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£104.99
Theme Park Fun! - Wilco Moerman
In Theme Park Fun! your orchestra pays a visit to an amusement park. During your visit, you will experience some spectacular rides and attractions this theme park offers. The uniqueness of Theme Park Fun! is the interplay between music and(moving) images. Animations and illustrations support the visual composition (downloadable after ordering a set, on www.gobelinmusic.com).Part 1: The Entrance & Parade [with animation]The opening of the park is a fact. A day fullof fun and pleasure awaits! You and the other visitors will be confronted with all the rides, attractions and adventures the theme park has to offer. Which ride shall we do first?! There is so much to do and experience on this day in the park! Aparade of colorful floats and park figures is passing by.Let the fun begin!Part 2: The Haunted House [with animation]The only ride in the park that is not related to fun, is the Haunted House. Here visitors will be challengedto visit a house full of ghosts, creepy figures and other ominous things. The clock strikes twelve, there is no turning back. Ghosts are whispering, yelling, screaming... Fortunately it is almost one oclock, so we can leave this creepy placequickly.Part 3: The Swinging Galleon [with illustrations]What a huge pirate ship! Each time you swing back and forth, you will feel that weird feeling in your stomach. When you are thrown completely into the top you will have afantastic view over the park, but you can not enjoy it for long. Before you know the ship swings back the other way.Part 4: The Fairy Tale Ride [with illustrations]After all those exciting and spectacular rides and attractions,it is time for a peaceful tour in The Fairy Tale Ride. Surrounded by a fairytale setting, you will discover fable figures, talking animals and colorful designs. Such a beauty and tranquility. Having had this experience, we are ready again for thebig rides in the park!Part 5: The Bumper Cars [with illustrations]Now its time to crawl behind the wheel of the Bumper Cars! Shall we all chase the conductor?! Before you know you are hit by another visitor or you will bumpagainst someone else. In this tough ride you can prove yourself as a real driver, or perhaps as a really bad one.Part 6: The Roller Coaster [with illustrations]The largest, fastest and scariest ride in the park ... we shoulddefinitely do the Roller Coaster! All together in the train, the over-the-shoulder restraints are lowering... be ready to ride. The train leaves the station and is heading for the big lift hill. It will be very scary when the train reaches the topand the train will be plunged down the first drop! Loops, corkscrews and other spectacular coaster elements will follow... Before you know it, the ride of your life is over. Shall we ride it again?!Part 7: Leaving the Park [withanimation]Unfortunately everything comes to an end. This day in the theme park is over, but we have a lot new experiences to talk about! The memories of all the funny and spectacular rides will come up when we walk through the park to theexit. Just one look over the shoulder, the amusement park figures are waving at us. Hopefully we will come back again soon!
Estimated dispatch 5-14 working days
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£102.60Stjernen og Rosa - John Philip Haqnnevik
The Star and a Rose is a big-scale Christmas piece for band, featuring four seasonal chorales.The first is a Gregorian-like chant Hodie Christus natus est.In this section of the piece, a soloist can be placed away from the band, maybe on a gallery. The soloist can be a tenor instrument, maybe trombone, or you can feature a vocal soloist.After this, the music leads us on to the old German Christmas chorale Lo, how a rose e'er blooming. This song is given a fairly rhythmical treatment, but make sure that the melody is presented in a cantabile style.An interlude follows, before the piece presents one of the most used and loved Scandinavian Christmas chorales, Mitt hjerte alltid vanker (My Heart will always wander), composed by the Danish bishop Hans Adolph Brorson around 1732. This song is building towards a climax, before the solo horn brings it all down to the Stable view described in the lyrics.Then comes a transition that brings us in to the final section of the piece, which presents the international Christmas Carol Adeste Fideles. As many will notice, I have borrowed a section from David Wilcocks majestic harmonization towards the end.The title of the piece has its background form the lyrics in My heart will always wander, where the text speaks about the stars in the sky. But also in the latin text for Adeste Fideles:Stella duce, Magi, Christum adorantesThe Rose is of course from the lyrics in the chorale Lo, how a Rose.
Estimated dispatch 5-14 working days
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£102.60Deck the Halls
The original Welsh song Nos galan dating back to the sixteenth century, has become an international Christmas carol with the English lyric Deck the hall with boughs of holly.The song does not offer much in terms of variation, but I have tried to construct a short piece where one can see that the song still offers itself to a wide array of stylistical treatments.The opening is almost like a Christmas Overture, before it wanders in to a renaissance-like style.The middle section offers a much more lush and lyrical rubato treatment, with lots of color and thick harmonization.The end then turns the tempo even more up than at the start of the piece, and brings us through a big band ending with long soaring lines.- John Philip Hannevik -
Estimated dispatch 5-14 working days
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£120.80I Believe - Eric Levisalles
I Believe is a beautiful ballad composed by Eric Levisalles.This arrangement is written for Flugelhorn and Euphonium as soloists with Brass band.You might very well listen to the recording by Andrea Bocelli and Cecilia Bartoli to get an impression of mood and character.This arrangement was done at the end of the corona pandemic and performed for the first time on February 12th 2022, the same day as Norway re-opened after nearly two years of corona-restrictions.
Estimated dispatch 5-14 working days
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£54.99
Choralia - Bert Appermont
This magnificent choral from Bert Appermont begins very slow. The different groups of instruments play the same theme and lead to a big climax. After that, the instrumentation gets smaller to end in a silent way.
Estimated dispatch 5-14 working days
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£53.50Proud Mary
At the end of the 1960s the group Creedence Clearwater Revival wrote many successful numbers, many of which were covered by various artists. Proud Mary - one of their best known songs was covered many times and this arrangement by Thijs Oud is based on Tina Turner's performance. For the musicians this is a fantastic piece to play. Each section has a challenging, yet satisfying part. For the audience this well-known and stirring number is a smash!
Estimated dispatch 5-14 working days
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£25.00Accolade - Phillip Littlemore
Accolade - meaning an award, an honour or a laudatory notice. This fanfare for brass band literally builds from the bottom up as a battery of percussion leads to the lower band's statement of the theme before passing through the middle of the band that builds with a series of interjections. The theme is then restated in the upper band before the battery of percussion returns to end.The fanfare was written for Regent Brass as the title track for their 1990 recording to celebrate both their 5th anniversary and to being crowned 3rd Section Champion Band of Great Britain in 1988 - an accolade indeed!Duration: c.1'00"Diffiiculty: Suitable for all grades
Estimated dispatch 5-7 working days
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£35.00March to the Scaffold - Hector Berlioz arr. Phillip Littlemore
The March to the Scaffold is the fourth of five movements from Hector Berlioz's Symphonie Fantastique. The symphony tells the story of a troubled young man and his quest to find his true love. This true love is depicted in the music by a melody known as a idee fixe (fixed idea) and appears in every movement.The fourth movement takes on a nightmarish character as having taken opium, the young man dreams that he has killed his true love and is about to be executed for his crime. The music is an unrelenting forced march to the scaffold. The idee fixe appears only once in this movement, as a sudden reminiscence just before the guillotine strikes the young man's head before the movement comes to an end with a perversely joyous conclusion.Duration: 4'30"Difficulty: 3rd Section and above
Estimated dispatch 5-7 working days
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£35.00Symphonic Dance No.3 - Sergei Rachmaninov arr. Phillip Littlemore
Completed in 1940, the set of Symphonic Dances was Sergei Rachmaninov's last composition. The work is fully representative of the composer's late style with its curious, shifting harmonies, the almost Prokofiev-like outer movements and the focus on individual instrumental tone colours throughout. Rachmaninov composed the Symphonic Dances four years after his Third Symphony, mostly at the Honeyman Estate, 'Orchard Point', in Centerport, New York, overlooking Long Island Sound. The three-movement work's original name was Fantastic Dances, with movement titles of 'Noon', 'Twilight' and 'Midnight'. When the composer wrote to the conductor Eugene Ormandy in late August, he said that the piece was finished and needed only to be orchestrated, but the manuscript for the full score actually bears completion dates of September and October 1940. It was premiered by Ormandy and the Philadelphia Orchestra, to whom it is dedicated, on 3rd January, 1941.This arrangement is of the last dance and is a kind of struggle between the Dies Irae theme, representing Death, and a quotation from Rachmaninov's own Vespers (also known as the All-night Vigil, 1915), representing Resurrection. The Resurrection theme proves victorious in the end as the composer actually wrote the word 'Hallelujah' at the relevant place the score (one bar after Fig. 16 in this arrangement). Duration: 3'45"Diffiuclty: 2nd Section and above
Estimated dispatch 5-7 working days
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£60.00Music from the Royal Fireworks - G. F. Handel arr. Don Blakeson
Handel's Music For The Royal Fireworks was composed in 1749 to celebrate the signing of the Treaty of Aix-la-Chapelle and the end of the War of the Austrian Succession. The site chosen was the fashionable upper part of St. James Park, which was becoming known at that time as Green Park. The Green Park 'Machine', which housed the pyrotechnics was an elaborate affair adorned with "statues and other figures, festoons of flowers, and other lustres".It was announced that there would be some 10,000 rockets and other devices to be let off, all culminating in a grand, burning sun with 'Vivat Rex' at its centre. There were also rumours that the event was to be accompanied by an impressively large band of military music and mention was made of "40 trumpets, 20 french horns, 16 hautboys (oboes), 16 bassoons, 8 pairs of kettle drums, 12 side drums, a proper number of flutes and fifes; with 100 cannon to go off singly at intervals". It is unlikely that Handel had ever conceived such forces and it was merely the promoter's hyberbole, not least because it was unlikely that there were sufficient numbers of extra military musicians available that could read music, as most played from memory. It is also likely that Handel, and his publisher, were conscious that future performances would be hindered by such forces. The autographed score lists the instrumentation as 9 trumpets, 9 french horns, 24 hautboys, 12 bassoons, 3 pairs of kettle drums and up to 4 side drums.The work is in five movements, although Handel's original score did not indicate in which order they should be played. However, in this score they are arranged to be played as follows: Overture, Bouree, La Paix, Minuets I & II and La Rejouissance.Duration: c. 19 minutesDifficulty: Suitable ofr all
Estimated dispatch 5-7 working days
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