Results
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£38.95Unity Series Band Journal - Numbers 526 - 529, February 2024
526: March - Summit Cross (Beat Hari)This exciting and energetic work introduces a new contributor to our journals. Beat Hari helps lead the band at Frutigen Corps, Switzerland. This march was composed with the intention of featuring it in an open-air concert beside the ski slopes. Members of the corps regularly join the band, instigating conversations with skiing guests by distributing bible verses and sweets. The composer has named this march because of the many Swiss mountains that have crosses on their summit as symbols of God's protection over the population living in the valleys below. The march follows a traditional format with a solid rhythmic construction built from the bass line.527: Christ is all (Olaf Ritman)The Salvation Army song, Christ is all (S.A.S.B. 588) is one that is cherished by the composer. The verses by Herbert Booth are both powerful and vulnerable and the melody by William A. Williams really touches the soul.528: My all to follow (David Edmonds)This piece pays tribute to all who have accepted the call to become Salvation Army officers and envoys. Such a calling involves significant change and can be difficult when leaving their comfort zone or moving away from family.529: We shall win (Alan Williams)William Hodgson's song We're a band that shall conquer the foe (S.A.S.B. 990) is one of confidence and encouragement in our daily fight against evil, sin and injustice, both in the world and in our lives. As such, this music should be full of that same confidence.
Estimated dispatch 7-14 working days
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£77.00General Series Brass Band Journal, Numbers 2238 - 2241, December 2023
2238: Fanfare and allegro on the Doxology (Steve Kellner)The Doxology, set to the tune Old Hundredth (T.B. 31), is used widely around the world by Christian denominations, including Salvationists. This concert opener is based on the short but powerful hymn of praise to the Triune God.2239: To the endless day (Kenneth Downie)This is a meditation on the hymn tune Ruth (T.B. 191), written by Samuel Smith. It is a particular favourite of Don Jenkins, whose late wife was also called Ruth. This music is dedicated to Don, a distinguished trombone soloist and former Band master of Bristol Easton Corps Band.The music is always associated with the hymn by William Walsham How, whose words begin 'Summer suns are flowing over land and sea' (S.A.S.B. 59) with the title coming from the end of the final verse.2240: Euphonium Solo - He giveth more grace (Ray Steadman-Allen)This 1996 arrangement of Blacklands (T.B. 527), the composers own hymn tune written in 1963, is being published posthumously. The hymn tune sets the words 'He giveth more grace as our burdens grow greater' (S.A.S.B. 30) with an emphasis on the generosity of God.2241: The Calvary effect (Ian Clarke)Around AC 30, on a hill often refered to as Mount Calvary, an event took place that was to change the world forever. The Calvary effect is a reflection, in musical form, on that event and what it still means to people today. If features two tunes: first, in a quiet reflective mood, we hear the highly emotive Healing Stream, associated with the words 'Jesus, keep me near the cross; There is a precious fountain' (S.A.S.B. 178). This then makes way for the chorus; 'Lord, make Cavalry real to me' (S.A.S.B. 182), which is at times indistinct and almost lost in its surroundings, reflecting the sentiments of the chorus. A return to the main tune follows, this time in a positive, passionate setting. The music finishes with a triumphant 'Hallelujah!'.
Estimated dispatch 7-14 working days
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£39.95Liberty Trail (Brass Band - Score and Parts)
The Melbourne Staff Band celebrated its 125th anniversary in 2015 and this work was commissioned by Staff Bandmaster Ken Waterworth to feature in their programmes throughout the year.The music opens with fiery rhythmic figures, drawing on the band's technical brilliance. As the music progresses there are hints of traditional marches from early years, both in form and the minor key harmony used.The Trio section features The Homeward Trail, a song from the pen of Colonel Arthur Arnott, a Salvation Army officer who spent the majority of his career serving in Australia. The tune is then developed thematically and, following an interlude and key change, receives another treatment filled with fanfare and flourish that leads into the concluding moments of the work.Just prior to the closing bars, the music pays a brief homage to Australian composer Arthur Gullidge with a quote from his classic march Liberty (G.S. 1296), published in 1948, as a final salute to the great music that has come from this country.
Estimated dispatch 7-14 working days
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£69.95Judd: Isaiah 40
Commissioned for the final of the 1996 National Brass Band Championships of Great Britain, Isaiah 40 represents Robert Redhead's only 'test piece' composition to date. The timeless truths contained in Isaiah 40 were written to encourage a people facing very intimidating circumstances. The Jewish people of the 5th Century BC were preparing to make an arduous journey though the desert to return to their ravaged homeland after a lengthy exile in the sophisticated society of Babylon. Both Scripture and music sound out a message of hope, as they view life from an eternal perspective, thus placing change in its proper context. Because 'the Lord is the everlasting God' his word 'stands forever' and 'those who hope in the Lord will renew their strength'. They will not merely get through somehow but 'they will soar on wings like eagles'.
Estimated dispatch 7-14 working days
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£29.95Judd: Paean
Commissioned by the Swiss Christian Brass Band Association in celebration of their 150th anniversary, the title 'Paean' means a shout of thanksgiving and praise. It is also the composer's personal expression of gratitude to God following major surgery. Although 'Paean' includes three fairly contemporary Christian songs, it is not intended to be played in any kind of rock or jazz style. The idiom is quite firmly rooted in brass band tradition. The opening fanfare-like section begins in celebratory mood before becoming more contemplative through the song 'Father God, I wonder'. A change of tempo heralds the statement of the thematically significant song 'Hosanna' before immediately moving to 'Faithful God'. Following a fugato the music retraces its steps to a triumphant restatement of the opening music.
Estimated dispatch 7-14 working days
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£69.95Transformation (Brass Band - Score and Parts)
I believe in transformation, God can change the hearts of men, And refine the evil nature, till it glows with grace again'. So wrote John Gowans in the second verse of his great hymn, 'I believe that God the Father, can be seen in God the Son', written specifically to affirm Salvationists' beliefs. It is sung to the tune Bethany and in seeking to explore this great subject at the heart of the Christian gospel in musical terms, the composer has used this fine tune as the basis. Although it never appears in its entirety, it is seldom out of the picture and much of the work is derived from it. The other main source of material is the lovely, simple chorus, 'Some day I shall be like him, changed to heavenly beauty, when his face I see'. This chorus is especially prominent in the middle section but there are important references to it throughout. There are also brief references to Charles Wesley's hymn, 'Love Divine' and, in particular, the telling lines, 'Changed from glory into glory, till in Heaven we take our place'. The work suggests that, at times, the process of being transformed is a struggle, portrayed with many passages of fraught and demanding music. Considerable reserves of stamina and technique are required while, in contrast, the chorus, 'Some day I shall be like him' provides the warm, gentle centre of the work. The premiere of the work was given by The International Staff Band of The Salvation Army in Cadogan Hall on Friday 3rd June 2011, as part of the band's 120th anniversary celebrations.
Estimated dispatch 7-14 working days
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£29.95Song for the Skies
Song for the Skies was commissioned by Tuba virtuoso Les Neish and was given its world premier on the December 9th 2010 with the James Madison University Brass Band in Harrisonburg, Virginia, USA.Les asked me to compose a slow melody that highlights the wonderful sonorous sound of the Tuba. I am a big fan of Les and of the instrument and knowing the capabilities of Les as a soloist I wanted to experiment with the range and colour of the instrument in this solo.After a warm introduction from the ensemble the soloist enters almost timeless over the muted cornets. The melody when it is first heard has a somewhat haunting Celtic feel to it. It is intentionally marked as con rubato so that the soloist can really put their own musical stamp on the music. As the haunting melody repeats again this time in a change of key the accompaniment takes more of a role within the piece of music performing counter melodies within this second section.The middle of the piece introduces a new secondary melodic device that serves as an introduction to the original melody played in all its glory by the ensemble. This dies away to leave the second half of the melody in the euphoniums and baritones as the soloist plays a soaring counter melody in the highest register of the instrument.The piece starts to return home with a recapitulation of the introduction followed by the second part of the original melody by the soloist. After a momentary reflective solo from the soloist the introduction is used for a final time before the tuba guides us home to conclude.For the soloist, there are a number of occasions where the opportunity to play in the upper register of the instrument arises. However, I have also given the opportunity for the soloist to play various passages down the octave so it suits the performers playing style and range.Song for the Skies is very simple yet beautiful and I feel it suits the playing of the Eb Tuba perfectly. I hope you enjoy performing it.Paul Lovatt-Cooper
Estimated dispatch 7-14 working days
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£10.00Isaiah 40 (Brass Band - Study Score)
Commissioned for the final of the 1996 National Brass Band Championships of Great Britain. The timeless truths contained in Isaiah 40 were written to encourage a people facing very intimidating circumstances. The Jewish people of the 5th Century BC were preparing to make an arduous journey though the desert to return to their ravaged homeland after a lengthy exile in the sophisticated society of Babylon. Both Scripture and music sound out a message of hope, as they view life from an eternal perspective, thus placing change in its proper context. Because 'the Lord is the everlasting God' his word 'stands forever' and 'those who hope in the Lord will renew their strength'. They will not merely get through somehow but 'they will soar on wings like eagles'.
Estimated dispatch 7-14 working days
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£29.50A Kit of Fun
Drummers are now an integral part of the modern brass band that they accompany. However, there are not too many chances for your drummer to take the limelight. All that can now change with this light-hearted new release. A light swing piece in style, this entertaining work offers drummers the chance to show off their skills and more importantly, is accessible to players of many levels. Whilst a drum part is clearly written out, the soloist is advised to 'ad lib' throughout, allowing the player to make their part as easy or as complex as they wish. This is great showcase item that is just something different from the norm and suits all concert programmes.
Estimated dispatch 7-14 working days
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£40.00Blue-Sleeve Step (Score and Parts)
This is a big band style number which is modelled on Barrie Gott's brilliant Lightwalk. It begins with a walking bass before horns state the highly whistleable tune for the first time. The full band quickly joins and there is an extended solo break for cornet. A tiptoeing tuba solo precedes the final key change which propels the piece to its infectiously foot-tapping conclusion.
Estimated dispatch 7-14 working days