Results
-
£44.95PRELUDE, TOCCATA and FUGUE (Graduation Day) (Brass Band - Score only) - Sparke, Philip
Three connected movements each with their own character. Prelude is energetic and riving, featuring highly syncopated melodies and frequent changes of key and phrase length. The central Toccata is a series of traditional cadenzas for cornet and euphonium that ends ina virtuoso duet for the two soloist and leads directly into the Fugue. The baroque-style fugue keeps breaking out into episodes of 'Swingle' bebop. The conflicting styles both vie for pre-eminence but are eventually happily reconciled and combined to bring this piece to a close. Duration: 13:32 Recorded on Polyphonic QPRL232D Sea Pictures
Estimated dispatch 7-14 working days
-
£54.99
Smile! Brass Band (Score & Parts)
Undoubtedly, a smile will come to your face whenever you listen to 'Smile', for this little piece is guaranteed to bring mirth and good cheer to each and everyone. What is more, your bandsmen will almost literally lick their lips over this sure-fire favourite to be, containg swinging solos for cornet and euphonium (cued in tenorhorn). 03:30
Estimated dispatch 7-14 working days
-
£64.00SPIRIT OF CHRISTMAS, The (Brass Band) - Fernie, Alan
Includes: Hark, The Herald Angels Sing; O Holy Night (cornet solo); O Come All Ye Faithful; Silent Night (Wiegenlied). Grade: Medium.
Estimated dispatch 7-14 working days
-
£95.00Sunday Mood (Flexible Solo with Brass Band - Score and Parts) - Kadlec, Jirka - Moren, Bertrand
Solo for Cornet, Eb Horn, Trombone, Euphonium, Violin, Viola or VioloncelloDuration: 3.00
Estimated dispatch 7-14 working days
-
£37.95
TRUMPETS WILD (Trumpet Trio/Brass Band) - Walters, Harold
The definitive Cornet Trio!
Estimated dispatch 7-14 working days
-
£32.95Drummer's Delight (Drum Feature with Brass Band Set) - Siebert, Edrich
This set contains a solo cornet conductor part
Estimated dispatch 7-14 working days
-
£32.95Mexicana (Brass Band Set) - Banks & Bolton
Includes Solo Cornet Conductor part
Estimated dispatch 7-14 working days
-
£37.95Benvenuto Cellini (Brass Band - Score only) - Berlioz, Hector - Wright, Frank
Berlioz's opera Benvenuto Cellini was first produced in Paris in 1838 but was withdrawn as a failure, and it was not until the production in Dresden in 1888 that it was finally acclaimed by the Germans as a triumph. Adapted from certain episodes recorded in the memoirs of Benvenuto Cellini, Tuscan sculptor and goldsmith, the story, laid in Rome during the mid-sixteenth century, is not strictly historical. The short opening Allegro, marked deciso con impeto, is conceived in the most brilliant Berlioz manner, utilising full instrumentation. In the Larghetto we meet at once the first of the opera themes - the Cardinal's aria (from the last act) introduced in the bass, quasi pizzicato. A second melody leads to a resumption of the Allegro, the contrasting second subject in the tenor horns being an adaptation of Teresa's aria (Act I). Towards the end the Cardinal theme is re-introduced by trombones, fortissimo against an energetic cornet and euphonium passage (senza stringendo - without hurry, says the score). After a unison passage storming skywards, there is a sudden, dramatic three-bar silent pause broken by Eb basses alone, again stating the Cardinal theme. A simple molto crescendo on the dominant, begun piano, leads to the long, resounding chord.
Estimated dispatch 7-14 working days
-
£82.95Benvenuto Cellini (Brass Band - Score and Parts) - Berlioz, Hector - Wright, Frank
Berlioz's opera Benvenuto Cellini was first produced in Paris in 1838 but was withdrawn as a failure, and it was not until the production in Dresden in 1888 that it was finally acclaimed by the Germans as a triumph. Adapted from certain episodes recorded in the memoirs of Benvenuto Cellini, Tuscan sculptor and goldsmith, the story, laid in Rome during the mid-sixteenth century, is not strictly historical. The short opening Allegro, marked deciso con impeto, is conceived in the most brilliant Berlioz manner, utilising full instrumentation. In the Larghetto we meet at once the first of the opera themes - the Cardinal's aria (from the last act) introduced in the bass, quasi pizzicato. A second melody leads to a resumption of the Allegro, the contrasting second subject in the tenor horns being an adaptation of Teresa's aria (Act I). Towards the end the Cardinal theme is re-introduced by trombones, fortissimo against an energetic cornet and euphonium passage (senza stringendo - without hurry, says the score). After a unison passage storming skywards, there is a sudden, dramatic three-bar silent pause broken by Eb basses alone, again stating the Cardinal theme. A simple molto crescendo on the dominant, begun piano, leads to the long, resounding chord.
Estimated dispatch 7-14 working days
-
£24.95
March of the Cobblers (Brass Band) - Barratt & Siebert
This set is march card sized and includes a solo cornet conductor part.
Estimated dispatch 7-14 working days
View Music