Results
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£57.50A Final Fling (Euphonium Solo with Brass Band - Score and Parts) - Sparke, Philip
A Final Fling was written at the request of David Childs for a CD recording with a Celtic theme, which he released in 2007. The phrase 'a final fling' means a last quick effort at doing something, perhaps when this item is used as an encore, and also, a fling is a type of Scottish Highland dance, which tied in with the Celtic theme. A light- hearted piece, A Final Fling starts in the mood of a folk dance and quotes from The Irish Washerwoman before flying to a close. A perfect way to put your euphonium player in the spotlight.Duration: 2:00
Estimated dispatch 7-14 working days
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£84.95In League with Extraordinary Gentlemen (Euphonium Solo with Brass Band - Score and Parts) - Graham, Peter
Concerto for EuphoniumIn League with Extraordinary Gentlemen combines two of composer Peter Graham's life interests - composition and 19th century popular fiction. Each of the concerto's three movements takes its musical inspiration from extraordinary characters who have transcended the original genre and have subsequently found mass audiences through film, television and comic book adaptations.The first movement follows a traditional sonata form outline with one slight modification. The order of themes in the recapitulation is reversed, mirroring a plot climax in the H.G. Wells novella The Time Machine (where the protagonist, known only as The Time Traveller, puts his machine into reverse bringing the story back full circle).The Adventure of the Final Problem is the title of a short story published in The Memoirs of Sherlock Holmes by Arthur Conan Doyle. This is an account of the great detective's final struggle with his long-time adversary Professor Moriarty at the Reichenbach Falls in Switzerland. The music takes the form of a slowed down lndler (a Swiss/Austrian folk dance) and various acoustic and electronic echo effects call to mind the alpine landscape. The final bars pose a question paralleling that of Conan Doyle in the story - have we really seen the last of Sherlock Holmes?The final movement, The Great Race, (available separately) follows Phileas Fogg on the last stage of his epic journey "Around the World in Eighty Days" (from the novel by Jules Verne). The moto perpetuo nature of the music gives full rein to the soloist's technical virtuosity. As the work draws to a conclusion, the frantic scramble by Fogg to meet his deadline at the Reform Club in Pall Mall, London, is echoed by the soloist's increasingly demanding ascending figuration, set against the background of Big Ben clock chimes.In League with Extraordinary Gentlemen was first performed in the brass band version by David Thornton and the Black Dyke Band, conductor Nicholas Childs, at the RNCM Concert Hall Manchester on January 30, 2009.
Estimated dispatch 7-14 working days
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£57.50A Final Fling - Philip Sparke
A Final Fling was written at the request of David Childs for a CD recording with a Celtic theme, which he released in 2007. The phrase 'a final fling' means a last quick effort at doing something, perhaps when this item is used as an encore, and also, a fling is a type of Scottish Highland dance, which tied in with the Celtic theme. A light- hearted piece, A Final Fling starts in the mood of a folk dance and quotes from The Irish Washerwoman before flying to a close. A perfect way to put your euphonium player in the spotlight.
Estimated dispatch 5-14 working days
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£56.00Concerto for Euphonium - Philip Wilby
Completed on New Year's Eve 1995, Philip Wilby's concerto has already established itself as one of, if not the, greatest concerto for the instrument written so far. Its extended length seeks to explore that fine combination of sustained lyricism and explosive virtuosity which typifies the modern euphonium in the most expert hands. There are two parts which divide into four movements. Part One opens with a sonata structure movement which alternates between a melodic style and some rapid passage work. The intention of the music is a firm and cerebral development of the opening fourth-based motifs. At the tranquil conclusion of this music the second movement bursts in - Zeibekikos - a rapid and extrovert Greek Island dance complete with plate smashing! Part Two re-examines some of the opening material surrounded by cadenzas, and centred upon a short and sustained adagio. The final movement opens with a rapid fugal section which moves inexorably towards a climactic return of the music and tonality of the open
Estimated dispatch 7-9 working days
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£70.00Concerto for Euphonium (Parts only) - Philip Wilby
Completed on New Year's Eve 1995, Philip Wilby's concerto has already established itself as one of, if not the, greatest concerto for the instrument written so far. Its extended length seeks to explore that fine combination of sustained lyricism and explosive virtuosity which typifies the modern euphonium in the most expert hands. There are two parts which divide into four movements. Part One opens with a sonata structure movement which alternates between a melodic style and some rapid passage work. The intention of the music is a firm and cerebral development of the opening fourth-based motifs. At the tranquil conclusion of this music the second movement bursts in - Zeibekikos - a rapid and extrovert Greek Island dance complete with plate smashing! Part Two re-examines some of the opening material surrounded by cadenzas, and centred upon a short and sustained adagio. The final movement opens with a rapid fugal section which moves inexorably towards a climactic return of the music and tonality of the open
Estimated dispatch 7-9 working days
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£34.95Trusting Faith (Euphonium Solo with Brass Band - Score and Parts)
This piece is based on the melody Faith is the victory (T.B. 128) and throughout the solo we follow a person's journey of faith. In the first movement, the bold and confident opening depicts a seemingly strong and certain faith, although perhaps a little naive and immature. The music suggests that if we are certain enough, then we will see our prayers immediately answered and will witness miracles. But what happens when we don't see those miracles happen, or our prayers seem unanswered? Doubt creeps in and the music quickly becomes a full struggle continuing through to the end of the moment.What do you do when you faith amounts to something other than what you thought it to be? The beginning of the second movement reflects this questions and starts hesitantly and full of doubt. Soon, a new melody is introduced, Trusting as the moments fly (T.B. 263). The words of the chorus remind us that true faith should bot be affected by fears or disappointments, that our trust in God should remain. Realising that a faith that holds firm, though being tested over time, becoming deeper and stronger, is a liberating truth. We no longer need to struggle in our strength alone, but can lean on God instead.When we lean on God, reset in his care, and feel. safe in his hands, then faith has really become our victory. We will then become strong disciples who can meet life's various challenges without wavering or being afraid. This is depicted in the final movement of the solo when both melodies, whose messages complement each other, are woven together in an explosive finale.
Estimated dispatch 7-14 working days
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£29.50Sibelius Fantasy - Gavin Somerset
Composed in 2003 for a composition competition, this work uses elements of three major work by the Finnish composer Jean Sibelius (1865-1957). The three being... Symphony No.5, Finlandia, Karelia Suite (March) The piece starts with an atmospheric opening before setting of in bar 10 with a tempo that will remain for most of the piece. The main original theme is brought in at A before the famous sequence from Sibelius' Symphony No.5 enters at B and then very distinctly at C. The music then rollercoasts through keeping all sections of the band busy, until we reach J when the solo Euphonium can shine, helped along by Flugel and Repiano. The Molto Vivo before K sets off with dazzling trills from the cornet section, and bringing with it the theme from Finlandia in bar 165, followed shortly by the March from the Karelia Suite. From N to the end, all three pieces are brought to a final climax together. A rousing piece and makes an interesting change to a direct transcription.
In Stock: Estimated dispatch 1-3 working days
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£24.50Seren Fach - Nigel Lawless
Meaning Little Star, this work is so beautiful and simplistic that is raises smiles from all who hear it. Whilst playing with James Shepherd Versatile Brass, Euphonium & trombone player, Nigel Lawless penned this new work as a gift to Rob & Claire Westacott on the birth of their daughter, Jessica. Now cleverly scored for full band, the work combines the two famous melodies of Twinkle, Twinkle Little Star and Brahms lullaby. Playable by most standards of bands, this slow melodic piece fits easily into any concert programme and provides a chance to showcase lyrical soloistic playing and delicate accompanying skills. The work was recorded on the JSVB final CD release, Legacy.
In Stock: Estimated dispatch 1-3 working days
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£74.95Eden (Score and Parts)
This work was commissioned by the Brass Band Heritage Trust as the test piece for the final of the 2005 Besson National Brass Band Championship, held at the Royal Albert Hall, London.The score is prefaced by the final lines from Milton's epic poem Paradise Lost (completed in 1663), in which Adam and Eve, expelled from Paradise, make their uncertain way into the outside world:"...The world was all before them, where to chooseTheir place of rest, and providence their guide:They hand in hand with wandering steps and slow,Through Eden took their solitary way."My work is in three linked sections. In the first, the characters of Adam, Eve and the serpent guarding the Tree of Knowledge are respectively represented by solo euphonium, cornet and trombone. The music opens in an idyllic and tranquil mood and leads into a duet between euphonium and cornet. Throughout this passage the prevailing mood darkens, though the soloists seem to remain oblivious to the increasingly fraught atmosphere. A whip-crack announces the malevolent appearance of the solo trombone who proceeds to engage the solo cornet in a sinister dialogue.The second section interprets the Eden story as a modern metaphor for the havoc mankind has inflicted upon the world, exploiting and abusing its resources in the pursuit of wealth. Though certainly intended here as a comment on the present-day, it is by no means a new idea: Milton himself had an almost prescient awareness of it in Book I of his poem, where men, led on by Mammon:"...Ransacked the centre and with impious handsRifled the bowels of their mother earthFor treasures better hid. Soon had his crewOpened into the hill a spacious woundAnd digged out ribs of gold."So this section is fast and violent, at times almost manic in its destructive energy. At length a furious climax subsides and a tolling bell ushers in the third and final section.This final part is slow, beginning with an intense lament featuring solos for tenor-horn, flgel-horn and repiano cornet and joined later by solo baritone, soprano cornet, Eb-bass and Bb-bass.At one stage in the planning of the work it seemed likely that the music would end here - in despair. Then, mid-way through writing it, I visited the extraordinary Eden Project in Cornwall. Here, in a disused quarry - a huge man-made wound in the earth - immense biomes, containing an abundance of plant species from every region of the globe, together with an inspirational education programme, perhaps offer a small ray of hope for the future. This is the image behind the work's conclusion and the optimism it aims to express is real enough, though it is hard-won and challenged to the last.John Pickard 2005
Estimated dispatch 7-14 working days
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£29.50Eden (Score Only)
This work was commissioned by the Brass Band Heritage Trust as the test piece for the final of the 2005 Besson National Brass Band Championship, held at the Royal Albert Hall, London.The score is prefaced by the final lines from Milton's epic poem Paradise Lost (completed in 1663), in which Adam and Eve, expelled from Paradise, make their uncertain way into the outside world:"...The world was all before them, where to chooseTheir place of rest, and providence their guide:They hand in hand with wandering steps and slow,Through Eden took their solitary way."My work is in three linked sections. In the first, the characters of Adam, Eve and the serpent guarding the Tree of Knowledge are respectively represented by solo euphonium, cornet and trombone. The music opens in an idyllic and tranquil mood and leads into a duet between euphonium and cornet. Throughout this passage the prevailing mood darkens, though the soloists seem to remain oblivious to the increasingly fraught atmosphere. A whip-crack announces the malevolent appearance of the solo trombone who proceeds to engage the solo cornet in a sinister dialogue.The second section interprets the Eden story as a modern metaphor for the havoc mankind has inflicted upon the world, exploiting and abusing its resources in the pursuit of wealth. Though certainly intended here as a comment on the present-day, it is by no means a new idea: Milton himself had an almost prescient awareness of it in Book I of his poem, where men, led on by Mammon:"...Ransacked the centre and with impious handsRifled the bowels of their mother earthFor treasures better hid. Soon had his crewOpened into the hill a spacious woundAnd digged out ribs of gold."So this section is fast and violent, at times almost manic in its destructive energy. At length a furious climax subsides and a tolling bell ushers in the third and final section.This final part is slow, beginning with an intense lament featuring solos for tenor-horn, flgel-horn and repiano cornet and joined later by solo baritone, soprano cornet, Eb-bass and Bb-bass.At one stage in the planning of the work it seemed likely that the music would end here - in despair. Then, mid-way through writing it, I visited the extraordinary Eden Project in Cornwall. Here, in a disused quarry - a huge man-made wound in the earth - immense biomes, containing an abundance of plant species from every region of the globe, together with an inspirational education programme, perhaps offer a small ray of hope for the future. This is the image behind the work's conclusion and the optimism it aims to express is real enough, though it is hard-won and challenged to the last.John Pickard 2005
Estimated dispatch 7-14 working days
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