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  • £44.95

    Metropolis 1927 (Brass Band - Score only) - Graham, Peter

    Fritz Lang's 1927 science fiction epic Metropolis is considered to be a masterpiece of cinematic vision and a high point of German Expressionist filmmaking. Set in a future dystopian world the film introduces the viewer to two contrasting communities living in the vast city of Metropolis. Those above ground live a life of privilege and pleasure serviced by the underground-dwelling drone workers whose role is to maintain and operate the banks of machines which provide the city's power.Lang's film, which can be considered a type of 20th century morality play, draws upon a range of themes and influences from Marxist ideals and social satire to overt religious symbolism.The music does not attempt to precis the plot, such as it is, but simply reflects my musical responses to Lang's noirish visual style and set designs - the brooding machine rooms, the decadent nightclubs, the gothic cathedral and so on - paradoxically a world of terrifying beauty.Metropolis 1927 was commissioned by Bramwell Tovey and The National Youth Brass Band of Great Britain with funds provided by The Arts Council of England. The first performances took place in the Winter Gardens, Weston-super-Mare on Saturday 19th April and in the Cheltenham Town Hall on Sunday 20th April 2014.This revised version was premiered by The Black Dyke Band, conductor Nicholas Childs, at the 38th European Brass Band Championships in the Konzerthaus Freiburg, Germany, on Saturday 2 May 2015.- Peter GrahamDuration: 15.00

    Estimated dispatch 7-14 working days
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  • £124.95

    Metropolis 1927 (Brass Band Set - Score and Parts) - Graham, Peter

    Fritz Lang's 1927 science fiction epic Metropolis is considered to be a masterpiece of cinematic vision and a high point of German Expressionist filmmaking. Set in a future dystopian world the film introduces the viewer to two contrasting communities living in the vast city of Metropolis. Those above ground live a life of privilege and pleasure serviced by the underground-dwelling drone workers whose role is to maintain and operate the banks of machines which provide the city's power.Lang's film, which can be considered a type of 20th century morality play, draws upon a range of themes and influences from Marxist ideals and social satire to overt religious symbolism.The music does not attempt to precis the plot, such as it is, but simply reflects my musical responses to Lang's noirish visual style and set designs - the brooding machine rooms, the decadent nightclubs, the gothic cathedral and so on - paradoxically a world of terrifying beauty.Metropolis 1927 was commissioned by Bramwell Tovey and The National Youth Brass Band of Great Britain with funds provided by The Arts Council of England. The first performances took place in the Winter Gardens, Weston-super-Mare on Saturday 19th April and in the Cheltenham Town Hall on Sunday 20th April 2014.This revised version was premiered by The Black Dyke Band, conductor Nicholas Childs, at the 38th European Brass Band Championships in the Konzerthaus Freiburg, Germany, on Saturday 2 May 2015.- Peter GrahamDuration: 15.00

    Estimated dispatch 7-14 working days
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  • £59.99

    Nun komm, der Heiden Heiland Brass Band (Score & Parts)

    The well-known chorale Nun komm, der Heiden Heiland (Let the Earth Now Praise the Lord) was written by Martin Luther in 1524 and derives from a translation of a hymn from the 4th century before Christ. The melody was composed by Johann Walter, however Johann Sebastian Bach used it as a basis for many cantatas. This arrangement by Jacob de Haan gives your band the chance to perform an attractive version of this beautiful chorale. 04:30

    Estimated dispatch 7-14 working days

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  • £42.95

    PALLADIO (Brass Band) - Jenkins, Karl - Small, Tony

    Palladio is probably the most widely recognised of Karl Jenkin's works. It was used for some time in television commercials for DeBeer's Diamonds, in a world-wide campaign. The work was inspired by the sixteenth century Italian architect Andrea Palladio, whose work embraces the renaissance of harmony and order, a philosophy reflecting Karl Jenkins' attitude to composition.

    Estimated dispatch 7-14 working days
  • £99.95

    ROCOCO VARIATIONS (Gregson) (Brass Band - Score and Parts) - Gregson, Edward

    Rococo Variations was commissioned by the British Open Championships for their 2008 contest in Symphony Hall, Birmingham, and co-commissioned by the Norwegian Band Federation, for their National Championship in Bergen in 2009.The title of the work has been used before, of course, most notably by Tchaikovsky in his work for cello and orchestra. My set of variations follows the Tchaikovskian model in that it is based on a quasi-Baroque original theme, and has certain 'dance-like' characteristics in the variations, but beyond that all comparisons end.There are six variations: Toccata, Siciliana, Waltz, Moto Perpetuo, Lament, and Fugal Scherzo, followed by a triumphant re-statement of the theme. Throughout, there is considerable contrast in the music, with the fast variations being rather virtuoso in character, sometimes with constantly changing time patterns, whilst the two slow variations (Siciliana and Lament) are in turn lyrical and pensive in mood with prominent solos and duets for a number of instruments.Although the work overall is dedicated by my brother, each of the six variations pays tribute to a different composer whose contribution to the brass band repertoire during the second half of the twentieth century has been of great significance. To this end, all six composers have their own 'musical signature' embraced within the particular variation, a process which reaches its zenith, contrapuntally speaking, during the final variation and reprise of the theme.- Edward Gregson

    Estimated dispatch 7-14 working days
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  • £49.95

    ROCOCO VARIATIONS (Gregson) (Brass Band - Score only) - Gregson, Edward

    Rococo Variations was commissioned by the British Open Championships for their 2008 contest in Symphony Hall, Birmingham, and co-commissioned by the Norwegian Band Federation, for their National Championship in Bergen in 2009.The title of the work has been used before, of course, most notably by Tchaikovsky in his work for cello and orchestra. My set of variations follows the Tchaikovskian model in that it is based on a quasi-Baroque original theme, and has certain 'dance-like' characteristics in the variations, but beyond that all comparisons end.There are six variations: Toccata, Siciliana, Waltz, Moto Perpetuo, Lament, and Fugal Scherzo, followed by a triumphant re-statement of the theme. Throughout, there is considerable contrast in the music, with the fast variations being rather virtuoso in character, sometimes with constantly changing time patterns, whilst the two slow variations (Siciliana and Lament) are in turn lyrical and pensive in mood with prominent solos and duets for a number of instruments.Although the work overall is dedicated by my brother, each of the six variations pays tribute to a different composer whose contribution to the brass band repertoire during the second half of the twentieth century has been of great significance. To this end, all six composers have their own 'musical signature' embraced within the particular variation, a process which reaches its zenith, contrapuntally speaking, during the final variation and reprise of the theme.- Edward Gregson

    Estimated dispatch 7-14 working days
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  • £12.50

    ROCOCO VARIATIONS (Gregson) (Study Score) - Gregson, Edward

    Rococo Variations was commissioned by the British Open Championships for their 2008 contest in Symphony Hall, Birmingham, and co-commissioned by the Norwegian Band Federation, for their National Championship in Bergen in 2009.The title of the work has been used before, of course, most notably by Tchaikovsky in his work for cello and orchestra. My set of variations follows the Tchaikovskian model in that it is based on a quasi-Baroque original theme, and has certain 'dance-like' characteristics in the variations, but beyond that all comparisons end.There are six variations: Toccata, Siciliana, Waltz, Moto Perpetuo, Lament, and Fugal Scherzo, followed by a triumphant re-statement of the theme. Throughout, there is considerable contrast in the music, with the fast variations being rather virtuoso in character, sometimes with constantly changing time patterns, whilst the two slow variations (Siciliana and Lament) are in turn lyrical and pensive in mood with prominent solos and duets for a number of instruments.Although the work overall is dedicated by my brother, each of the six variations pays tribute to a different composer whose contribution to the brass band repertoire during the second half of the twentieth century has been of great significance. To this end, all six composers have their own 'musical signature' embraced within the particular variation, a process which reaches its zenith, contrapuntally speaking, during the final variation and reprise of the theme.- Edward Gregson

    Estimated dispatch 7-14 working days
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  • £53.50

    Strong Coffee Brass Band (Score & Parts)

    It is true that tastes differ. Coffee has known a long history : it has been drunk since the 17th century. On one hand people drink coffee for relaxation, on the other hand it is drunk to ward off tiredness or sleepiness. 'Strong Coffee' composed by Ron Gilmore works both ways. There will be people who will be able to relax during 'Strong Coffee', whereas others will experience it as a real boost. Is it a bit too strong after all, such a funky Soul Beat? Then adding a little milk might help. As said before, tastes differ! 02:15

    Estimated dispatch 7-14 working days

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  • £54.99

    The Irish Dancemaster Brass Band (Score & Parts)

    During the eighteenth century a person called 'the Dance Master' made his appearance in Ireland. He was a travelling dance-teacher, who moved from one village to another to teach the people there how to dance. They were often flamboyant personalities, gorgeously dressed and holding a staff in one hand. In order to teach their pupils the difference between their right and left leg, the dance master used to tie a small bunch of straw or hay to their leg and then would order them to either lift their 'hay-leg' or their 'straw-leg'. The dancing masters used to stay in one particular village for about six weeks (if they were not claimed by a neighbouring village), after which they continued their journey. Having a famous dance master gave a village a certain distinction and did not seldom lead to boasting and pride. Also on account of the popularity of Celtic music in general at the moment, William Vean was inspired to writing 'The Irish Dance Master'. He 'teaches' you two dances, the Reel and the Jig. In between these two dances there is a short breathing space, during which a traditional Irish rhythm can be enjoyed. 03:15

    Estimated dispatch 7-14 working days

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  • £22.00

    TO THE ANCIENT CROSSES (Brass Band Parts) - Scott, Andy

    Brass Band parts only. To the Ancient Crosses is a passionate fanfare and features rhythmic, fanfare-like motifs contrasting with lyrical melodic lines, with an uplifting finale. Ideal as a concert first half or second half opening piece of music, the title refers to two 9th century stone Anglo-Saxon crosses in the centre of Sandbach. Dur: 3:45

    Estimated dispatch 7-14 working days

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