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  • £94.00

    Fest - Polonaise - Johan Svendsen - Kjell Olav Martinsen

    Johan Svendsen (1840 - 1911) was the first great Norwegian symphonic composer, as well as one of the leading conductors of his time. Next to Edv. Grieg, he was the most prominent figure in Norwegian music life at the end of the 1800's. Although he came from humble beginnings in Chistiania (now Oslo), he was to become a cosmopolitan who felt at home all over Europa. Svendsen spent most of his adult life abroad, living in Copenhagen for 25 years as maestro for the Royal Theatre Orchestra. Nonetheless he retained contact with Norway troughout these years and was a frequent and popular guest in his native country. He wrote his Festival Polonaise for a ball in 1873. This polonaise in a big ABA style

    Estimated dispatch 7-14 working days
  • £44.00

    Concerto 1945 (Score only) - Philip WIlby

    At a time when we are being encouraged to survey the recent past, its title aims to catch a flavour of that spirit of optimistic vision which coloured the British psyche at the end of the Second War, at once heroic, elegiac, and confident. The concerto's three movements are arranged in a circular pattern around a reflective slow movement. At the heart of that movement is a Cadenza, marked to be played off-stage, where the soloist is surrounded and supported by an additional group of fanfare players. By contrast, the outer movements are energetic and brisk, at times heroic, and at times virtuosic. Also available with piano accompaniment.

    Estimated dispatch 7-9 working days
  • £56.00

    Concerto 1945 (Parts only) - Philip WIlby

    At a time when we are being encouraged to survey the recent past, its title aims to catch a flavour of that spirit of optimistic vision which coloured the British psyche at the end of the Second War, at once heroic, elegiac, and confident. The concerto's three movements are arranged in a circular pattern around a reflective slow movement. At the heart of that movement is a Cadenza, marked to be played off-stage, where the soloist is surrounded and supported by an additional group of fanfare players. By contrast, the outer movements are energetic and brisk, at times heroic, and at times virtuosic. Also available with piano accompaniment.

    Estimated dispatch 7-9 working days
  • £12.66

    All Tuned Up - 120 Famous Tunes for All Occasions (International Size) Hard Copy

    This unique new resource from BrookWright Music will be an essential part of every band's library! All Tuned Up is designed to cater for ensembles for occasions throughout the year. Tunes are drawn from genres including Classical, Hymns, Folk and Patriotic amongst many others to form a comprehensive book that will cover a wide variety of events such as Weddings, Funerals, Graduation Ceremonies, Parties, Proms, Remembrance, Street Playing and Thanksgiving. Playable by as few as five players but also designed to work for full brass band or wind band, it features flexible parts in a wide variety of transpositions. These excellent arrangements have been expertly created by Andrew Wainwright, David E. Jones, Dean H. Jones and Steven Ponsford. The general harmonic format of All Tuned Up is in five parts, although additional notes have been included to thicken the harmony where more players are available. Therefore, the book will work equally well with larger groups, including full brass bands and wind bands. At the end of the Part 1 Bb book are four a capela tunes for Remembrance/Memorial occasions. To view a promotional video please visit www.youtube.com/watch?v=nmodRrXQRRs This purchase is for International sizes: Full Score - A4 Size - 297mm x 210mm Band Parts - A5 Size - 210mm x 148mm The full set includes: Full Score Part 1 Eb (optional) - Soprano Cornet/Trumpet Eb, Clarinet Eb Part 1 Bb - Cornet/Trumpet Bb, Clarinet Bb, Flugel, Soprano Saxophone Part 1 C - Piccolo, Flute, Oboe, Part 2 Bb - Cornet/Trumpet, Clarinet Bb, Flugel Part 2 Eb - Tenor Horn, Alto Saxophone, Alto Clarinet Eb Part 2 F - Horn, Cor Anglais Part 3 Bb - Baritone, Trombone, Euphonium, Tenor Saxophone, Part 3 C (Bass clef) - Baritone, Trombone, Euphonium Part 3 Eb - Tenor Horn, Alto Saxophone, Alto Clarinet Eb Part 3 F - Horn, Cor Anglais Part 4 Bb - Euphonium, Baritone, Tenor Saxophone Part 4 C (Bass clef) - Euphonium, Baritone, Bassoon Part 5 Eb - Bass Eb, Baritone Saxophone Part 5 Bb - Bass Bb, Bass Clarinet Part 5 C (Bass clef) - Tuba, Bassoon, String Bass Percussion (optional) - Various

    In Stock: Estimated dispatch 1-3 working days
  • £38.00

    Icebreaker (Brass Band - Score and Parts) - Harrold, Tom

    Icebreaker was originally written for Superbrass in March 2012 and recorded in it's original brass dectet and percussion form on their "Brass Taps" CD. The work begins with tumultuous fanfare, shrouded by thick chords in the lower brass. This fanfare-like material leads to a biting statement from the trombones. An 'icy' gritty section, once again played by the trombones grows in energy, punctuated by the return of the fanfares. The horns, providing a little respite, emerge in a quiet restrained line, which is coloured by the rest of the ensemble. Before fully coming to fruition, the horn line is quickly cut-short and subsumed by the sudden return of the energetic material from the other instruments, which grows to the end of the piece. Duration: 4.30. Suitable for Championship Section Bands.

    Estimated dispatch 7-14 working days
  • £12.99

    Sketches from Nowhere (Brass Band - Study Score) - Doss, Thomas

    Sketches from Nowhere is the second composition that Thomas Doss has written for brass band. The title was inspired by various images the composer saw in his mind's eye while working on this piece: pictures of foreign places; pictures of the creation of our world. The main motif that weaves its way from the beginning to the end of the work is meant to parallel humanity's great evolution: from its humble beginnings as mere stardust to the present day.

    Estimated dispatch 7-14 working days

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  • £47.50

    Sketches from Nowhere (Brass Band - Score only) - Doss, Thomas

    Sketches from Nowhere is the second composition that Thomas Doss has written for brass band. The title was inspired by various images the composer saw in his mind's eye while working on this piece: pictures of foreign places; pictures of the creation of our world. The main motif that weaves its way from the beginning to the end of the work is meant to parallel humanity's great evolution: from its humble beginnings as mere stardust to the present day.

    Estimated dispatch 7-14 working days

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  • £154.99

    Sketches from Nowhere (Brass Band - Score and Parts) - Doss, Thomas

    Sketches from Nowhere is the second composition that Thomas Doss has written for brass band. The title was inspired by various images the composer saw in his mind's eye while working on this piece: pictures of foreign places; pictures of the creation of our world. The main motif that weaves its way from the beginning to the end of the work is meant to parallel humanity's great evolution: from its humble beginnings as mere stardust to the present day.

    Estimated dispatch 7-14 working days

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  • £42.95

    Shout! (Trombone Solo with Brass Band - Score and Parts) - Wiffin, Rob

    Shout! was written for Brett Baker to demonstrate a particular musical aspect of his trombone playing.It is a Latin jazz piece subtitled CCC 4 BB - Cha cha cha for Brett Baker - and shows the trombone's ability to act as a declamatory jazz voice, covering much of the range and expressive power of the instrument. In one sense the title also refers to the jazz tradition of a Shout chorus which often appears towards the end of a jazz piece, bringing the players together after they have all taken their improvised solos.Shout! should hopefully be enjoyable to listen to and, although not without its technical challenges, fun to play.Duration: 3.45Recorded on Polyphonic QPRL227D SHOUT!

    Estimated dispatch 7-14 working days

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  • £57.50

    Prelude on an Irish Folk Tune (Brass Band - Score and Parts) - Sparke, Philip

    The Irish folk tune, which appears towards the end of the piece, is Slane, a hymn tune version of the much older folk melody The Banks of the Bann. In Prelude on an Irish Folk Tune, fragments of the folk tune hint at what is to come later in the piece, but another folk-like tune is predominant. This later acts as a descant to Slane when it finally appears. Add a little Sparke sparkle to any concert with this lovely interlude.Duration: 4:00

    Estimated dispatch 7-14 working days

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