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  • £53.99

    Crying at the Discoteque (Brass Band - Score and Parts) - Kraeydonck, Jan van

    Performed by Alcazar. Duration: 03:30

    Estimated dispatch 7-14 working days

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  • £30.00

    Inchcolm - Terry Johns

    The island of Inchcolm was visited by St Columba in 567 and is mentioned in Shakespeare's Macbeth. It lies on the stretch of water beyond my balcony, known locally as "Mortimer's deep", and on short winter days, the ruins of Columba's abbey are shrouded in the mists of the estuary and bring a flavour of mystery and legend to my morning coffee. Music comes easily here amidst the crying of the seabirds, and the horn has given its distinctive voice to history, myth and folklore for centuries. Its sound was born in the wide-open spaces and can paint a broad seascape with ease.

  • £40.00

    Polonaise from Eugene Onegin - Tchaikovsky, P - Barry, D

    The Polonaise from Tchaikovsky's famous Eugen Onegin has been crying out for a brass band arrangement, and who better to do it than Darrol Barry. Faithfully transcribed and a worthwhile addition to any bands repertoire.2nd section +

    In Stock: Estimated dispatch 1-3 working days

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  • £33.00

    One Foot in the Grave - Idle, E - Barry, D

    I Don't Believe it!Yes - that wonderful theme from One Foot in the Grave has been crying out to be arranged as a bass solo. Now it has - an absolute winner with audiences.4th section +

    In Stock: Estimated dispatch 1-3 working days

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  • £154.99

    Spiriti - Thomas Doss

    A Bach chorale stands at the centre of this work (Fur deinen Thron tret ich hiermit).Anton Bruckner was one of Johann Sebastian Bach's great admirers. His work is full of the spirit of that musical genius. For Thomas Doss, it was Bruckner's spirit that always seemed to be with him while working on Spiriti. Bruckner's spirit is captured in this composition by a quote from the chorale of his Fifth Symphony at the end of the piece.The introduction, written in the style of a funeral march, already displays the first fragments of the chorale. Like splinters they are strewn throughout the first Allegro, combining and recombining in turbulent, powerful tuttipassages. As the music becomes more rambunctious, the Bach-like fragments begin to swirl around each other, only to be scattered once more.The middle-section is of a more pensive nature. The Religioso character gives the audience time to reflect. The music is meditative and the quarter-note (or crotchet) elements mimic a soul that is yearning and crying out.The third part of the piece finally leads, by way of minimalist elements and the fragments mentioned earlier, to a magnificent presentation of the Bach chorale. As the church bells ring out, one can almost hear the great masters presiding at the organ.

    Estimated dispatch 5-14 working days

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