Results
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£84.99
Love Song Brass Band (Score & Parts)
Melancholy and romance in a contemporary setting. A small but brilliant gem of sonority based on a melody by the Norwegian composer Halfdan Kjerulf (1815-1868). Romance and a full command of timbre are the challenging cornerstones of any succesful interpretation of Love Song. An ideal moment of tranquillity in your programme. Melancholie en romantiek in een eigentijds jasje. Een eenvoudig doch schitterend klankwerkje gebaseerd op een melodie van de Noorse componist Halfdan Kjerulf (1815-1868). De romantiek en klankbeheersing zijn de uitdagende pijlers van Love Song. Het meditatieve moment in uw programma! 03:30
Estimated dispatch 7-14 working days
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£59.99
Where there's Muck Brass Band (Score & Parts)
The title is a popular saying in England. It means that's where the money is. "Where there's muck, there's power" is such a popular expression in the United Kingdom. The saying inspired Peter Martin to compose a highly attractive piece in four parts, consisting of contemporary dances that can also be performed separately. Let's dance! 05:15
Estimated dispatch 7-14 working days
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£40.00
Alchemists' Fire - Lucy Pankhurst
An original composition from Lucy Pankhurst and Winner of the 2011 John Golland Award, receiving its premiere at the RNCM Festival of Brass that same year.It is a complex, energetic and invigorating major work for brass band, and one which rightly demands attention through its intricate scoring, impact-making effects and bubbling brilliance!Comments from the composer on the work's title and its multi-purpose influence and inspiration upon her composition:"The phrase "Alchemists' Fire" has several possible connotations:Firstly, Alchemists' Fire is a magical weapon featured in the Dungeons & Dragon role playing game. It is a potion, so can be used to splash, throw or pour onto a target, dealing fire damage if it hits successfully.The second possible meaning comes from an historical source, where it was also known as Greek Fire, from which the D&D element takes its influence. This was an incendiary weapon used by the Byzantine Empire, typically used in naval battles to great effect, as it could continue to burn on water. It provided a technological advantage and was responsible for many key Byzantine victories. The manufacture of this 'fire' was kept a deadly secret; so much so that the formula was eventually lost and contemporary scientists and historians can only speculate at what the chemical make-up might have been.The final implication is a much more visual and sensory concept; that of the fire actually used by the Alchemist in his work - raging, dangerous and white-hot. Some sections of the work reflect the idea of 'magic' and ongoing experiments, some successful, some failing dangerously, in a cacophony of pops, fizzes and explosions amidst furious heat and brief moments of calm as the fire slowly cools, sizzling with residual components and elemental energy."
In Stock: Estimated dispatch 3-5 working days
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£30.00
Exegesis - Tim Paton
An exciting, original composition for brass band by Tim Paton. A complex work which entwines melodic lyricism amidst contemporary harmonies and scoring. A tour de force of Tim's creativity and a rewarding challenge for the performers and audience.Tim comments: The term exegesis is applied to a study which works out the meaning of something, an interpretation of a series of events, a comparison of ideas within a given medium, for example, "Biblical exegesis". This brass band piece is a musical exegesis.Section one is made up of three main themes, and although these themes are tonal within themselves, there is a sense that they are trying to understand one another. From the very beginning of this section, there is an element of bi-tonality and dissonance.The middle section is ponderous, where we hear elements of these three themes. It could be called the 'thinking section'.Section three almost interrupts this middle section, with fanfares displaying a realisation, still containing bi-tonality, but in harmony! We are soon led in to a hymn like celebration, followed by a determined, militaristic section for the percussion. Finally, the fanfares which opened this third section, reappear, taking us to a final conclusion.
In Stock: Estimated dispatch 3-5 working days
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£40.00
Little Christmas - Elaine Agnew
An atmospheric, contemporary piece for brass band by prolific composer Elaine Agnew. The work was originally commissioned by the North of Ireland Bands' Association as the 'B Section' test piece for the 2006 European Brass Band Championships, with funds from the Arts Council of Northern Ireland Lottery Unit and Belfast City Council.Programme notes:The night of Sunday the sixth of January 1839 was a night of madness. On this night, Ireland was hit by a devastating storm. Little Christmas focuses on the events of that day, leading to the arrival of the storm itself.The piece opens with a blast, which is quickly hushed by a motionless phrase whose silence suggests something not quite right. A solo euphonium mimics the local seer who prophesizes the coming of the storm but who is ignored by the locals, who are well used to his rantings and ravings.A brief percussion improvisation hints at an uncertainty in the air but this is quickly ignored by the following fast section with the bustle and excitement of the day's preparations.Quiet solo chromatic lines swoosh over harmonic pillars of sound before the final "dizzy" section where the band lets rip at the arrival of the storm!
In Stock: Estimated dispatch 3-5 working days
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£44.00
Fairfield Fanfare (expanded version) - Roxanna Panufnik
Fairfield Fanfare (expanded version) by Roxanna Panufnik is a 4-minute work for youth and mixed choirs, brass band and orchestra. Originally commissioned to celebrate the 50th anniversary of the Fairfield Halls, Croydon in 2012, the opening chords are based on all the alphabetic note names from FA-ir-F(#)-i-E-l-D, heralding a flourishing section of hustle and bustle that is the city of Croydon today.This expanded version includes brass band and choirs, with a setting of the text from Psalm 127. The expanded version was commissioned by the London Mozart Players, who premiered the piece on 30 June 2016 at Fairfield Halls, Croydon.This edition is the full score in C (EP 72880). It is available for sale as part of the Peters Contemporary Library. The performance material can be hired as well as a transposed full score, if preferred.
Estimated dispatch 5-14 working days
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£99.50
Graceful Ghost - William Bolcom
I came to know of this piece when hearing famous Norwegian ragtime pianist Morten Gunnar Larsen playing it at a concert with the Norwegian Navy Band Bergen. I was struck by its melancholic beauty and wanted to arrange it for band.Ragtimes are rarely in a minor key (which this one is) and when you first hear it, you might think it was written around the time when Scott Joplin was the main ragtime composer. But, if you listen more carefully, you notice that some of theharmonies are more advanced than one might expect in traditional ragtime, giving the piece a slightly more contemporary feel. The composer William Bolcom wrote Graceful Ghost in 1970 to honour the memory of his father and it is one of hismost popular pieces.
Estimated dispatch 5-14 working days
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£74.99
Jubilant Prelude - Toon Hagen
'Jubilant Prelude' is an orchestration of the 'Preludium over Psalm 150' originally composed for organ by Toon Hagen. Since 1998 Toon Hagen has been organ-player of the 'Grote or Sint Michaelskerk' in Zwolle (the Netherlands). He has written several 'contemporary' compositions for organ.'Jubilant Prelude' has a capricious character by the use of irregular measures and its many measure changes. The structure of the Prelude is that of a fugue and is based on motives from the psalm.After the first climax, which is both dynamic and harmonic, the theme in the Andante Jubiloso is clearly audible and it is alternated with erratic motifs. Tension increases until at last the psalm itself isheard in all its glory. The melody of the psalm sounds as a cantus firmus in tenor register, with motifs in ornamentation for saxophones, bugles and trumpets. The finale, like the prelude is capricious and vehement.The instrumentation for brassband was made by Dirk Annema. It is particularly colourful and has a surprising role for the percussion section.
Estimated dispatch 5-14 working days
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£72.99
Drink to Me Only with Thine Eyes - J. W. Callcott
The lyrics to Drink to Me Only with Thine Eyes can be traced to English poet Ben Jonson, a contemporary of Shakespeare. The melody's origin, on the other hand, is not certain. In this three- movement arrangement, Philip Sparke provides the soloist with plenty of substance while respecting the beautiful simplicity of the original tune.
Estimated dispatch 5-14 working days
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£69.95
Chi - Gary Carpenter
A BBC commission, this challenging piece has been recorded by Grimethorpe Colliery Band and is set to become one of the great contemporary brass works of the decade.
Estimated dispatch 5-14 working days