Results
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£34.99Chorale and Toccata (Brass Band - Score only) - Bulla, Stephen
This original composition follow the classical form of a slow introductory chorale movement and a technically challenging toccata. The programmatic ideas in the music are based on a Palestrina chorale known as Victory.Suitable for 3rd Section Bands and aboveDuration: 9.00
Estimated dispatch 7-14 working days
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£104.99
Chorale and Toccata (Brass Band - Score and Parts) - Bulla, Stephen
This original composition follow the classical form of a slow introductory chorale movement and a technically challenging toccata. The programmatic ideas in the music are based on a Palestrina chorale known as Victory.Suitable for 3rd Section Bands and aboveDuration: 9.00
Estimated dispatch 7-14 working days
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£96.99Chorale and Toccata (Brass Band - Score and Parts)
This original composition follow the classical form of a slow introductory chorale movement and a technically challenging toccata. The programmatic ideas in the music are based on a Palestrina chorale known as Victory.Suitable for 3rd Section Bands and aboveDuration: 9.00
Estimated dispatch 7-14 working days
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£59.99Chorale and Canzone (Brass Band - Score and Parts) - De Haan, Jan
The words and lyrics of the Christmas Carol From Highest Heaven I Come To Tell were written by the great Martin Luther (1483-1546) and can be found in The Hymns of Martin Luther. Martin Luther expressed radical views which began the reformation movement. His followers protested at the treatment given to Martin Luther, the event from which the term 'Protestant' was derived. It was first published in Joseph Klug's Gesangsbuch in around 1535. Add a majestic Baroque feel to any concert with this simple yet effective arrangement.Duration: 2:45
Estimated dispatch 7-14 working days
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£59.99
Chorale and Canzone - Hans Leo Hassler
The words and lyrics of the Christmas Carol From Highest Heaven I Come To Tell were written by the great Martin Luther (1483-1546) and can be found in The Hymns of Martin Luther. Martin Luther expressed radical views which began the reformation movement. His followers protested at the treatment given to Martin Luther, the event from which the term 'Protestant' was derived. It was first published in Joseph Klug's Gesangsbuch in around 1535. Add a majestic Baroque feel to any concert with this simple yet effective arrangement.
Estimated dispatch 5-14 working days
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£89.95TUBA CONCERTO (Gregson) (Tuba Solo with Brass Band - Score and Parts) - Gregson, Edward
This work was commissioned by the Besses o' th' Barn Band with funds provided by the Arts Council of Great Britain. It was written for, and is dedicated to, John Fletcher, who gave the first performance in Middleton Civic Hall, near Manchester, on 24 April, 1976, with Besses o' th' Barn Band conducted by the composer. Another interesting feature about the premire was that it was recorded by BBC Television for an Omnibus programme with Andr Previn as presenter. The concerto exists in four versions: with brass band (1976), orchestra (1978), wind band (1984) and piano reduction.The concerto is in three movements, following the usual, quick-slow-quick pattern: Allegro deciso,Lento e mesto, Allegro giocoso. The first movement has a sonata form shell with two contrasting themes, the first one being rhythmic in character, the second lyrical. There is a reference made in passing to the Vaughan Williams Tuba Concerto, but this merges into the other material in the development section.The second movement begins with a chorale, but after the entry of the tuba it leads to a cantabile theme, softly unfolded by the soloist. The opening chorale passage returns, this time briefly on muted brass, and leads to a middle section which is more chromatic in style and soon builds to a powerful climax, where the opening cantabile theme triumphantly returns. The music subsides, returning to the opening chorale and ending peacefully.The finale is light and breezy in style, and is cast in rondo form. After a brief introduction the tuba announces the main rondo theme, which is dance-like and a little jaunty. There are two episodes: the first a broad sweeping tune, the second a slowish waltz and a little jazz-like. After a virtuoso cadenza reference is made to the very opening of the concerto before the work ends with a triumphal flourish.The Tuba Concerto has established itself as one of the main works in the solo tuba repertoire. It has been performed and broadcast in over 40 countries all over the world. There are currently six commercial recordings of the concerto in its various versions.resolution in C major, pointed by a simple but expansive melody towards which the piece has been heading, and ending in a blaze of joyful colour.Duration: 18 mins
Estimated dispatch 7-14 working days
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£89.95Tuba Concerto (Score and Parts)
This work was commissioned by the Besses o' th' Barn Band with funds provided by the Arts Council of Great Britain. It was written for, and is dedicated to, John Fletcher, who gave the first performance in Middleton Civic Hall, near Manchester, on 24 April, 1976, with Besses o' th' Barn Band conducted by the composer. Another interesting feature about the premire was that it was recorded by BBC Television for an Omnibus programme with Andr Previn as presenter. The concerto exists in three versions: with brass band (1976), orchestra (1978) and wind band (1984).The concerto is in three movements, following the usual, quick-slow-quick pattern: Allegro deciso,Lento e mesto, Allegro giocoso. The first movement has a sonata form shell with two contrasting themes, the first one being rhythmic in character, the second lyrical. There is a reference made in passing to the Vaughan Williams Tuba Concerto, but this merges into the other material in the development section.The second movement begins with a chorale, but after the entry of the tuba it leads to a cantabile theme, softly unfolded by the soloist. The opening chorale passage returns, this time briefly on muted brass, and leads to a middle section which is more chromatic in style and soon builds to a powerful climax, where the opening cantabile theme triumphantly returns. The music subsides, returning to the opening chorale and ending peacefully.The finale is light and breezy in style, and is cast in rondo form. After a brief introduction the tuba announces the main rondo theme, which is dance-like and a little jaunty. There are two episodes: the first a broad sweeping tune, the second a slowish waltz and a little jazz-like. After a virtuoso cadenza reference is made to the very opening of the concerto before the work ends with a triumphal flourish.The Tuba Concerto has established itself as one of the main works in the solo tuba repertoire. It has been performed and broadcast in over 40 countries all over the world. There are currently six commercial recordings of the concerto in its various versions.resolution in C major, pointed by a simple but expansive melody towards which the piece has been heading, and ending in a blaze of joyful colour.
Estimated dispatch 7-14 working days
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£82.95Terra Australis (Brass Band - Score and Parts) - Ellerby, Martin
A descriptive work in one continuous movement. Terra Australis portrays the discovery of Australia, the wonders of the land, the promise of new life and the nation's anthem, closing with a massive grand chorale and an energetic conclusion.National Brass Band Championships of Great Britain Championship Section Finals 2010Australian Championships Easter 2007Recorded on Polyphonic QPRL231D Terra Australis
Estimated dispatch 7-14 working days
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£44.95Partita (Brass Band - Score and Parts) - Gregson, Edward
Partita dates from 1971, when it was commissioned by the Redbridge Youth Band. The musical thread that runs through the work is the 13th century plainsong Dies Irae from the Requiem Mass. This gives the work a rather sombre tone which is audible right from the start of its first movement Intrada. The initial hammer-like chords of the opening and conclusion are only interrupted momentarily by a more lyrical modal tune. Even here, on its repetition, it is surrounded by more insistent textural patterns.The second movement, Chorale and Variations, uses the Dies Irae as the basis for an extended melody in the manner of a baroque sarabande. The five variations that follow are varied in texture, tempi, and dynamics. The final March is more optimistic in mood and presents as its main idea a rather jaunty theme which gets developed throughout the movement. However, the ominous presence of the Dies Irae has the last say with a final statement to round off the work.Duration: 11.00
Estimated dispatch 7-14 working days
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£82.95Terra Australis (Brass Band - Score and Parts)
A descriptive work in one continuous movement. Terra Australis portrays the discovery of Australia, the wonders of the land, the promise of new life and the nation's anthem, closing with a massive grand chorale and an energetic conclusion.National Brass Band Championships of Great Britain Championship Section Finals 2010Australian Championships Easter 2007Recorded on Polyphonic QPRL231D Terra Australis
Estimated dispatch 7-14 working days
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