Results
-
£119.99Chain (Brass Band - Score and Parts)
Chain was composed between June and August 2000 as the test piece for the 2002 European Brass Band Championship. The composer's idea was to compose a one-movement piece - a work that starts mysteriously and develops in various directions. As his basic material, he chose a figure that is the abbreviation of the European Brass Band Championship: EBBC. This figure is developed in a chain of figures which gradually lead to the climax of the piece. 12:00
Estimated dispatch 7-14 working days
-
£119.99
Chain - Piet Swerts
Chain was composed between June and August 2000 as the test piece for the 2002 European Brass Band Championship. The composer's idea was to compose a one-movement piece - a work that starts mysteriously and develops in various directions. As his basic material, he chose a figure that is the abbreviation of the European Brass Band Championship: EBBC. This figure is developed in a chain of figures which gradually lead to the climax of the piece.
Estimated dispatch 5-14 working days
-
£69.95Judd: Chain Reaction
March 2017 ReleaseChain Reaction (Philip Wilby)This larger scale work was written for Dr Stephen Cobb and the International Staff Band. It features and develops the song 'To God be the Glory' which brings an exciting challenge to players and is a fine concert work.
Estimated dispatch 7-14 working days
-
£69.95
Chain Reaction (Brass Band - Score and Parts) - Wilby, Philip
This larger scale work was written for Dr Stephen Cobb and the International Staff Band. It features and develops the song 'To God be the Glory' which brings an exciting challenge to players and is a fine concert work.
Estimated dispatch 7-14 working days
-
£34.95
Chain Reaction (Brass Band - Score only) - Wilby, Philip
This larger scale work was written for Dr Stephen Cobb and the International Staff Band. It features and develops the song 'To God be the Glory' which brings an exciting challenge to players and is a fine concert work.
Estimated dispatch 7-14 working days
-
£104.99The Baltic Way (Brass Band - Score and Parts) - De Haan, Jan
In 1989, the demonstration named the Baltic Way also known as the Baltic Chain-- was held in the Baltic states of Estonia, Latvia and Lithuania by its citizens in a call for independence from the Soviet Union. On 23rd August 1989, some two million participants formed a human chain, hand-in-hand all the way from the Estonian capital of Tallinn its Latvian counterpart, Riga, through to the Lithuanian capital of Vilnius - six hundred kilometres long. It became the longest human chain ever created and turned out to be the final push needed for much sought-after independence. This historic event became the source of inspiration for this composition. The introduction of thefirst movement, 'Struggle for Independence', is based on a nocturne for piano by the renowned Lithuanian composer and painter Mikalojus Konstantinas iurlionis (1875-1911), thematic material from which has been incorporated throughout the whole composition. The melancholic beginning is followed by a powerful theme which reflects the resolve of the Baltic people. The sudden aggressive, dissonant chords and a dominant and--in rhythmic terms--contrary bass drum announce that the resistance is not going smoothly. Just for a moment, we hear the anthem of the Soviet Union in the lower brass, but this is relentlessly pushed to the background by the rest of the band playing the Lithuanian national anthem, 'Tautika giesm ' (Lithuania, our homeland). The second movement, 'Decades of Suffering', echoes life under the Soviet Union's thumb. In the pursuit of independence, a peaceful protest is planned in which a human chain is formed across the Baltic states of Estonia, Latvia and Lithuania. This 'Chain of Freedom' is depicted in the final movement of the work. Duration: 10.30
Estimated dispatch 7-14 working days
-
£119.99
The Binding of the Wolf Brass Band (Score & Parts)
This piece was commissioned by Nordhordland Brass Seminar in 1990 and written for a youth band. The title referes to a story from norse mythology. "The Binding of the Wolf" is not a programmatic piece of music, but I felt that there was a kind of coherence between the music and the dramatic story: "...The wolf Fenrir was one of the demonic offspring of Loki, and as he grew up in Asgard among the gods, he became so huge and fierce that only Tyr was willing to feed him. It was decided that he must be bound, and Odin in his wisdom caused the cunning dwarfs to forge a chain which could not be broken. It was made from the invisible and yet potent powers of the world, such as the roots of a mountain, the noise of a moving cat, the breath of a fish. When completed, this chain seemed to be no more than a silken cord, but the wolf refused to let it be laid upon him unless one of the gods would put a hand between his jaws as a pledge that it was harmless. Only Tyr was prepared to do this, and when the wolf found that the chain was unbreakable, the gods rejoiced, but Tyr lost his hand. The binding of the wolf may be seen as a means of protecting the world of men, as well as that of the gods, from destruction. The story of the god losing his hand appears to be one of the fundamental myths of nothern Europe..." 12:45
Estimated dispatch 7-14 working days
-
£23.99
The Binding of the Wolf Score Only
This piece was commissioned by Nordhordland Brass Seminar in 1990 and written for a youth band. The title referes to a story from norse mythology. "The Binding of the Wolf" is not a programmatic piece of music, but I felt that there was a kind of coherence between the music and the dramatic story: "...The wolf Fenrir was one of the demonic offspring of Loki, and as he grew up in Asgard among the gods, he became so huge and fierce that only Tyr was willing to feed him. It was decided that he must be bound, and Odin in his wisdom caused the cunning dwarfs to forge a chain which could not be broken. It was made from the invisible and yet potent powers of the world, such as the roots of a mountain, the noise of a moving cat, the breath of a fish. When completed, this chain seemed to be no more than a silken cord, but the wolf refused to let it be laid upon him unless one of the gods would put a hand between his jaws as a pledge that it was harmless. Only Tyr was prepared to do this, and when the wolf found that the chain was unbreakable, the gods rejoiced, but Tyr lost his hand. The binding of the wolf may be seen as a means of protecting the world of men, as well as that of the gods, from destruction. The story of the god losing his hand appears to be one of the fundamental myths of nothern Europe..." 12:45
Estimated dispatch 7-14 working days
-
£119.99The Binding of the Wolf - Torstein Aagaard-Nilsen
This piece was commissioned by Nordhordland Brass Seminar in 1990 and written for a youth band. The title referes to a story from norse mythology. "The Binding of the Wolf" is not a programmatic piece of music, but I felt that there was a kind of coherence between the music and the dramatic story: "...The wolf Fenrir was one of the demonic offspring of Loki, and as he grew up in Asgard among the gods, he became so huge and fierce that only Tyr was willing to feed him. It was decided that he must be bound, and Odin in his wisdom caused the cunning dwarfs to forge a chain which could not be broken. It was made from the invisible and yet potent powers ofthe world, such as the roots of a mountain, the noise of a moving cat, the breath of a fish. When completed, this chain seemed to be no more than a silken cord, but the wolf refused to let it be laid upon him unless one of the gods would put a hand between his jaws as a pledge that it was harmless. Only Tyr was prepared to do this, and when the wolf found that the chain was unbreakable, the gods rejoiced, but Tyr lost his hand. The binding of the wolf may be seen as a means of protecting the world of men, as well as that of the gods, from destruction. The story of the god losing his hand appears to be one of the fundamental myths of nothern Europe..."
Estimated dispatch 5-14 working days
-
£179.50
Ground - Stig Nordhagen
All thematical material in this piece are presented in the first movement; "What Dreams are made of"The different themes finds it's natural place in this dreaming, sequencing process throughout the music. The development are based on"chain of thought" or association of ideas. There are no apparently logical development of the movements. I believe that the listener will experience the same as me; the apparently contradictions, and non-compatible sizes, will form aself-explanatory and organic unit at the end.
Estimated dispatch 5-14 working days
View Music