Results
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£35.87With the heart (Brass Band) Andrew Batterham
With the heart is a fanfare full of energy and celebration. The title references a quote from the book The Little Prince by Antoine de Saint-Exupery: "it is only with the heart that one can see rightly, what is essential is invisible to the eye". This aesthetic links the passion of music to the giving ethos of the Rotary organisation, whose District 9800 commissioned the work for their 2024 District Conference. With the Heart was premiered by the Victorian Youth State Brass Band directed by Phillipa Edwards in Bendigo in April 2024. To listen to a performance by Victorian State Youth Brass Band please click here. Duration: Approx. 3.15 minutes Difficulty Level: 4th Section + PDF download includes parts and score. Sheet music available from www.brassband.co.uk Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Percussion 1-3
In Stock: Estimated dispatch 1-3 working days
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£39.50Edward Gregson: Fanfare for a New Era (for Brass Band)
DescriptionComposer's NoteThe Fanfare has been designed to be partly antiphonal, with four separate brass 'choirs' initially playing their own music, and so some spatial separation is desirable. Soprano and solo cornets should be placed centrally, standing behind the rest of the band - or in some venues could even be placed off-stage in a side balcony, but still close to the band. If the Fanfare is played by a contesting size band, one of the solo cornets should play the 1st cornet part together with the usual player ie the number of players on the 1st, 2nd, and 3rd cornet parts should be equal. Otherwise the number of players in each of the two cornet 'choirs' is at the discretion of the conductor. The Tubular Bells accompanying the cornets 1-3 group should be placed close to that group. See inside back cover for suggested band formation.The style of playing should replicate that of symphonic brass, with a minimum of vibrato and with long notes being sustained without decaying.Programme NoteCommissioned in 2020 by Youth Brass 2000, Fanfare for a New Era was designed to be partly antiphonal - thus the separation of the band into four brass 'choirs', each with their own percussion accompaniment. First, soprano and solo cornets, rather like heraldic trumpeters, announce the main idea, majestic in character. Then horns, baritones, and euphoniums, with timpani, enter with stately figurations. Next, the heraldic trumpeters usher in trombones and tubas, to the accompaniment of tom-toms and snare drum, presenting a faster and rhythmic dance-like theme. Finally, the remaining cornets amplify the pealing of bells. All four elements then come together, surrounding the audience with a 'joyful noise' of festive brass and percussion.The original symphonic brass version of this fanfare can be purchased as part of a set of Three Fanfares HERE.For more information on Edward Gregson's music please visit the composer's website: www.edwardgregson.com
Estimated dispatch 7-14 working days
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£59.79Sonata for Euphonium with Brass Band - Joel Collier
This three-movement work is the first euphonium sonata from the pen of American Joel Collier, himself a fine euphonium player. The composer writes: 'My sonata came about because of a conversation with euphonium soloist Aaron Campbell. We decided to try and do a sonata and get a consortium going, with the idea that it would be written to be approached by the average undergraduate student, rather than it be the next latest, greatest, hardest thing for euphonium virtuosi. What resulted was a three-movement sonata where the first movement is more classical and heavy, with a little bit of tango, the second movement is really a song without words, and the third movement is a upbeat and joyful dance.' To view a video of Joel Collier performing the work please visit: www.youtube.com/watch?v=BV0p3MkmBs0 (please note this is the piano accompaniment version). PDF download includes full score and parts, including soloist part in Bb treble clef and bass clef. The version with piano accompaniment is available here. Sheet music available from: UK - www.brassband.co.uk USA - www.cimarronmusic.com Difficulty Level: 2nd Section + Length: 9.45 minutes Instrumentation: Euphonium Soloist Bb Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium (Tutti) Bb Bass Eb Bass Bb Timpani Percussion 1-2
In Stock: Estimated dispatch 1-3 working days
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£35.87Swinging all the way (Brass Band) Dave Collins
Swinging all the way is a jazzy take on the most well known of Christmas tunes, Jingle Bells. We begin in a dark underground jazz club with the rich, luscious harmonies supporting the tune that we all know. But the melody is perhaps secondary to the timbres and dissonances of this darkly elegant ballad punctuated by the solo cornet, a contrast of styles between the joyous melody and sober accompaniment. As the work progresses it becomes more uplifting, with solo features from the trombone, before emerging into the bright lights of a big band set, with stride bass, crunchy punctuating rhythms and screaming trumpets. The arrangement ends where we began, after our exciting sleigh ride comes to an end. To view a rolling score video please visit www.youtube.com/watch?v=UbUMVuWFrNI PDF download includes score and parts. Sheet music available from: UK - www.brassband.co.uk USA - www.cimarronmusic.com Difficulty Level: 2nd Section + Length: 4.00 minutes Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani/Sus. Cymbal Drum Kit Vibraphone/Xylophone
In Stock: Estimated dispatch 1-3 working days
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£35.87Cornish Fantasy (Euphonium Solo with Brass Band) David Taylor
VIEW SCORE PDF Cornish Fantasy was written for Kidlington Concert Brass's euphonium soloist Benjamin Abbott to perform in their Autumn 2021 series of concerts and contests. Based around a series of Cornish folk tunes, it pays tribute to Ben's Cornish roots, and in particular to his banding education with the Camborne Town Band. The solo opens with the 'unofficial Cornish anthem' Trelawny, which is followed with a series of virtuoso cadenzas. After these is an up-tempo jig in several segments, containing the traditional tunes Camborne Hill, Pendeen Jig, Newlyn Jig, Pencarrow, and Off She Goes, the latter two at a breakneck pace that carries through to a triumphant close. Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Instrumentation: Euphonium Soloist Bb Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Percussion Xylophone
In Stock: Estimated dispatch 1-3 working days
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£95.67Euphonium Concerto with Brass Band (Karl Whelan)
VIEW SCORE PDF Karl Whelan's Euphonium Concerto with Brass Band is written in three linked movements: I: Prelude II: Aria III: Scherzo The first movement, Prelude, is in a mirror image sonata form and with its menacing ostinato sets the tone for the entire concerto and also introduces material on which the concerto is based. During this movement, the soloist has the opportunity to display their technical ability as well as the extremes of the instruments range. A chord based on the notes of the ostinato signal the beginning of the second movement, Aria. Here, material from the first movement has been weaved together and moves through a multitude of keys, the soloist is able to show the expressive side of the instrument to create an almost yearning, operatic aria. A reiteration of the 1st subject takes us into an almost march like figure at the beginning of the third movement, Scherzo. This is then interrupted both times by dance-like scherzo which, as with the rest of the concerto navigates itself through different keys leading to the cadenza that even the temple blocks have the the chance of participating in! The concerto concludes with almost a battle between the band (playing fragments of the first and second subjects from the first movement), and soloist who is attempting to have the last word! To view a follow-the-score video of the work please visit: www.youtube.com/watch?v=aEnou67XHqA Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Instrumentation: Euphonium Soloist Bb Soprano Cornet Eb Solo Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Percussion 1-3
In Stock: Estimated dispatch 1-3 working days
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£39.86Nocturne for Brass Band & Percussion: The Lady with the Lamp - Andy Wareham
VIEW SCORE PDF Nocturne for Brass Band & Percussion: The Lady with the Lamp was composed for the BrookWright International Brass Band Composer Competition 2020, the work later going on to be a finalist in the competition. The music celebrates the life and achievements of Florence Nightingale on the 200th anniversary of her birth. The work is structured in ternary form and is designed to be an engaging concert piece, accessible to both lower and upper section bands. Minimal percussion has been used and ossia passages have been added to accommodate all levels. The music imagines Miss Nightingale walking the wards at night with the contrasting sections representing her devotion to the care of others, the struggles and sacrifice of her service, and the lasting effect of her renowned achievements that are still felt to this day. Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Difficulty Level: 2nd Section + Instrumentation: Soprano Cornet Eb Solo Cornet 1&2 Bb Solo Cornet 3&4 Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium 1&2 Bb Bass Eb Bass Bb Timpani Percussion 1-2
In Stock: Estimated dispatch 1-3 working days
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£35.87Call of the Victor (Brass Band) Marcus Venables
VIEW SCORE PDF The music within this piece by Canadian composer Marcus Venables portrays the image of a victorious and triumphant call - the battle's won and the victor proclaims supreme authority. As with any ruling authority and power, the growing opposition rise to conquer. After the opening fanfare and a call of victory, the music portrays the lavishness of victory with this driving sense of impending conflict. Once again, the victor must go to war and battle the threats. The music continues to express the sorrow and the loss that comes with being the victor. With sacrifice and pain, the victor now grows in passion and motivation to once again conquer the enemies. With a final swift battle, the victor calls out to claim supremacy once again. PDF download includes score and full set of parts. Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Difficulty Level: Second Section + Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Percussion 1-3
In Stock: Estimated dispatch 1-3 working days
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£7.97
Euphonium Concerto with Brass Band (Karl Whelan) Soloist Copy
*Karl Whelan's Euphonium Concerto with Brass Band is written in three linked movements: I: Prelude II: Aria III: Scherzo The first movement, Prelude, is in a mirror image sonata form and with its menacing ostinato sets the tone for the entire concerto and also introduces material on which the concerto is based. During this movement, the soloist has the opportunity to display their technical ability as well as the extremes of the instruments range. A chord based on the notes of the ostinato signal the beginning of the second movement, Aria. Here, material from the first movement has been weaved together and moves through a multitude of keys, the soloist is able to show the expressive side of the instrument to create an almost yearning, operatic aria. A reiteration of the 1st subject takes us into an almost march like figure at the beginning of the third movement, Scherzo. This is then interrupted both times by dance-like scherzo which, as with the rest of the concerto navigates itself through different keys leading to the cadenza that even the temple blocks have the the chance of participating in! The concerto concludes with almost a battle between the band (playing fragments of the first and second subjects from the first movement), and soloist who is attempting to have the last word! To view a follow-the-score video of the work please visit: www.youtube.com/watch?v=aEnou67XHqA To purchase the full band set please visit www.brookwrightmusic.com/product-page/euphonium-concerto-with-brass-band-karl-whelan *Please note this download only includes the soloist copy. Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Instrumentation: Euphonium Soloist Bb Soprano Cornet Eb Solo Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Percussion 1-3
In Stock: Estimated dispatch 1-3 working days
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£39.86A Fugal Overture (Brass Band) Gustav Holst arr. Rob Bushnell
A Fugal Overture was written in 1922 by Gustav Holst. It was first performed at the Royal Opera House, Covent Garden on 14 May 1923 and was used as an opening work to Holst's one-act opera The Perfect Fool. It received its concert premiere on 11 October 1923 at one of Henry Wood's Queen's Hall Promenade Concerts. It is an early example of neoclassicism and was influenced by the counterpoint of J. S. Bach, despite its unconventional use of the fugal process. Holst began writing the piece in the summer of 1922, having hoped to develop it into a ballet. It is divided into three sections, the fugal subject with its distinct 3+3+2 pattern, a slower section with solos at the end, and a third section where the subject returns. Although reviews of the piece were mixed at the time of its premiere, the likes of Adrian Boult have said it was "an invigorating work that could effectively start any [...] concert". In more recent years, it has been compared to John Adam's A Short Ride in a Fast Machine. This arrangement is for the British-style brass band, with alternative parts for horns in F and bass-clef lower brass. A recording of the original composition can be found here: www.youtube.com/watch?v=a8xfwJyFq2E. Duration: Approx. 5.40 minutes Difficulty Level: 1st Section + PDF download includes parts and score. Sheet music available from www.brassband.co.uk Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass BbTimpani Percussion 1-2
In Stock: Estimated dispatch 1-3 working days
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