Results
-
£90.00Trittico (Brass Band - Score and Parts) - Curnow, James
Trittico was commissioned by the Swiss Brass Band Association for their national championships in 1988.A trittico is a triptych or group of three paintings or musical compositions based on a common theme and presented or performed together. The present work is a set of three extended variations on the American shaped-note hymn Consolation.The work opens in grand style with motives based on intervals of the hymn tune. The opening motif, and smaller fragments of it reappear throughout the piece and serve as an underlying element alongside the theme itself.The first variation is essentially a scherzo which echoes the minor mood of the theme. The hemiolic opposition of compound and duple time is used to good effect and, again, the main motif is never far away. This is music with energy and forward movement.The second variation gives the soloists a chance to shine. The mood is tranquil, yet there is always some activity and the musical material pre-echoes the third variation.The third variation is another scherzo-like section, the main theme accompanied by a rhythmic ostinato. Toward the conclusion there is a short aleatoric passage - a variation within a variation allowing half the band to make their own variations in a cacophony of sound. An energetic coda draws together several elements to round off a work brim full of drive, energy, and self-propelled enthusiasm.Recorded on Polyphonic QPRL044D Brass from the ValleysDuration: 13:30
Estimated dispatch 7-14 working days
-
£35.00BLUES ON THE MARCH (Brass Band) - Barry, Darrol
Traditional marches are great, but sometimes you want something different to kick off your concert. This piece gives your band a chance to get into the 'swing' of things, based on the traditional twelve bar blues it features a contrasting middle section with a trombone trio and a flugel (cornet) obligato. Grade: 4th section +. Duration: 3:50
Estimated dispatch 7-14 working days
-
£59.99
Lyrica Brass Band Cornet Solo (Score & Parts)
Lyrica is a solo work for E-flat-cornet. As the title conveys, it is based on an expressive, lyrical theme that gives the soloist the chance to bring his or her musical skills into the limelight. The attractive accompaniment has been crafted in an original polyphonic way. Highlight your soprano player with this sumptuous solo. 03:45
Estimated dispatch 7-14 working days
-
£59.99
Nun komm, der Heiden Heiland Brass Band (Score & Parts)
The well-known chorale Nun komm, der Heiden Heiland (Let the Earth Now Praise the Lord) was written by Martin Luther in 1524 and derives from a translation of a hymn from the 4th century before Christ. The melody was composed by Johann Walter, however Johann Sebastian Bach used it as a basis for many cantatas. This arrangement by Jacob de Haan gives your band the chance to perform an attractive version of this beautiful chorale. 04:30
Estimated dispatch 7-14 working days
-
£57.50Over the Rainbow (Eb or Bb Cornet Solo with Brass Band - Score and Parts) - Arlen & Harburg - Morrison, Alan
Recently voted the greatest family film of all time the classic Wizard of Oz is one film that everybody knows. The film theme was re-invigorated with the release in 2004 of a new version by the relatively unknown Australian vocalist, Eva Cassidy. Unfortunately Eva Cassidy is no longer with us but this song will give generations of new music listeners an insight into her amazing vocal abilities and talent. The world-renowned Cornet soloist, Alan Morrison, has taken the Eva Cassidy version and crafted a wonderful Cornet solo in this award-winning arrangement. A wonderful chance to showcase either your Bb or Eb Cornet soloist in a work guaranteed to have your audiences in awe.
Estimated dispatch 7-14 working days
-
£40.00Typewriter (Cornet or Xylophone Solo with Brass Band - Score and Parts) - Anderson, Leroy - Duncan, Andrew
A great chance to show off your Cornet or Xylophone soloist an this Leroy Anderson classic.Leroy Anderson has provided a collosal number of popular pieces. The Typewriter, arranged for brass band by Andrew Duncan as a cornet or xylophone solo, is probably most recognised now as the theme tune to the long-running BBC Radio 4 show "The News Quiz".Suitable for Advanced Youth/3rd Section Bands and aboveDuration: 4.00
Estimated dispatch 7-14 working days
-
£30.00Joy to the World - George Frideric Handel
"Joy to the World" is a popular Christmas Carol with words by Isaac Watts. As of the late 20th century, "Joy to the World" was the most published Christmas hymn in North America. The words of the hymn are by the English writer Watts are based on Psalm 98, 96:11-12 and Genesis 3: 17-18. The version of this carol usually heard today is from an edition by Lowell Mason and is named "Antioch" and attributed as "arranged by Handel". This tune has the first four notes in common with the chorus "Lift up your heads" from the Messiah and the third line recalls "Comfort ye" from the same work. But this resemblance is often dismissed as a chance resemblance by Handel scholars today. Another theory is its similarity to a tune called "Comfort" and associated with Charles Wesley's hymn "O Joyful Sound", which was written some three years earlier than Lowell Mason's "Antioch" in 1833. This carol has been recorded by many artists such as Andy Williams, The Supremes, Bing Crosby, Ella Fitzgerald, Johnny Cash, Nat King Cole, Perry Como, Vic Damone and Mariah Carey.
-
£25.00A Little Lucerne Song - Steven Drury
A lovely, short and sweet arrangement of this well known Scandinavian melody, featuring the Baritones, Euphoniums and Basses (with a little visit from Soprano too!).Offering the chance to add colour to your concert programme (and give the cornet benches a rest), this version has been cleverly scored by Steven Drury and uses the melody in a refreshing way, and offering numerous opportunities for stage gags!
In Stock: Estimated dispatch 3-5 working days
-
£75.00As Above, So Below - Jay Capperauld
An original composition for brass band and brass quintet by Jay Capperauld was commissioned by John Wallace and The Wallace Collection with the support of the PRS Foundation's Beyond Borders. This major work enjoyed its world premiere at The Cumnock Tryst on 30 September 2017 at Cumnock Old Church, performed by The Wallace Collection and Dalmellington Band, conducted by Martyn Brabbins.If you would like to perform this work, please don't hesitate considering The Wallace Collection to provide the brass quintet elements - if you would like to discuss potential performances, please contact us on [email protected] NotesBased on the Hermetic maxim "As Above, So Below", the phrase comes from the cryptic text of The Emerald Tablet, which was purportedly written by a mysterious character who is thought of as an amalgamation of Greek and Egyptian Gods, Hermes Trismegistus. The text first appears in Arabic between the 6th and 8th Centuries and is intended to outline the primitive and hidden sources that constitute the basis of all matter in the universe. The phrase "As Above, So Below" implies an essential "oneness" of all matter and a correlation between the physical elements and supernatural entities that make up our surroundings. The philosophies expressed within The Emerald Tablet have become a founding principle of Alchemy, Occultism, Witchcraft, Theosophy and various other ancient gnostic systems of belief, and this work attempts to explore these forms of so-called "secret knowledge" in a ritualistic trance-like Adagio steeped in the esoteric.The Brass Band is placed at the centre of the stage while the solo Brass Quintet are spread antiphonally around the concert hall and are placed above both the Brass Band and the audience in an attempt to create a direct dialogue between the Above and the Below. Therefore, the piece endeavours to explore the meaning behind the text of The Emerald Tablet as well as the phrase 'As Above, So Below' in a music context while giving particular attention to the 'SOLVE' (Latin for 'Separate' which correlates to the Above) and 'COAGLUA' (Latin for 'Join Together' which relates to the Below) that is depicted in the image of the Baphomet by the French occultist author, Eliphas Levi, which is a visual representation of the phrase 'As Above, So Below'.Additional Note of InterestIt was not until the work was complete that the role of the main melody became clear when an unexpected and inadvertent correlation between this melody and that of the Latin Dies Irae presented itself. The plainchant nature of As Above, So Below's melody became a defining feature of the piece and when compared to the melody of the Dies Irae (a similar melody reminiscent of that contained within As Above, So Below), some interesting and unsettling implications unveiled themselves.The findings of a comparison can be interpreted as follows:Both melodies adhere naturally to the plainchant idiom, which in itself strongly relates to a supernatural (or quasi-religious) element in both cases.Both melodies originate in the key of D; the Dies Irae resides in the Dorian Mode on D while the As Above, So Below melody inhabits the D Octatonic Scale.Both melodies can be divided into three distinct phrases, although the melody to As Above, So Below can be divided into three phrases in a number of ambiguous ways.The most striking and unnerving connection is that, by pure chance, the Latin text to the Dies Irae fits perfectly under both melodies giving an entirely specific context to how the melodies are perceived.By understanding the As Above, So Below melody as an alternative to that of the Dies Irae and by interpreting it in the same context, the connotations of the Dies Irae's otherworldliness, and the suggestion of a dialogue with the supernatural and death adds a richer dimension to the As Above, So Below melody which in turn solidifies the esoteric concept of this work.In conclusion, this unanticipated and purely accidental relationship between both melodies is worthy of note more so from an emotional and contextual perspective rather than from any analytical evaluation concerning the music itself - it is the circumstance of the so-called "secret knowledge" that has presented itself within the inner workings of As Above, So Below.
In Stock: Estimated dispatch 3-5 working days
-
£15.00Flourish - Helen Douthwaite
A lovely original composition by Helen Douthwaite with junior/youth bands in mind, but just as appropriate for brass ensembles looking for a short and sweet item to play.A rich opening melody develops to bring vitality and a nice upbeat feel to the piece.Lots for each instrument section to do and a chance for the emerging players to hear some great harmonies around the band.The set includes score and parts for:Cornet 1Cornet 2Cornet 3Eb Tenor HornEb Tenor Horn EASYEuphonium/BaritoneEuphonium/Baritone EASYTromboneTrombone EASYEb BassDrum setPercussion
In Stock: Estimated dispatch 3-5 working days
View Music