Results
-
£50.00
The Dreaded Groove And Hook (Score & Parts) - Simon Dobson
The Dreaded Groove and Hook is an up-tempo acid-jazz number that draws inspiration from bands like Jamiroquai and The Youngblood Brass Band. The groove in question is the main tune that is shared round the band, whilst the hook, in 'pop' terms, is the catchy bit of the song. The whole band joins in to play a huge 'riff' that acts as a chorus to the jazz-like verses.The piece was commissioned by Jason Katsikaris and The Leyland Band, who gave the first performance as part of their programme for the Brass In Concert Championships, held at The Sage, Gateshead on the 16th November 2008. It has now been recorded by the same band and conductor on the CD entitled Penlee. Brass Band Grade 5: 1st SectionDuration: 4 minutes
In Stock: Estimated dispatch 1-3 working days
-
£50.00
Sing Praise - Geert Jan Kroon
Sing praise is an upbeat opener or concert piece that is based on the Old Hundredth. It was a commission by Flevo Brass Emmeloord to praise the conductor/teacher Klaas de Jong. I know Klaas as a high-spirited teacher who always devotes his time to guiding young players and developing music ensembles by investing in youth bands and music education. The title is a reference to the hymn tune Old Hundredth and a message to ensembles to sing praise to teachers and youth.
-
£89.95Songs of Ascent - Jonathan Bates
DURATION: 14 minutes. DIFFICULTY: Championship. 'Songs of Ascent' was composed for the Royal Northern College of Music Brass Band, as part of their programme for the 2019 RNCM Festival of Brass. In my view, the festival itself is the leading showcase for original contemporary music for the medium (in a concert setting) in the world and therefore an ideal place to explore new ideas and sounds, which was a notion fundamental to the construction of this work. The piece is subtitled 'Out of the Depths, I cry to you, O Lord'; the opening line of Psalm 130 (which forms part of a set of 15 psalsm, 120-134 known as the Songs of Ascent") which forms the main inspiration for much of the musical material. Following an extended opening for four individual tuba lines, there are a number of solos for members of the band off stage, with bleak and deep accompaniment lines, reflecting the words of Psalm 130. Amongst these 'songs of ascents', the most common and strong themes are repentance and redemption; with the central core of this work emerging 'from the depths' to reveal one of very few calming and reflective passages of the work utilising the tune of 'Guide Me O Thy Great Redeemer' in a new setting, featuring the Solo Horn and Bass Trombone, before returning to the ethereal and dark timbres that form much of the music up to this point. In terms of compositional technique, this work is solely based on a set of 4 9-note scales in their various unique transpositions (below). Each of these scales provide a set of 2 whole tone scales, 6 minor triads, 6 major triads and is built on 9 augmented triads. Whilst most of the music in this work is based melodically on the set of notes (heard right at the outset in the motif in the tuba line), the central section delves into the harmonic capabilities of these 'modes', using a number of the 7 'keys' which can be derived from the minor & major chords derived in each scale. All 4 scales are used independantly to each other, with whole sections of the work focussing on each mode. 'Songs of Ascent' was selected as the set work for the Championship Section at the Butlin's Mineworker's Championships in 2020.
In Stock: Estimated dispatch 1-3 working days
-
£33.91Sounds of Brass - Kevin Ackford
Score & Parts Written as the signature tune for Phillip Hunt's BBC radio programme, with its energy and drive it is a perfect opener for your concert or entertainment contest programme. Recorded by Black Dyke on the CD Essential Dyke Volume VI.
Estimated dispatch 5-7 working days
-
£72.00
Sing Sang Sung - Gordon Goodwin - Reid Gilje
"Sing Sang Sung" is inspired by "Sing Sing Sing" from the legendary 1938 Carnegie Hall Concert by Benny Goodman & His Orchestra. The famous "Jungle Groove" presented by drummer Gene Krupa and the opening riff from the 1938 performance is retained in this brilliant, swinging tune composed by Gordon Goodmin.The style changes from swing to "jungle groove" (with extensive use of tom-toms), is essential for both these tunes.The best sound recording of "Sing Sang Sung" is "Swingin' For the Fences" by Gordon Goodwin Big Phat Band released in 2000. But, you should also listen to the original "Sing Sing Sing" from the 1938 Benny Goodman recording as well!
Estimated dispatch 7-14 working days
-
£44.00
Don't Sit Under the Apple Tree - Stept-Brown-Tobias - Bjorn Morten Kjaernes
"Don't Sit Under the Apple Tree (With Anyone Else but Me)" is a popular song that was made famous by Glenn Miller and by the Andrews Sisters during World War II. Its lyrics are the words of two young lovers who pledge their fidelity while one of them is away serving in the war. Originally titled "Anywhere the Bluebird Goes", the melody was written by Sam H. Stept as an updated version of the nineteenth-century English folk song "Long, Long Ago". Lew Brown and Charles Tobias wrote the lyrics and the song debuted in the 1939 Broadway musical Yokel Boy. After the United States entered the war in December 1941, Brown and Tobias modified the lyrics to their current form, with the chorus ending with "...'till I come marching home".In 1942 the song was featured in the film Private Buckaroo as a performance by the Andrews Sisters with the Harry James orchestra and featuring a tap dancing routine by The Jivin' Jacks and Jills. It was featured in the films Twelve O'Clock High (1949), With a Song in My Heart (1952), Kiss Them for Me (1957), A Carol for Another Christmas (1964), In Dreams (1999) and The Master (2012). It also featured in the mini-series The Pacific. You can use the song both on musical concerts, movie concerts or just as a happy jazz tune on your next concert. On the sections (like from bar 25), please work carefully to make a good balance with all parts, and that each chord is balanced. With 4-part harmonies sometimes you need to hold back certain notes to make the accord sound good. If you want to open up for a longer improvisation, you can repeat 65 to 81, but then change the part 2 in bar 80 from Eb to a D on the repeat. The accord will be an F6 instead of F7 (on beat 3 and 4 in bar 80) Have fun and enjoy!
Estimated dispatch 7-14 working days
-
£24.95Praise My Soul - John Goss & Henry Francis Lyte - John Childs
This popular hymn tune was arranged for brass band by the late R. John Childs whilst he was conductor of the Tredegar Town Band. He realised the arrangement for a joint concert with the band and male voice choir in...
Estimated dispatch 5-7 working days
-
£34.95
BATTLE READY (Brass Band Set) - Roger Trigg
Originally written for Enfield Citadel Band, this concert 'opener' features the majestic tune of 'St. John'.
Estimated dispatch 7-14 working days
-
£44.95
KINGDOM TRIUMPHANT, The (Brass Band Set) - Eric Ball
This landmark composition written in 1962 is perhaps the most universally known Eric Ball classic. With its magnificent finale treatment of the hymn tune 'Helmsley,' this is ideal concert repertoire.
Estimated dispatch 7-14 working days
-
£159.99Omaggio (Euphonium Concerto No.4) (Euphonium Solo with Brass Band - Score and Parts)) - Sparke, Philip
Omaggio was commissioned by Steven Mead in celebration of his 60th birthday and in memory of his father, Rex. He gave the premiere of the brass band version in Rome in March 2022, accompanied by the Italian Brass Band conducted by Filippo Cangiamilla. The concert band premiere took place on 6th July that year as part of the 2022 Spanish International Tuba Euphonium Conference, accompanied by the Banda municipal de msica de Malaga.The concerto is set in 3 continuous movements, which are united by a recurring syncopated interval of a fifth. The first movement, Fantasia, opens with this motive accompanying an extended monologue for the soloist. This is followed by a lengthy bridge passage by the band, which is eventually joined by the soloist, who guides the music back to the opening soliloquy, leading to an energetic central section. This develops until the opening material again returns to introduce the second movement, Ballad, which revolves around an expressive melody for the soloist, interspersed by accompanied cadenzas. The third movement, The King Triumphant, pays homage to Steven's late father, Rex, and its title alludes both to Rex's name (Rex being Latin for king) as well as his love of Eric Ball's Salvationist masterpiece, The Kingdom Triumphant. The finale is an energetic tour-de-force featuring an acrobatic 6/8 melody, which is interrupted twice by the magnificent hymn tune, Helmsley, which Ball uses so effectively in The Kingdom Triumphant. A galloping coda brings the work to a close.
Estimated dispatch 7-14 working days
View Music