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  • £101.00

    Three Inventions - Pi Scheffer/A. H. Jakeway

    Dr. J (Pi) Scheffer was the leader of the famous Dutch AVRO Radio Big Band 'The Skymasters' in the 50's, as well as also being an English teacher. He also had a huge success with his composition for wind band 'Three Inventions', not only in Europe but also in the USA. At the time of publication (1971) there was no promotion with sound sample of this work, so for this reason now Molenaar Edition has a complete new score and parts available in their 'Creative Compositions' (c) series. The work is in the movements. 'Flippant', 'Whimsical' and 'Sorta Mixed Up'. A recent edition of the American magazine publication 'The School Musician' even compared Scheffer with Leonard Bernstein.

    Estimated dispatch 10-14 working days

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  • £18.00

    Es ist ein Ros Entsprungen

    DescriptionEs ist ein Ros Entsprungen is sometimes sung to the English words "A Great and Mighty Wonder". This tune to the reformation era German carol first appeared in the Speyer Hymnal in Cologne in 1599. This harmonisation of the tune by Michael Praetorius in 1609, one of his earliest publications. Praetorius was, along with his slightly younger contemporary Heinrich Schutz, the foremost German composer of the day, and became famous for his choral music. Much of this was written for multiple groups positioned around the church and conducted by a central conductor, giving a multi-phonic effect similar to the Venetian music of Gabrieli. Today his most famous music is Terpsichore, a collection of over 300 secular dances.You can follow the preview video of the score below.PercussionPercussion required are timpani and clash cymbals only; if clash cymbals are not available this part should be omitted (rather than played on a suspended cymbal).Mutes2 x solo cornets, second cornets and all trombones will require cup mutes

    Estimated dispatch 7-14 working days
  • £30.00

    The Sword and the Star

    DescriptionThe Sword and the Star was written in 2006 for the Middleton Band at the request of their Musical Director, Carl Whiteoak. The inspiration for the work was the band's badge, which features a medieval archer. The town of Middeton's historical link with the symbol of the Archer came from the English victory at the Battle of Flodden in September 1513, where bowmen from Middleton and Heywood under the command of Sir Richard Assheton played a vital part in crushing the invading Scottish army. Sir Richard captured one of the Scottish commanders and presented the prisoner's sword to the St Leonard's church in Middleton in recognition of the town's contribution. As long time Lords of the Manor, the Assheton family crest was for centuries featured in the coat of arms of Middleton council, and when Middleton became part of the Metropolitan Borough of Rochdale the black star from the Assheton crest was used to represent Middleton in the new borough's coat of arms. Hence the title The Sword and the Star, for a piece which attempts to give an impression of the town as it was then and as it is now.The music is in three short sections - a fanfare, a lament and a bright scherzo - and simply aims to contrast the medieval hamlet of Middleton with the bustling urban centre it has now become. The central lament features a Scottish song called "The Flowers of the Forest", written to mourn the loss of so many of Scotland's young men on the field of Flodden; the song returns in a much more positive form at the end of the piece.

    Estimated dispatch 7-14 working days
  • £15.00

    Dragon Dances

    DescriptionDragon Dances was commissioned by Owen Farr, who is also the work's dedicatee, gave the first performance with the Cornwall Youth Band conducted by Richard Evans on 5 April 2010 and has recorded it on his solo CD "A New Dawn" accompanied by the Cory Band conducted by Philip Harper.Being a Welsh composer, writing music for a Welsh soloist, I was naturally keen to reflect this in the music, and I drew inspiration from two particularly Welsh concepts - "hiraeth" and "hwyl". "Hiraeth" is a word that has no direct translation into English, but an approximation would be 'yearning for home'. Like the other celtic nations, Wales has a widespread diaspora of people who left to seek new lives out in the empire and "hiraeth" is a way of summing up the homesickness felt by these exiles, some of whom return each year for a special ceremony at the Royal National Eisteddfod. "Hwyl" is an even more complicated word, variously meaning ecstatic joy, fervour, equable temperament and even the characteristic sing-song oration style of the great Welsh Methodist preachers.I have attempted to make the music reflect both of these, with the melancholy first part of the work inspired by the hymns and solo songs for which Wales is famous, and the second part having a much more dance-like, joyful quality.Performance Notes:2 solo cornets, 2nd and 3rd cornets require cup mutes. 2 solo cornets require harmon mutes with tubes removed (marked 'TR' in the score).1st horn and 1st baritone require straight mutes, preferably fibre. 1st trombone requires a straight mute, 2nd and bass require cup mutes.Percussion instruments required are vibraphone, glockenspiel, timpani, snare drum, suspended cymbal and tam tamWatch/Listen to the score below:

    Estimated dispatch 7-14 working days
  • £25.00

    The Sunne Rising

    DescriptionThe Sunne Rising was commissioned by Matthew Stringer, who gave the first performance to mark the wedding of his sister in 2009. The title is taken from the poem of the same name by the English metaphysical poet John Donne:'Love, all alike, no season knows nor clime,Nor hours, days, months, which are the rags of time.'- The Sunne Rising, By John Donne (1572-1631)To view a PDF preview of the score click here; to view the solo part click here.

    Estimated dispatch 7-14 working days

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  • £16.00

    Coventry Carol

    DescriptionCoventry Carol is a traditional English Christmas carol dating back to at least the sixteenth century, where it formed part of the Pageant of the Shearmen and Tailors, one of the Coventry mystery plays. The plays themselves date back to at least 1392, but the earliest surviving record of the music is in a manuscript writen in 1534. Religious suppression put a stop to the plays by the end of the sixteenth century, but the manuscript recording the Coventry Carol survived and was published in 1817 as part of a revival of interest in the medieval and renaissance periods. The carol refers to the 'Massacre of the Innocents' from chapter two of the Gospel of Matthew, in which Herod orders the massacre of all Hebrew children under the age of two.This arrangement was first performed by the Blackley Band conducted by Andrew Baker in 2004.You can follow the score with and audio preview below: Duration approximately 3'05".Playable by all standards of band.

    Estimated dispatch 7-14 working days
  • £44.00

    Quizas, Quizas, Quizas - Osvaldo Farres - Inge Sunde

    A fresh, powerful and breathtaking latin chart in the famous flexible series SHOWBLOW!The cha-cha-cha Quizas, quizas, quizas is one of the world most famous, composed by Cuban songwriter Osvaldo Farres in 1947.The first English version, Perhaps, perhaps, perhaps, was with Bing Crosby 1948, then Nat King Cole, and with Doris Day in 1964. The arrangement is for flexible instrumentation in the popular series SHOWBLOW, and it can therefore be played by a clean or mixed quintet, but also by a full brass/concert band.Ensure a steady beat and rhythm, and here we go: one-two-chachacha!

    Estimated dispatch 7-14 working days
  • £79.00

    Every Breath You Take - Gordon Matthew Sumner - Idar Torskangerpoll

    The great hit from 1983 by English band Police has moods and colours that is immediately recognized. In the band arrangement it is much the same, but with the added timbres and carpets of sound typical for wind players. Please pay attention to balance throughout the piece. You may also use this piece To improve the sound, balance and intonation in your band.

    Estimated dispatch 7-14 working days
  • £132.00

    Music - Vocal- or Trumpet Solo with Opt. Choir - John Miles - Lars Erik Gudim

    This famous song by English singer and composer John Miles was released for the first time in 1976 on his album "Rebel".The song is Miles' biggest hit to date, peaking the charts in England and several other European countries.This arrangement was performed on the Norwegian Military Tattoo 2016 by singer Knut Anders Sorum with The Staff Band of the Norwegian Armed Forces conducted by Lars Erik Gudim.

    Estimated dispatch 7-14 working days
  • £44.00

    Don't Sit Under the Apple Tree - Stept-Brown-Tobias - Bjorn Morten Kjaernes

    "Don't Sit Under the Apple Tree (With Anyone Else but Me)" is a popular song that was made famous by Glenn Miller and by the Andrews Sisters during World War II. Its lyrics are the words of two young lovers who pledge their fidelity while one of them is away serving in the war. Originally titled "Anywhere the Bluebird Goes", the melody was written by Sam H. Stept as an updated version of the nineteenth-century English folk song "Long, Long Ago". Lew Brown and Charles Tobias wrote the lyrics and the song debuted in the 1939 Broadway musical Yokel Boy. After the United States entered the war in December 1941, Brown and Tobias modified the lyrics to their current form, with the chorus ending with "...'till I come marching home".In 1942 the song was featured in the film Private Buckaroo as a performance by the Andrews Sisters with the Harry James orchestra and featuring a tap dancing routine by The Jivin' Jacks and Jills. It was featured in the films Twelve O'Clock High (1949), With a Song in My Heart (1952), Kiss Them for Me (1957), A Carol for Another Christmas (1964), In Dreams (1999) and The Master (2012). It also featured in the mini-series The Pacific. You can use the song both on musical concerts, movie concerts or just as a happy jazz tune on your next concert. On the sections (like from bar 25), please work carefully to make a good balance with all parts, and that each chord is balanced. With 4-part harmonies sometimes you need to hold back certain notes to make the accord sound good. If you want to open up for a longer improvisation, you can repeat 65 to 81, but then change the part 2 in bar 80 from Eb to a D on the repeat. The accord will be an F6 instead of F7 (on beat 3 and 4 in bar 80) Have fun and enjoy!

    Estimated dispatch 7-14 working days