the history of the lion throughout centuries, as well as the characteristics. A challenging idea to turn into music! The final movement 'King of Kings' is extremely spectacular. A great choice for thematic concerts or as a main piece in your concert or contest.
Estimated dispatch 5-14 working days
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£69.99Balkan Dance - Etienne Crausaz
The Balkans region has always been a source of musical inspiration for composers throughout the centuries. Strong rhythms and often-abundant musical climaxes are two important characteristics of this rich and varied musical style.Etienne Crausaz took some of these elements and mixed it with elements of rock, turning this Balkan Dance into an exuberant and spectacular piece of music, during which no one can remain seated!
Estimated dispatch 5-14 working days
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£59.99Chatzkele - Bertrand Moren
Chatzkele is a work based on two traditional Jewish melodies, Oifn Pripetchik and Chatzkele. The first expresses a sentiment of deep sadness and nostalgia, reminding the listener of the suffering that the Jewish people have undergone over the centuries. The second melody illustrates the unshakeable optimism which drives the Jewish community despite all terrible forms of intolerance it has endured. A wonderful cultural work which your audiences, young and old, will enjoy for many years to come.
Estimated dispatch 5-14 working days
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£144.99Terra Incognita - Jan de Haan
Download the Digeridoo sound file here.In five musically and thematically continuous parts, this composition transports us to foreign, fascinating places - stepping into the shoes of the explorers who set off to discover unknown lands centuries ago. The test piece for the Dutch Brass BandChampionships 2015 (Challenge Section) holds interesting solo parts for flugelhorn and trombone. An exciting musical journey!
Estimated dispatch 5-14 working days
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£72.99A Medieval Christmas - Philip Sparke
Christmas is full of customs and traditions, both old and new. This is especially evident in Christmas songs, some of which have been part of Christian worship for centuries. A Medieval Christmas combines three ancient melodies that are still popular around the world today. Philip Sparke chose Gaudete, a song of praise from the middle ages, Coventry Carol, an English song from the 14th century, and In dulci jubilo, which can also be traced back to the 14th century, to form this joyous suite.
Estimated dispatch 5-14 working days
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£59.99Canterbury Chorale - Jan Van der Roost
This quiet piece with its broad tones was originally written for brass band on request of Robert Leveugle, chairman of the composer's own band: Brass Band Midden Brabant (Belgium). The direct cause was a visit to the beautiful cathedral of the English city Canterbury, in which so many fine compositions sounded throughout the centuries. Later on, Jan Van der Roost rescored this piece for symphonic wind band, exploring the full richness of colours of this formation. Besides solo phrases for several instruments, there are some massive tutti passages making the wind orchestra sound like a majestic organ. By the way: an "ad libitum" organ part adds an extra richness, colour and powerto this piece, making it sound even more broad and grand.
Estimated dispatch 5-14 working days
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£59.99
Es ist ein Ros Entsprungen - Michael Praetorius
The many sided and productive Michael Praetorius (1571-1621) is knwon as a composer of dance music, sacred music and music for the advent and Christmas time. He worked as Kapelmeister to the court at Wolffenbuttel, but he was also asked to serve in other places, includin Dresden. Praetorius was valued for the new impulses he gave to music by means of his use of instrumental accompaniment. His main contribution is his theoretical work "Syntagma Musicum", one of the most important musical refernce books, in connection with instruments and instrumentation in the early 17th Century. "Es ist ein ros entsprungen" is a well known ancient melody which has inspired numerous composers andarrangers througout the Centuries. Otto M. Schwarz has made a choral arrangement.
Estimated dispatch 5-14 working days
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