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  • £14.95

    Instrumental Album No.20 - Popular Duets

    Includes: Two duets (Eb Horns); The Golden Day (Bb Cornets); Happy People (Bb Cornets); Neath the shade of the cross (Bb Cornet & Euphonium); Shout and Sing (Bb Cornets); Four Duets (Cornet & Euphonium); Austria (Cornet & Euphonium); The dear homeland (Bb Cornet & Eb Horn); Scottish Melodies (Bb Cornets); Never run away (Bb Cornet & Euphonium); The heavenly pilot (Bb Cornets); Clearer Vision (Bb Cornets); Thou art enough for me (Bb Cornet & Euphonium); Two Irish melodies (Bb Cornet & Eb Horn)Instrumentation: Various Brass Instruments

    Estimated dispatch 7-14 working days
  • £80.00

    St. Magnus - Kenneth Downie

    Dedicated to Alastair Massey, an inspirational music teacher. Commissioned by the Scottish Brass Band Association for the 2004 European Brass Band Championships in Glasgow. This music is a set of variations on the tune known as St Magnus, which is attributed to Jeremiah Clarke. Most people will associate it with Thomas Kelly's hymn which begins: "The Head that once was crowned with thorns is crowned with glory now". The tune is very simple, consisting of just two, four-bar phrases. Neither is there much in the way of rhythmic variety, every note being a crotchet with the exception of two quavers, and the last note in each phrase. Within such a simple structure, however, lies considerable strength. THEME The listener is given the opportunity of hearing it twice, in full, at the beginning, starting with one player but soon taken up by the full ensemble. It returns in the middle of the music and is stated again near the end. This has been done quite deliberately in the hope that there will be an appreciation of what material is being developed, by the listener as well as by those with access to the score, who are able to see the visual connections. VARIATION 1 This takes the rhythm of the last part of the theme and also uses the shape of the opening as a recurring figure. The mood is whimsical and skittish, with short, teasing rhythmic figures tossed around the band, and quick interplay with percussion, at a fast tempo. An energetic flourish finishes this variation before the Andante espress. VARIATION 2 This commences with chords related to the opening of Variation 1. The cantabile on solo comets establishes a new, lyrical mood and there is scope for expressive playing in a series of short solo passages. The theme works its way unobtrusively into the texture before a reprise of the solo cornet melody and some more lyrical interchanges between Eb bass, euphonium, flugel horn and comets. The variation ends serenely with clear references to the last phrase of the theme. VARIATION 3 The first idea to dominate is clearly linked to the shape of the theme's first phrase. There is a frenetic feel to much of this variation, with considerable energy and instability created by extensive use of cross-rhythms. A thinning-out of the score marks a clear change to development of the start of the second phrase of the theme. This proves to be short-lived however, and the opening material returns leading to a restatement of the theme, "Maestoso," after which a euphonium cadenza links to Variation 4. VARIATION 4 Here we have some solos for euphonium, cornet, trombone and Eb bass set against a background of horns and baritones presenting a pensive statement of the theme's opening. VARIATION 5 This commences Allegro, with lively work for cornet and euphonium spreading to the whole band before attention focuses on the beginning of the second phrase of the theme which is initially presented in diminution, then in regular rhythm, then in inversion. An increase in tempo coupled with a decrease in volume, requires dexterity and control, with several metrical challenges thrown in for good measure. The same fragment of phrase becomes an ostinato which generates a frenzied climax, punctuated by short, dramatic silence, before the opening figure returns and the music gradually winds down. The tubular bells herald the final return of the theme, in augmentation, marking the start of the Finale. FINALE This features the running semiquavers of the previous variation sounding in counterpoint. A fast, furious coda speeds the work to a conclusion while references to the opening of the theme are still trying to break into the texture of the music. Kenneth Downie

    Estimated dispatch 5-14 working days
  • £35.87

    Eternity (Brass Band) Michael Bojesen arr. David Robb

    In Eternity, Danish composer and conductor Michael Bojesen sets a text by the Danish poet Ellen Heiberg as a choral fantasy piece. In this effective arrangement by Scottish composer/arranger David Robb, after a simple, pure opening melody, lilting unison lines evoke the roll of the ocean's waves and the smoothness of the stone which represents a piece of "all eternity." Following the opening hymn, layered melodies overlap and circle each other, representing the cycle of time. Each melody repeats and builds until it dies away, and the band returns to unison to end on a single note. PDF download includes score and parts. To view a video of Victoria Brass performing the work please visit www.youtube.com/watch?v=-b2jfywsSz4 Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Difficulty Level: 3rd Section + Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Suspended Cymbal Glockenspiel

    In Stock: Estimated dispatch 1-3 working days
  • £35.87

    My Bonnie - Brass Band (Kenneth Downie)

    VIEW SCORE PDF This three-minute fantasy waltz was commissioned by John Ward, conductor of Fulham Brass Band, to celebrate the first birthday of his daughter, Bonnie. The result is a work that is full of Kenneth Downie's customary imagination and musical signatures. Based on the Scottish folk song My Bonnie lies over the ocean, there is also a subtle reference to Away in a Manger to signify Bonnie's Christmas Day arrival. For a follow-the-score video based on a performance by Brass Band Willebroek, please visit: https://www.youtube.com/watch?v=SKNd_ocryZY PDF download includes score and full set of parts. Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Difficulty Level: 2nd Section + Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Glockenspiel Percussion

    In Stock: Estimated dispatch 1-3 working days
  • £59.95

    Concerto Grosso (Brass Quartet with Brass Band - Score and Parts) - Gregson, Edward

    Concerto Grosso was commissioned in 1972 by the Scottish Amateur Music Association for the National Youth Brass Band of Scotland.I took as my starting point the 18th century concerto grosso form with its element of contrast between small and large instrumental forces. The concertino (solo) group consists of cornet, horn, trombone and euphonium. The work is cast in one continuous movement (the old concerto grosso was often in three or more). The single movement is cast in the arch-like version of the ritornello form which was the mainstay of the baroque concerto. There are three main episodes which alternate with the ritornello and these exploit slow lyrical melodies as well as more rhythmically charged music. The final coda contrasts the ritornello material with the concertino group's own material, bringing the work to a resounding conclusion.- Edward GregsonDuration: 8.00

    Estimated dispatch 7-14 working days

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  • £15.00

    Dynamite! - Helen Douthwaite

    The piece was written by Helen Douthwaite for The Gorbals Youth Brass Band and premiered at The Scottish Youth Brass Band Championships in Perth, 2012.It was inspired by a chant written and sung by the band members on their walk from school to the rehearsal space, and soon became the official GYBB song - words of advice to the audience ...don't mess with Dynamite!A fun piece for training band, opening with chanting about the dangers of dynamite and developing into scored playing to get the participants engaged. A perfect piece to break the ice for young learners!Set includes score and parts for:Cornet 1Cornet 2Eb Tenor HornTromboneBaritone/EuphoniumEb BassPercussionLook and Listen (an extract of a performance of Dynamite by The Gorbals Youth Brass Band from 2012):https://www.themusiccompanyshop.com/wp-content/uploads/2015/12/Dynamite-Gorbals-Youth-BB-2012.mp4

    In Stock: Estimated dispatch 3-5 working days
  • £57.50

    A Final Fling - Philip Sparke

    A Final Fling was written at the request of David Childs for a CD recording with a Celtic theme, which he released in 2007. The phrase 'a final fling' means a last quick effort at doing something, perhaps when this item is used as an encore, and also, a fling is a type of Scottish Highland dance, which tied in with the Celtic theme. A light- hearted piece, A Final Fling starts in the mood of a folk dance and quotes from The Irish Washerwoman before flying to a close. A perfect way to put your euphonium player in the spotlight.

    Estimated dispatch 5-14 working days

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