Results
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£35.00And The Glory Of The Lord - Messiah
Handel's Messiah was composed in 1741, receiving it's premiere in Dublin a year later. And The Glory, The Glory Of The Lord is the fourth movement of the oratorio, and the first in which the choir sings. This arrangement, for chorus and brass band, works with all the major editions of the vocal score.Duration: 3'30"Difficulty: 3rd Section and above
Estimated dispatch 5-7 working days
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Wild Flower Variations - Traditional - Len Jenkins
The theme for this delightful piece is believed to be Spanish and was originally heard in a Mediterranean church over 30 years ago, sung by the local choir accompanied by local musicians. The theme is not stated separately, and the piece begins directly with the First Variation. The following Variations are subtly different from the First, yet both retain the essential warmth of the Mediterranean sun in their harmonic progression. A short Coda rounds off this relaxing and escapist siesta. Time to wake up...The piece is scored to be playable by most Third or Fourth Section bands.
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Peterborough Mass - Jeremy Cladd - Len Jenkins
Peterborough Mass comprises 5 Movements, Kyrie, Gloria, Sanctus, Benedictus and Agnus Dei. It was composed by Jeremy Cladd who became Head Chorister during his teenage yearsat Peterborough Cathedral. Total immersion in the music within such an inspiring building caused Jeremy to look deeper into the liturgical aspects of the Mass in order to understand the origins of the literary text being sung, so that he could paint a musical landscape based upon his interpretation of the text. From a musical perspective, Jeremy's Kyrie takes its inspiration from Philippians 2 vv1-11 (NIV) "Imitating Christ's Humility", and is structured AB where A refers to humility and submission "lord have mercy" and B relates to "united with Christ", with the latter evoking feelings of salvation and joy. In sympathy with the literary text, the Kyrie has a short introduction, and then a ternary form ABA structure where A is influenced by polyphonic choral writing and B by homophonic choral writing. This is the first of the five Movements to be arranged for Brass Band with Choir and comprises a full brass band score, parts for all instruments and a choral practice score.
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£38.95Unity Series Band Journal - Numbers 530 - 533, June 2024
530: Carol Arrangement - God rest you merry, gentlemen (Noel Jones)This swing arrangement of the traditional English carol also features references to O come, all ye faithful (C.C. 61) and Jingle Bells (C.C. 121). Play with imagination and a sense of style!531: Go, tell it on the mountain! (Nathanael Watchorn)Historically, the passion of enslaved people in America for singing about the Gospel of Jesus is well documented, but it was men of three generations, each named John Wesley Work, who enabled spirituals to become more widely known. John Wesley Work Sr, a church choir director in Nashville, Tennessee, wrote and arranged music for the pioneering Fisk Jubilee Singers whose early repertoire consisted largely of spirituals. This passion and knowledge of spirituals was passed down through the generations. John Work III travelled hundreds of miles to collect songs by attending church services in remote areas. In 1940, he published a collection of 230 songs which included a setting of Go, tell it on the mountain! that is still performed today.Nathanael Watchorn, a Bandsman at Regent Hall Corps in London, is a new contributor to the journals. He originally wrote this as a vocal arrangement for the group FourHymn, subsequently transcribing it for the corps' Young People's Band, while he was Band Leader.532: Carol Arrangement - They all were looking for a king (Stephen Hull)At the North American Composers Forum, Major Len Ballantine challenged participants to find an unfamiliar song in the Salvation Army Song Book and try to write an arrangement of the listed tune. Stephen Hull happened across They all were looking for a king (S.A.S.B. 128) and the tune Childhood (T.B. 421) which lead to this arrangement.533: March - Washed and healed (Eiliv Herikstad)The Christian experience of many people will have been positively impacted by the life of the late Bandmaster Eiliv Herikstad, either personally or through his musical leadership and compositions. This march is the second publication from this well-known Salvation Army composer since his Promotion to Glory last year. This march is more traditional in style that many of his compositions but contains a strong Christian message and demonstrates his compositional expertise.
Estimated dispatch 7-14 working days
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£50.00Triumph Series Band Journal March 2015 Numbers 1259 - 1262
No. 1259 March - Divine Care (Eiliv Herikstad)The message of this march is 'God will take care of you!' The introduction reflects the beginning of the song, God will take care of you (T.B.C.S. 124), which is presented in full at sections C and D.No. 1260 (1) Cornet Solo - Become aware of him (Michael Davis)A setting for Cornet and band of Colonel Robert Redhead's song, Become aware of him, which was originally published in The Musical Salvationist.No. 1260 (2) Hymn Tune Arrangement - St Peter (David Rowsell)An arrangement of the tune, St Peter, associated with the song, In Christ there is no east or west.No. 1261 Song Arrangement - The deep love of Jesus (Andrew Blyth)The strong hymn tune of Ebenezer (T.B. 433) was composed by Welshman, Thomas John Williams (1869-1944), who served as organist and choir director at various churches in and around Llanelli. This arrangement is more relaxed in style than the original and attempts to convey the freedom of the verses mostly associated witht he tune by Samuel T. Francis (1835-1925) O deep, deep love of Jesus, vast, unmeasured, boundless, free.No. 1262 Everybody praise his holy name (Nicholas King)A bright arrangement by Nicholas King of Remco Hakkert's song, Praise his holy name.
Estimated dispatch 7-14 working days
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£34.99Love Divine (Brass Band - Score and Parts)
One of Howard Goodalls most popular choral settings, Love Divine has been skilfully arranged for brass band by Andrew Wainwright, with the approval of the composer. This version is based on the setting with piano and strings and can be performed as a self-standing concert work or as an accompaniment for performance by a large choir.
Estimated dispatch 7-14 working days
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£38.50A Trun sut igl ischi (In Trun Under the Maple)
For brass band and choir.
Estimated dispatch 7-14 working days
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£13.50Stai si, defenda! (Score Only)
Stai si, defenda romontsch, tiu vegl lungatg (Stand up, defend your old Romansh language): This composition was named after a quotation from a poem by famous Romansh poet Giachen Casper Muoth. The arrangement deals with various well known songs for male choir such as A Trun sut igl ischi (In Trun under the malpe tree), Si sededesta Rezia (Wake up, land of Raetia), Il pur suveran (The independent farmer) or Il paun palus (The rosted bread). An atmospheric beginning over a pedal point uses quotations from these songs and leads eventually into a dark but warmly orchestrated section on Nossa viarva (Our language) by H. Erni. The piece ends, once more quoting A Trun sut igl ischi by J. Heim, a dedication to struggle for freedom and independence.
Estimated dispatch 7-14 working days
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£41.95
Stai si, defenda! (Stand Up, Defend!)
Stai si, defenda romontsch, tiu vegl lungatg (Stand up, defend your old Romansh language): This composition was named after a quotation from a poem by famous Romansh poet Giachen Casper Muoth. The arrangement deals with various well known songs for male choir such as A Trun sut igl ischi (In Trun under the malpe tree), Si sededesta Rezia (Wake up, land of Raetia), Il pur suveran (The independent farmer) or Il paun palus (The rosted bread). An atmospheric beginning over a pedal point uses quotations from these songs and leads eventually into a dark but warmly orchestrated section on Nossa viarva (Our language) by H. Erni. The piece ends, once more quoting A Trun sut igl ischi by J. Heim, a dedication to struggle for freedom and independence.
Estimated dispatch 7-14 working days