Results
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£37.95ON WITH THE MOTLEY (Bb or Eb Solo with Brass Band) - Leoncavallo, Ruggero - Farr, Ray
Supplied with parts for soloist in E-flat or B-flat treble clef. This famous aria from the Opera Pagliacci is popular all over the world and sits perfectly for the euphonium. Recorded on Polyphonic QPRL010D Firebird. Duration 3:00.
Estimated dispatch 7-14 working days
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£35.00PATH TO PEACE (Brass Band) - Harper, Philip
Slow melancholic film-style music with soaring euphonium line. It is mainly in a minor key, but finished in the major. Standard: 4th section. Duration: 3:30
Estimated dispatch 7-14 working days
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£89.95
PRELUDE, TOCCATA and FUGUE (Graduation Day) (Brass Band - Score and Parts) - Sparke, Philip
Three connected movements each with their own character. Prelude is energetic and riving, featuring highly syncopated melodies and frequent changes of key and phrase length. The central Toccata is a series of traditional cadenzas for cornet and euphonium that ends ina virtuoso duet for the two soloist and leads directly into the Fugue. The baroque-style fugue keeps breaking out into episodes of 'Swingle' bebop. The conflicting styles both vie for pre-eminence but are eventually happily reconciled and combined to bring this piece to a close. Duration: 13:32 Recorded on Polyphonic QPRL232D Sea Pictures
Estimated dispatch 7-14 working days
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£44.95
PRELUDE, TOCCATA and FUGUE (Graduation Day) (Brass Band - Score only) - Sparke, Philip
Three connected movements each with their own character. Prelude is energetic and riving, featuring highly syncopated melodies and frequent changes of key and phrase length. The central Toccata is a series of traditional cadenzas for cornet and euphonium that ends ina virtuoso duet for the two soloist and leads directly into the Fugue. The baroque-style fugue keeps breaking out into episodes of 'Swingle' bebop. The conflicting styles both vie for pre-eminence but are eventually happily reconciled and combined to bring this piece to a close. Duration: 13:32 Recorded on Polyphonic QPRL232D Sea Pictures
Estimated dispatch 7-14 working days
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£54.99
Smile! Brass Band (Score & Parts)
Undoubtedly, a smile will come to your face whenever you listen to 'Smile', for this little piece is guaranteed to bring mirth and good cheer to each and everyone. What is more, your bandsmen will almost literally lick their lips over this sure-fire favourite to be, containg swinging solos for cornet and euphonium (cued in tenorhorn). 03:30
Estimated dispatch 7-14 working days
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£95.00Sunday Mood (Flexible Solo with Brass Band - Score and Parts) - Kadlec, Jirka - Moren, Bertrand
Solo for Cornet, Eb Horn, Trombone, Euphonium, Violin, Viola or VioloncelloDuration: 3.00
Estimated dispatch 7-14 working days
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£45.00TOSCA (Finale to Act 1) (Brass Band) - Puccini, Giacomo - Harper, Philip
The spectacular Te Deum from the Finale to Act I of Tosca, it begins quietly with the tolling bell as worshippers gather for Mass. The euphonium plays the part of the villainous Scarpia as the music gathers strength. Finally the doors of the church are thrown open and the glorious Te Deum fills the hallowed space. Feature on the CD Cory in Concert Volume V. Grade: 1st Section. Duration: 5:00
Estimated dispatch 7-14 working days
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£42.95WATCHING THE WHEAT (Flugel Horn Solo with Brass Band) - Davoren, Tom
Instrumentation: Score; Flugelhorn; Solo E flat Horn; 1st E flat Horn; 2nd E flat Horn; 1 st B flat Baritone; 2nd B flat Baritone; 1st B flat Trombone; 2nd B flat Trombone; Bass Trombone; B flat Euphonium; E flat Bass; B flat Bass; Timpani; Percussion 1; Percussion 2; Percussion 3. Cornets are tacet throughout.
Estimated dispatch 7-14 working days
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£37.95Benvenuto Cellini (Brass Band - Score only) - Berlioz, Hector - Wright, Frank
Berlioz's opera Benvenuto Cellini was first produced in Paris in 1838 but was withdrawn as a failure, and it was not until the production in Dresden in 1888 that it was finally acclaimed by the Germans as a triumph. Adapted from certain episodes recorded in the memoirs of Benvenuto Cellini, Tuscan sculptor and goldsmith, the story, laid in Rome during the mid-sixteenth century, is not strictly historical. The short opening Allegro, marked deciso con impeto, is conceived in the most brilliant Berlioz manner, utilising full instrumentation. In the Larghetto we meet at once the first of the opera themes - the Cardinal's aria (from the last act) introduced in the bass, quasi pizzicato. A second melody leads to a resumption of the Allegro, the contrasting second subject in the tenor horns being an adaptation of Teresa's aria (Act I). Towards the end the Cardinal theme is re-introduced by trombones, fortissimo against an energetic cornet and euphonium passage (senza stringendo - without hurry, says the score). After a unison passage storming skywards, there is a sudden, dramatic three-bar silent pause broken by Eb basses alone, again stating the Cardinal theme. A simple molto crescendo on the dominant, begun piano, leads to the long, resounding chord.
Estimated dispatch 7-14 working days
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£82.95Benvenuto Cellini (Brass Band - Score and Parts) - Berlioz, Hector - Wright, Frank
Berlioz's opera Benvenuto Cellini was first produced in Paris in 1838 but was withdrawn as a failure, and it was not until the production in Dresden in 1888 that it was finally acclaimed by the Germans as a triumph. Adapted from certain episodes recorded in the memoirs of Benvenuto Cellini, Tuscan sculptor and goldsmith, the story, laid in Rome during the mid-sixteenth century, is not strictly historical. The short opening Allegro, marked deciso con impeto, is conceived in the most brilliant Berlioz manner, utilising full instrumentation. In the Larghetto we meet at once the first of the opera themes - the Cardinal's aria (from the last act) introduced in the bass, quasi pizzicato. A second melody leads to a resumption of the Allegro, the contrasting second subject in the tenor horns being an adaptation of Teresa's aria (Act I). Towards the end the Cardinal theme is re-introduced by trombones, fortissimo against an energetic cornet and euphonium passage (senza stringendo - without hurry, says the score). After a unison passage storming skywards, there is a sudden, dramatic three-bar silent pause broken by Eb basses alone, again stating the Cardinal theme. A simple molto crescendo on the dominant, begun piano, leads to the long, resounding chord.
Estimated dispatch 7-14 working days
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