Searching for Wind Band Music? Visit the Wind Band Music Shop
We've found 363 matches for your search. Order by

Results

  • £44.95

    Masquerade (Score Only)

    The first performance took place on the 4th. September 1993 at the Free Trade Hall in Manchester during the British Open Brass Band Championships.Note by Philip Wilby:Masquerade is a centenary tribute to Verdi's last opera Falstaff and takes its final scene as the basis for my own piece. Thus I have used some of Verdi's music, and some of Shalespeare's plot, and woven them into a fabric with highly demanding music of my own to produce a work in the great tradition of operatically-based brass band pieces. Such scores date from the very beginnings of band repertory and are often not direct arrangements in the established sense but new compositions produced in homage to a past master. They may still offer performers and audience alike something familiar interwoven with something new. My own piece reuses some elements from the original story: . .Falstaff has been caught in a web of his own lies by the ladies of the town, who propose to teach him a lesson. The story opens at night in Windsor Great Park. The plotters, variously disguised in Hallowe'en fashion (as fairies,elves hobgoblins etc!) assemble in the park to await Falstaff's arrival (musicologists will, perhaps, note a rare use of 'large bottle in F' being used during this scene of suppressed alcoholic revelry!). Falstaff's companions, Bardolph,Piston and Robin, enter (represented here by the three trombones!), and are variously abused by the masqueraders. At the height of the Tout an alarm sounds and Falstaff (euphonium cadenza) enters as Midnight strikes. From a safe hiding place he watches as the disguised Nanetta (principal comet) sings a serene solo as the moon appcars above the trees. With sudden force the others seize him and drag him from his hiding place. As in the traditional game 'Blind Man's Buff', he is roughly turned seven times (a sequence of solo accelerandi) until, at last, he recognizes his assailants as his sometime friends. Far from complaining, Verdi's character concludes the opera with a good-humoured fugue on the words.... 'All the World's a Joke... Every mortal laughs at the others, But he laughs best who has the final laugh. Philip Wilby.

    Estimated dispatch 7-14 working days
  • £44.95

    Partita (Score Only)

    Partita was written in 1989 to a commission from Eikanger/Bjrsvik Musikklag (Norway) who were European Champions at the time.There are three movements.1 The first movement is almost a miniature concerto for band. It opens with a relentless quaver passage in the basses, which builds until the whole band is involved. Horns and baritones are first to take centre-stage in close harmony and the euphoniums and basses follow them. These forces combine to introduce the cornets that have a 10-part fanfare to themselves before the trombones interrupt. The opening quaver figure returns, somewhat ominously, and, after the full band recalls previous material, brings the movement to a close.2. Starts with a cornet solo over a pulsating accompaniment after which the band builds to a noble tune on the trombones. The full band takes over and brings back the opening cornet tune with which the soloist, with the aid of a euphonium counter-melody, quietly ends the movement, leading directly into:3. A sparkling vivo, which opens with the fanfare-like figures throughout the band until a solo cornet, emerges with an acrobatic tune. The whole band takes this up until horns; baritones and trombones introduce an energetic second subject, which leads to a full band climax in the form of a jubilant chorale. This died away to reintroduce the opening fanfare against a new theme from the trombones, which eventually leads back to a recapitulation. We are then thrown headlong into a 12/8 presto, which hurtles to a coda, which recalls the opening themes.

    Estimated dispatch 7-14 working days
  • £34.95

    Storyteller - Christopher Bond

    2016 marked one hundred years since the birth of iconic children's author, Roald Dahl. Storyteller, inspired by the imagination of Roald Dahl, is an ideal opener, with fizzing rhythmic motifs, forward-momentum, and a feeling of excitement through to the close. As with Dahl's magical imagination, ideas are presented boldly and developed throughout the work, with solo contributions from euphonium and baritone, and optional standing moments for soloists and sections. The work was commissioned by and written for Brighouse & Rastrick Band as the opening item to its podium-placed 2016 Brass in Concert programme, premiered at The Sage, Gateshead, on 20th November 2016.

    Estimated dispatch 5-10 working days
  • £29.95

    Prayer to St Michael - Jonathan Bates

    DURATION: 4'00". DIFFICULTY: Moderate. 'Prayer to Saint Michael' is a solo for Euphonium, composed for the Wantage Band and inspired by the life of a young Johann Sebastian Bach, who following the death of both parents by the age of only 10 moved to live with his older brother - Johann Christoph Bach - who was the church organist at St Michael's Church in Ohrdruf. It was in this church where Bach spent many hours studying and performing, being instructed by Johann Christoff on the clavichord. Within 6 years, the young Bach had been enrolled in the prestigious St Michael's School in Luneberg. . "St. Michael the Archangel, illustrious leader of the heavenly army, . defend us in the battle against principalities and powers, . against the rulers of the world of darkness and the spirit of wickedness in high places. Come to the rescue of mankind, . whom God has made in His own image and likeness, . and purchased from Satan's tyranny at so great a price. The Holy Church venerates you as her patron and guardian. The Lord has entrusted to you the task of leading the souls of the redeemed to heavenly blessedness. Entreat the Lord of peace to cast Satan down under our feet, . so as to keep him from further holding man captive and doing harm to the Church. Carry our prayers up to God's throne, . that the mercy of the Lord may quickly come and lay hold of the beast, . the serpent of old, Satan . and his demons, casting him in chains into the abyss, . so that he can no longer seduce the nations. Amen.". .

    In Stock: Estimated dispatch 1-3 working days
  • £70.00

    End of the Year Special - Andrew Pearce

    The end of the year special is an original composition not based on any carols, written originally for orchestra for a French TV channel to celebrate their end of the year festivities. It's a short 2 1/2 minute opener with lots of tuned percussion and sleigh bells, plus some solo work for the euphonium. It's fun and festive and a great way to open any Holiday concert. There's even an optional part for women's chorus if you like. End of the Year Special could very well be the perfect opening for your Christmas concert.

    Estimated dispatch 10-14 working days

     PDF View Music

  • £35.00

    Alu - Peter Meechan

    Alu was commissioned by Pat Herak for his wife Diana, for their 10th wedding anniversary. It was premiered by Diana and the Brass Band of Columbus, USA.It is a simple, reflective piece, which grows from a small idea first heard in the baritone and changes throughout, although the opening material is never far away.The solo part is equally suitable for baritone or euphonium.

    Estimated dispatch 12-14 working days

     PDF View Music

  • £35.00

    Elegie - Peter Meechan

    The opening unaccompanied passage of this work was originally written as a short memorial piece for saxophone, but was later adapted as the basis of this more developed work for solo euphonium or trombone.The work uses a variation structure, with both the soloist and the accompaniment changing throughout the piece; the harmony, rhythm and melodic lines leading somewhere new and different each time they are heard - similar to the way our memories of a person often wander in different directions, but are still always focused on that person.

    Estimated dispatch 12-14 working days

     PDF View Music

  • £35.00

    Scene From the Silver Plate - Peter Meechan

    Scene From the Silver Plate takes itas title from the Rio de la Plata, the literal translation being Silver River.This piece, using some of the traditional music from the region (Variants on the tango etc.), is quasi-incidental music from a fictional film, involving some kind of chase from the silver mountains to the estuary. Our fictional hero also has a romantic interest - will he make it away with his silver, and his lady?The trombone duets with various members of the band, including solo horn, euphonium and cornet.

    Estimated dispatch 12-14 working days

     PDF View Music

  • £29.95

    A Little Prayer - Evelyn Glennie - Robert Childs

    Originally composed for solo marimba, this popular version ofA Little Prayerwas made in 1998 following Evelyn Glennie's collaboration with Black Dyke Band during the recording of their Grammy nominatedReflected in BrassCD.Robert Childs, then principal euphonium with Black Dyke, requested Evelyn's...

    Estimated dispatch 5-7 working days
  • £59.95

    MY STRENGTH, MY TOWER Rhapsodic Variations (Brass Band Set) - Dean Goffin

    This music consists of a theme followed by five extensive variations. The theme is the composer's own tune set to the words, 'Thee will I love, my strength, my tower', a hymn by Johann Scheffler translated by John Wesley. A strong modal flavour is characteristic of the theme. Variation 1: This is a light and graceful variation with a good deal of imitative writing. It leads, without a break, into the next variation. Variation 2: Fire and ferocity are asked for in the course of this variation. Variation 3: This variation demonstrates the original approach of the composer. Solo lines for cornet and euphonium are included with their arabesques and arpeggii. Variation 4: Taking the form of a passacaglia, the 'ground' is given out at once by the basses. Fragments of the 'ground', plain or decorated, are combined and used in a number of ways, revealing the composer's mastery of counterpoint. Variation 5: The briskly moving and scintillating final variation abounds in sudden variations of dynamic. The tempo remains constant until an increase is called for in the coda. This 'contest' version has been prepared by Brian Bowen who was asked to re-work the percussion part and introduce a repiano cornet part (Salvation Army band publications do not, in general, have a part for repiano cornet).

    Estimated dispatch 7-14 working days